AustLit
Latest Issues
AbstractHistoryArchive Description
'Since the middle of the twentieth century, the phenomenon of public apology has become increasingly prevalent and visible, enacted in contexts ranging from the South African Truth and Reconciliation Commission to the Australian government’s apology to the Stolen Generation, to the iconic genuflection of Willy Brandt before the Warsaw Ghetto Monument. While research surrounding public apology (particularly in the context of work on trauma, memory and reconciliation) has also become increasing prevalent, literary representations of public apology remain under-researched. Works like J. M. Coetzee’s Disgrace (1999) and Gail Jones’ Sorry (2007) present something of a scholarly conundrum. In the final historical and cultural assessment of public apologies, how are imaginative representations of apologies to be understood? Do they participate in the apologising process, or do they simply describe it? What implications does a judgement either way hold for scholarship on the larger relations between art and civic life? This paper finds a way into some of these large questions by considering the specific case of Judith Wright and the forms of literary redress she made to Indigenous Australians. ' (Introduction)
Publication Details of Only Known VersionEarliest 2 Known Versions of
- Half a Lifetime 1999 single work autobiography
- Born of the Conquerors : Selected Essays 1991 selected work prose criticism
- We Call for a Treaty 1985 single work non-fiction
- Collected Poems 1942-1985 1994 selected work poetry
- Bringing them Home : Report of the National Inquiry into the Separation of Aboriginal and Torres Strait Islander Children from Their Families 1997 single work criticism