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y separately published work icon Meanwhile, the Oak selected work   poetry  
Issue Details: First known date: 2016... 2016 Meanwhile, the Oak
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AbstractHistoryArchive Description

'Meanwhile, the Oak is more impressive with every reading. We're drawn into an ecology where people really do give a damn about each other and the world their friends, lovers, children and animals inhabit. Utah and Arizonan deserts never seemed so sparkling. Australian forests, kitchens and bedrooms ('Give me a broom or give me death!') are charged with memorable arguments and eroticism. How clever, how good, her writing is. Taylor Johnson's poems expand our knowledge while they increase our delight.'

(Publication Summary)

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Parkville, Parkville - Carlton area, Melbourne - North, Melbourne, Victoria,: Five Islands Press , 2016 .
      image of person or book cover 6817744489879698295.jpg
      This image has been sourced from online.
      Extent: 94p.
      ISBN: 9780734053091

Works about this Work

Three Poetry Books Nicholas Birns , 2017 single work essay
— Appears in: Transnational Literature , May vol. 9 no. 2 2017;
'Michael Sharkey has long been known as one of Australia’s most congenial, collegial, and agile poets and literary critics. One might have expected this anthology to be an assemblage of various tribute and assessments, all done with the urbanity and goodwill long known to be Sharkey’s hallmark. What a surprise, then, to realise that this collection, though indeed various, generous, and informative, tinged throughout with what Gordon Collier, in his preface to the book, calls Sharkey’s ‘evanescently ironical’ but not ‘acidulous’ personality (ix), is really dedicated to one theme: the shared cultural practices of Australia and New Zealand.' (Introduction)
Three Poetry Books Nicholas Birns , 2017 single work essay
— Appears in: Transnational Literature , May vol. 9 no. 2 2017;
'Michael Sharkey has long been known as one of Australia’s most congenial, collegial, and agile poets and literary critics. One might have expected this anthology to be an assemblage of various tribute and assessments, all done with the urbanity and goodwill long known to be Sharkey’s hallmark. What a surprise, then, to realise that this collection, though indeed various, generous, and informative, tinged throughout with what Gordon Collier, in his preface to the book, calls Sharkey’s ‘evanescently ironical’ but not ‘acidulous’ personality (ix), is really dedicated to one theme: the shared cultural practices of Australia and New Zealand.' (Introduction)
Last amended 5 Oct 2018 11:16:00
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