AustLit logo

AustLit

Issue Details: First known date: 2016... 2016 The Representation of Aboriginality in the Novels of Peter Temple
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Identity politics is fraught with difficulties. Of few places is this truer than in Australia when it comes to the representation of Aboriginality. On the one hand the absence or invisibility of Aboriginality in Australian life and culture maybe interpreted as a deliberate exclusion of a people whose presence is uncomfortable or inconvenient for many Australians of immigrant origin. Equally, the representation of Aboriginality by non-Aboriginals may be seen as an appropriation of identity, an inexcusable commercial exploitation or an act of neocolonialism. Best-selling and prize-winning South African-born author Peter Temple appears to be very much aware of these pitfalls. In his crime novels, written between 1996 and 2009, he has obviously made the decision to grasp the nettle and attempt to represent Aboriginality in a way that would be as acceptable as possible. This paper traces the evolution of Temple's representation of Aboriginality through the three major Aboriginal characters present in his novels: Cameron Delray (Bad Debts, 1996; Black Tide, 1999; Dead Point, 2000; and White Dog, 2003), Ned Lowey (An Iron Rose, 1998) and Detective Sergeant Paul Dove (The Broken Shore, 2005 and Truth, 2009).' (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Coolabah Postcolonial Crime Fiction no. 20 2016 10784799 2016 periodical issue

    'This issue contains some of the research carried out by the members of the POCRIF project, “Postcolonial Crime Fiction: a global window into social realities”, under the auspices of the Centre of Australian Studies at the University of Barcelona. The essays presented in this issue, except for one invited contribution, are the result of funding by the Spanish Ministry of Economy - Ministerio de Economía y Competividad, project FFI2013-45101-P.' (Introduction)

    2016
    pg. 9-21
Last amended 2 Mar 2017 13:13:10
9-21 The Representation of Aboriginality in the Novels of Peter Templesmall AustLit logo Coolabah
Subjects:
  • 1996-2009
Newspapers:
    Powered by Trove
    X