AustLit
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
Latest Issues
AbstractHistoryArchive Description
Brought to you by this passionate and highly focused team of young editors and designers, Verandah 32 not only directs the spotlight onto boundary-breaking writing, trending to the experimental, but its also innovative in its dual modality. This year, the print version of the journal shows the prize winners for both written and graphic contributions, along with an editors' selection, while the e-edition extends this offering with some additional longer pieces. The visual art here ranges from the virtuosic elegance of Kellie Jane's almost synesthetic flower sequence, through Charles Thompson's photographic performance of 'masculine' trades, the imaginative whimsy of Caleb Lun's 'Found' and Rhys Purton's 'Journal Page' to the boundary-crossing provocation, of which the celebratory Warhol-esque conceit of Orange is the New Black's 'Lola' is emblematic. (Foreword introduction)
Notes
-
Content indexing in process.
Contents
* Contents derived from the 2017 version. Please note that other versions/publications may contain different contents. See the Publication Details.
- Hands, single work short story (p. 1-5)
- Albyi"Choppers pitter-patter", single work poetry (p. 7)
- Discourse Never Did Run Smoothi"I am a room", single work poetry (p. 8)
- Monumentsi"I stand, Ozymandias", single work poetry (p. 9)
- Guilt, single work short story (p. 10-12)
- Children Don't Know How to Write Eulogiesi"They speak in simple sentences", single work poetry (p. 13)
- Adami"'Adam! Eat your fruits!", single work poetry (p. 16)
- Behind Closed Doors, single work short story (p. 17-20)
- Single Pillow in the Centrei"There are times I've spent all day in bed without eating", single work poetry (p. 22)
- Bisexualityi"I think she is pretty.", single work poetry (p. 23)
- Sin-eater, single work short story (p. 24-28)
- How We Stay, single work poetry (p. 29-30)
- White Noise of an Urban Landscapei"The country life was not for him, bullock whips", single work poetry (p. 32)
- Salim's Wife, single work short story (p. 33-37)
- Stitchesi"See your name on my heart", single work poetry (p. 40)
- These Are My Broken Handsi"I come to my senses in the cool dark of the morning", single work poetry (p. 41-42)
- Aftertaste of the Slums, single work short story (p. 44-47)
- Lollies, single work short story (p. 49-52)
- Bungalowi"I could turn the memories off", single work poetry (p. 54-55)
- Reflection, single work short story (p. 56-59)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 18 Mar 2020 08:47:33
Common subjects:
Export this record
