AustLit logo

AustLit

image of person or book cover 3899278818330458021.jpg
Image courtesy of publisher's website.
y separately published work icon Crow College : New and Selected Poems selected work   poetry  
Issue Details: First known date: 2019... 2019 Crow College : New and Selected Poems
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'The dark aura of Emma Lew’s poetry has made her a compelling and mysterious presence for successive generations of Australian poets. Lew is highly regarded for the dramatic intensity of her poetry, which combines sudden shifts of voice and perspective with a heightened awareness of the moment. Her mastery of the ominous setting and the resonant line, and her command of poetic form – particularly the interior monologue, the pantoum and the villanelle – draw on a deep correspondence between the figure of the defiant woman, volatile, dangerous, ironic, and the destructive forces of history. This selection brings together poems from her previous collections The Wild Reply, Anything the Landlord Touches and Luminous Alias, as well as twenty-four new poems not previously collected in book form.'

Source: Publisher's blurb.

Notes

  • Dedication: For Abi and Francesca and for Janet

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Artarmon, North Sydney - Lane Cove area, Sydney Northern Suburbs, Sydney, New South Wales,: Giramondo Publishing , 2019 .
      image of person or book cover 3899278818330458021.jpg
      Image courtesy of publisher's website.
      Extent: 144p.p.
      Note/s:
      • Published March 2019.

      ISBN: 9781925818055
      Series: y separately published work icon Giramondo Poets Giramondo Publishing (publisher), Artarmon : Giramondo Publishing , 2006- Z1440074 2006 series - publisher

Works about this Work

Annelise Roberts Reviews Crow College by Emma Lew Annelise Roberts , 2020 single work review
— Appears in: Plumwood Mountain [Online] , March 2020;

— Review of Crow College : New and Selected Poems Emma Lew , 2019 selected work poetry
Two Surveys, Two Milestones : One Premature Death Martin Langford , 2020 single work review
— Appears in: Meanjin , Autumn vol. 79 no. 1 2020;

— Review of The Gang of One : Selected Poems of Robert Harris Robert Harris , 2019 selected work poetry ; Birth Plan L. K. Holt , 2019 selected work poetry ; Empirical Lisa Gorton , 2019 selected work poetry ; Crow College : New and Selected Poems Emma Lew , 2019 selected work poetry

'In 2017 Alan Wearne quite rightly decided that the work of Robert Harris deserved to be more widely available than through a scattering of individual volumes, and crowd-sourced funding for a selected—which may be an example of Australian poets taking a bad situation into their own hands, but which should never have been necessary if the rest of the country was even remotely aware of the achievements of its writers. Judith Beveridge came on board as editor, and the result is this very handsome and user-friendly edition.'  (Introduction)

Rose Lucas Reviews Crow College by Emma Lew Rose Lucas , 2019 single work review
— Appears in: Mascara Literary Review , December no. 24 2019;

— Review of Crow College : New and Selected Poems Emma Lew , 2019 selected work poetry

'This year, Giramondo has released a new selection of the poems of Emma Lew. An notable poet in the Australian poetry scene for over twenty years now, this edition includes poems from Lew’s two previous collections, The Wild Reply (1997) and Anything the Landlord Touches (2003). Both these collections made an impact: The Wild Reply won the Mary Gilmore award and The Age Poetry Book of the Year in 1998; Anything the Landlord Touches was the Victorian Premier’s Prize winner as well as the Judith Wright Calanthe Prize for poetry in 2003. To be able to revisit some of the key poems from these collections is both to keep them alive within the fabric of Australian letters and to introduce them to new readers. These previously published poems are supplemented by a treasure trove of new poems – some of which were also published in Vagabond’s Rare Object Series, Luminous Alias (2013) – which demonstrate both continuities and new directions in the work of this influential poet.' (Introduction)

Breaking Through the Lines : Crow College by Emma Lew Ross Gibson , 2019 single work review
— Appears in: Sydney Review of Books , August 2019;
Emma Lew : Crow College: New and Selected Poems Martin Duwell , 2019 single work essay
— Appears in: Australian Poetry Review , no. 14 2019;

'Reading Emma Lew’s first book, The Wild Reply, in 1997 I was tempted to guess that the generative method of its powerful poems was based on something like putting the characters of one novel into a quite different novel (usually Central European or Russian) – say like transferring the characters of Great Expectations into Pasternak’s Dr Zhivago – isolating a scene and then writing it as a fragmented monologue or third person narration removing all clues as to what either of the original novels might have been. Spending some time with Lew’s poetry while looking at this new and selected poems makes me realise how inadequate this guess was (though it has retained its attraction, to me at least, as an interesting way of generating a certain kind of poem).' (Introduction)

Forms in Bone Judith Bishop , 2019 single work review
— Appears in: Australian Book Review , May no. 411 2019; (p. 55)

— Review of Crow College : New and Selected Poems Emma Lew , 2019 selected work poetry

'Original voices are always slippery to describe. The familiar weighing mechanisms don’t work very well when the body of work floats a little above the weighing pan, or darts around in it. As in dreams, a disturbing familiarity may envelop the work with an elusive scent. It is no different for poetry than for any other art: the mercurial alloy, or unforeseen offspring, astonish and perturb. They divide opinion. The reception to date of Emma Lew’s poetry, gathered for the first time in her New and Selected Poems, demonstrates this effect.' (Introduction)

Rose Lucas Reviews Crow College by Emma Lew Rose Lucas , 2019 single work review
— Appears in: Mascara Literary Review , December no. 24 2019;

— Review of Crow College : New and Selected Poems Emma Lew , 2019 selected work poetry

'This year, Giramondo has released a new selection of the poems of Emma Lew. An notable poet in the Australian poetry scene for over twenty years now, this edition includes poems from Lew’s two previous collections, The Wild Reply (1997) and Anything the Landlord Touches (2003). Both these collections made an impact: The Wild Reply won the Mary Gilmore award and The Age Poetry Book of the Year in 1998; Anything the Landlord Touches was the Victorian Premier’s Prize winner as well as the Judith Wright Calanthe Prize for poetry in 2003. To be able to revisit some of the key poems from these collections is both to keep them alive within the fabric of Australian letters and to introduce them to new readers. These previously published poems are supplemented by a treasure trove of new poems – some of which were also published in Vagabond’s Rare Object Series, Luminous Alias (2013) – which demonstrate both continuities and new directions in the work of this influential poet.' (Introduction)

Two Surveys, Two Milestones : One Premature Death Martin Langford , 2020 single work review
— Appears in: Meanjin , Autumn vol. 79 no. 1 2020;

— Review of The Gang of One : Selected Poems of Robert Harris Robert Harris , 2019 selected work poetry ; Birth Plan L. K. Holt , 2019 selected work poetry ; Empirical Lisa Gorton , 2019 selected work poetry ; Crow College : New and Selected Poems Emma Lew , 2019 selected work poetry

'In 2017 Alan Wearne quite rightly decided that the work of Robert Harris deserved to be more widely available than through a scattering of individual volumes, and crowd-sourced funding for a selected—which may be an example of Australian poets taking a bad situation into their own hands, but which should never have been necessary if the rest of the country was even remotely aware of the achievements of its writers. Judith Beveridge came on board as editor, and the result is this very handsome and user-friendly edition.'  (Introduction)

Annelise Roberts Reviews Crow College by Emma Lew Annelise Roberts , 2020 single work review
— Appears in: Plumwood Mountain [Online] , March 2020;

— Review of Crow College : New and Selected Poems Emma Lew , 2019 selected work poetry
Emma Lew : Crow College: New and Selected Poems Martin Duwell , 2019 single work essay
— Appears in: Australian Poetry Review , no. 14 2019;

'Reading Emma Lew’s first book, The Wild Reply, in 1997 I was tempted to guess that the generative method of its powerful poems was based on something like putting the characters of one novel into a quite different novel (usually Central European or Russian) – say like transferring the characters of Great Expectations into Pasternak’s Dr Zhivago – isolating a scene and then writing it as a fragmented monologue or third person narration removing all clues as to what either of the original novels might have been. Spending some time with Lew’s poetry while looking at this new and selected poems makes me realise how inadequate this guess was (though it has retained its attraction, to me at least, as an interesting way of generating a certain kind of poem).' (Introduction)

Breaking Through the Lines : Crow College by Emma Lew Ross Gibson , 2019 single work review
— Appears in: Sydney Review of Books , August 2019;
Last amended 26 Sep 2019 09:32:13
Newspapers:
    Powered by Trove
    X