AustLit
Issue Details:
First known date:
2017...
3-9 June
2017
of
The Saturday Paper
est. 2014
The Saturday Paper
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Notes
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Contents indexed selectively.
Contents
* Contents derived from the 2017 version. Please note that other versions/publications may contain different contents. See the Publication Details.
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The Making of the Uluru Statement,
single work
column
'In early 2014, just as a parliamentary committee was being established to produce a road map towards Indigenous constitutional recognition, Cape York leader Noel Pearson began his own series of quiet consultations with people he calls “constitutional conservatives”.' (Introduction)
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Quadrant and Its Slide into Deluded Extremism,
single work
column
'Let us imagine for a moment that someone other than a member of the reactionary right had, on the official site of the media organisation for which they worked, publicly wished violent death on their ideological opponents.' (Introduction)
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Tracey Moffatt at the 2017 Venice Biennale,
single work
column
'While the photography in Tracey Moffatt’s exhibition at the Venice Biennale bears touches of the knowing melodrama of her early work, her film work comes with a disaffected Hollywood air. By Marcia Langton.' (Introduction)
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Artist Yhonnie Scarce,
single work
column
'Artist Yhonnie Scarce captures the aftermath of Maralinga in her new exhibition Thunder Raining Poison. By Ellen van Neerven.'
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Inga Simpson : Understory,
single work
essay
'In 2007 Inga Simpson, not yet a successful novelist, is stuck on a wearying conference call when she first sees the cedar cottage that will change her life. It sits in a misty forest and is up for sale. Simpson and her partner, a writer known here as N, aren’t ready for their tree change, but many things in this memoir happen before the pair is ready; they meet challenges as opportunities, equally inspiring and frightening.' (Introduction)
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Wayne Macauley : Some Tests,
single work
column
'Wayne Macauley is an Australian original. He writes in a tradition of dystopian satire – associated most famously with George Orwell’s 1984 or Aldous Huxley’s Brave New World – but in a stripped-back and absurdist style. His work is a mixture of Jonathan Swift, Samuel Beckett, Franz Kafka and J. M. Coetzee (in allegorical mode), though Macauley’s fictional worlds are always set in Melbourne or greater Victoria. The meaning or relevance of his dystopian satires are to be found locally too, in our country’s follies.' (Introduction)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 5 Jun 2017 11:52:13
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