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A Ceiling Made of Stretched Canvas single work   short story  
Issue Details: First known date: 2018... 2018 A Ceiling Made of Stretched Canvas
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AbstractHistoryArchive Description

'the windows never stop rattling paint chips flake off window frames with every gust how can i paint with all this dust driving me to flaking distraction the water choppy, reflecting cold pewter sky outside a bloke in a hi-vis vest is hammering stakes near the timber yard fences hey, just go ahead and trespass, mate don’t bother asking the door slams more flaking paint Timber yard for sale sign on what used to be the wharf piss off, mate blind freddy can see you’re doing your job i don’t give a fuck if leonardo da vinci himself sent you dilapidated, sure but huge a huge studio jesus, with sydney’s real estate, even for rentals developers eager to turn industrial heritage into airbnb pull the plug on my wifi the greed of the man i refer to as my benefactor easy for artists in the renaissance, painting pretty madonnas for some old bugger who needed to bribe his way into heaven insufficient patronage' 

 (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Southerly Violence vol. 78 no. 3 December 2018 16857182 2018 periodical issue 'Rarely has Southerly received so much high-quality material than in response to the call for work on the theme of Violence. In fact our poetry editor, Kate Lilley, requested we increase the extent of the issue to accommodate the volume of excellent work; hence this is a large issue that includes a wealth of poetry. The reasons for this abundance are too many. In literary terms, violence provides a readymade drama, an impetus for action and reaction, shock, emotion, transformation; from Milton’s War in heaven to Modernist aesthetics of shock to the contemporary thriller. literature also records more pervasive operations of violence including poverty, colonialism and other socially sanctioned cruelties of lived experience. Writing on violence provides testimony, a necessary record, and may enable catharsis. at the very least it is a mark, a signature of survival in the wake of violent events from an individual encounter to genocide. a deal of the work included also addresses issues of the anthropocene and the relation ships between human and non-human lives.' (Elizabeth McMahon, Editorial introduction) 2018 pg. 102-106
Last amended 26 Jun 2019 16:50:11
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