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y separately published work icon The Permanent Resident selected work   short story  
Issue Details: First known date: 2016... 2016 The Permanent Resident
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AbstractHistoryArchive Description

'A woman who can’t swim wades into a suburban pool. An Indian family sits down to an Australian Christmas dinner. A single mother’s offer to coach her son’s soccer team leads to an unexpected encounter. A recent migrant considers taking the fall for a second generation ‘friend’. A wife refuses to let her husband look at her phone. An international student gets off a train at night.

'Roanna Gonsalves’ short stories unearth the aspirations, ambivalence and guilt laced through the lives of 21st century immigrants, steering through clashes of cultures, trials of faith, and squalls of racism. Sometimes heart-wrenching, sometimes playful, they cut to the truth of what it means to be a modern outsider.' (Publication summary)

Notes

  • Dedication:

    For

    my children, Kirk and Jadyn

    and

    my parents, Rose and Richard

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Crawley, Inner Perth, Perth, Western Australia,: UWA Publishing , 2016 .
      image of person or book cover 8282905571524790172.jpg
      This image has been sourced from online.
      Extent: 280p.
      Note/s:
      • Published 1st November 2016
      ISBN: 9781742589022
    • c
      India,
      c
      South Asia, South and East Asia, Asia,
      :
      Speaking Tiger ,
      2018 .
      image of person or book cover 3066934837196612289.jpg
      Image courtesy of publisher's website.
      Alternative title: Sunita De Souza Goes to Sydney And Other Stories
      Extent: 296p.p.
      Note/s:
      • Published 10 April 2018.

      ISBN: 9789387693104, 9387693104

Works about this Work

Precarity, Violence and the Intersection of Race, Class and Gender in Roanna Gonsalves’ The Permanent Resident Anne Brewster , 2019 single work criticism
— Appears in: Australian Humanities Review , May no. 64 2019;

We live in a mobile world characterised by the mass movement of people - both voluntary and involuntary—on an unprecedented scale. One billion people cross borders every year and international migrants account for 3 percent of the world’s population (Standing 90). This diversity is reflected in the Australian population where one in every four workers is a migrant (Standing 90). Roanna Gonsalves’ collection of stories The Permanent Resident (2016) focuses on the so-called ‘second wave’ of Indian immigration to Australia from the 1990s onwards and reflects the ways in which migration impacts one particular community in Australia, namely the Goan Catholic community.1 While one reviewer qualified her whole-hearted praise of Gonsalves’ book with the reservation that, in their focus on Goan Catholics, the stories were ‘limited to one tiny subset of the Indian community’ (Prakash n.p.), I suggest that this targeted focus allows Gonsalves to drill down into the racialised, gendered, class, religious and historical specificities of this community as it negotiates its position(s) within the post-settler white nation. If in this process Gonsalves critiques racialised power relations between the dominant culture and minoritised peoples within the white nation, her fiction also excavates power hierarchies and complicities within the diaporic Goan community. In turn, situating the Goan community as embodying one of the many histories of migration in Australia, this essay takes up literary theorist Jumana Bayeh’s call to theorise minoritised literatures in Australia through the concept of diaspora in order to counteract and challenge the operations of racism in the public sphere. Bayeh quotes Stuart Hall’s comment that ‘diaspora identities are those that are constantly producing and reproducing themselves anew, through transformation and difference’ (Bayeh 85) to argue that the concepts of diaspora and transnationalism can provide an antidote to racial essentialism (Bayeh 85). In their focus on ‘transformation and difference’, Gonsalves’ stories investigate the ways in which migrants remake themselves and develop many different forms of belonging (both to the post-settler Australian nation and to their countries and cultures of origin) as they insert themselves into Australian suburbia. The stories thereby challenge fixed and essentialist categories of race and whiteness in their exploration of the production and reproduction of diasporic identity and subjectivity. In its thematising of diaspora and transnationalism, The Permanent Resident contributes to and extends both the transnational history of Australian literature and the global field of diasporic South Asian literature.' (Introduction)

Tales of the Modern Migrant Tim Kroenert , 2018 single work column
— Appears in: Eureka Street , 1 July vol. 28 no. 13 2018;

'In June 2009 Eureka Street published a short story entitled 'Curry Muncher'. Its author, Sydney writer Roanna Gonsalves, had come to Australia from India as an international student, and her story stood in part as a response to a much publicised spate of violence against Indian students in Australian capital cities.'

Interrogating the Diaspora Jessica Abramovic , Jen Webb , 2018 single work essay
— Appears in: TEXT : Journal of Writing and Writing Courses , April vol. 22 no. 1 2018;

'Jen met Roanna Gonsalves in 2007 when she came to the Australasian Association of Writing Programs (AAWP) conference, hosted at the University of Canberra. Her paper used Bourdieu’s constructs in a genuinely fresh way: examining the relationship between the literary field, and how creative writers produce their works, from the original story idea all the way through to editing and publication. So Jen knew back then that Gonsalves, too, was a huge Bourdieu fan; but didn’t know she was also a writer of sharp, smart, moving short stories.'  (Introduction)

All In That Space : On Asian Australian Writers Christine Sun , 2018 single work column
— Appears in: Sydney Review of Books , April 2018;

'As the date of the twenty-first anniversary of my arrival in Australia approaches, I acutely sense the space between ‘Asian’ and ‘Australian’ in ‘Asian Australian’, which is how I refer to myself. This space divides not only two words but two worlds, a fact that I, as a bilingual writer and translator of more than two decades, know only too well. Crossing this space is a process of positioning, consciously adopting and abandoning a myriad of reference points between common perceptions of what it means to be ‘Asian’ and ‘Australian’.' (Introduction)

"Roanna Gonsalves' The Permanent Resident" Eugen Bacon , 2017 single work review
— Appears in: Bukker Tillibul , no. 11 2017;

'Roanna Gonsalves writes like a minx, full of mischief. The permanent resident is a literary offering of short fiction that cartwheels you on a roller coaster; one minute you are immersed in a story that is cracking you up, the next you are wrapped up in a tale that is intimately sad.'(Introduction)


 
The State of Australian Reality : Roanna Gonsalves’ The Permanent Resident and Anthony Macris’ Inexperience and other stories David Thomas Henry Wright , 2017 single work review
— Appears in: Verity La , September 2017;

— Review of The Permanent Resident Roanna Gonsalves , 2016 selected work short story ; Inexperience and Other Stories Anthony Macris , 2016 selected work short story
Roanna Gonsalves : The Permanent Resident. Suzanne Marks , 2017 single work review essay
— Appears in: The Newtown Review of Books , January 2017;
'Roanna Gonsalves’s 16 short stories reveal the aspirations, guilt, and perils of what it is to be an Indian immigrant in Australia in the 21st century.'
'The Permanent Resident' by Roanna Gonsalves Sara Savage , 2017 single work essay
— Appears in: Australian Book Review , April no. 390 2017;
'There is a moment in ‘The Skit’ – the second in a collection of sixteen short stories by Indian-Australian author Roanna Gonsalves – when the writer protagonist, upon reading her work to a group of her peers (‘the Bombay gang’, as she describes them, ‘still on student visas, still drinking out of second-hand glasses from Vinnies, and eating off melamine plates while waiting and waiting for their applications for permanent residency to be processed’), is met with the incorrect assumption that her writing is autobiographical. This early on in The Permanent Resident – Gonsalves’s début book, though by no means her first reflection on migrant identities in Australia – it feels like a surreptitious wink from the author, whose voice hums sotto voce beneath a chorus of characters seldom represented (at least not so intricately) in twenty-first century Australian literature.' (Introduction)
Inside the Migrant Experience Meeta Chatterjee , 2017 single work essay
— Appears in: The Weekend Australian , 14 January 2017; (p. 21)
'Roanna Gonsalves’s The Permanent Resident is a fastidiously crafted collection of 16 short stories that take a hard look at the desire of Indians to migrate and the experience of settling in Australia. At once cerebral and visceral, the stories explore the fault lines of relationships deeply influenced by travelling beyond borders and calling a new place home.' (Introduction)
A Review of The Permanent Resident by Roanna Gonsalves Jen Bowden , 2017 single work essay
— Appears in: Westerly , vol. 62 no. 2 2017; (p. 334-336)
All In That Space : On Asian Australian Writers Christine Sun , 2018 single work column
— Appears in: Sydney Review of Books , April 2018;

'As the date of the twenty-first anniversary of my arrival in Australia approaches, I acutely sense the space between ‘Asian’ and ‘Australian’ in ‘Asian Australian’, which is how I refer to myself. This space divides not only two words but two worlds, a fact that I, as a bilingual writer and translator of more than two decades, know only too well. Crossing this space is a process of positioning, consciously adopting and abandoning a myriad of reference points between common perceptions of what it means to be ‘Asian’ and ‘Australian’.' (Introduction)

Last amended 27 Feb 2019 13:58:15
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