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'Locating Australian Literary Memory’ explores sites which are explicitly connected with Australian authors through material forms of commemoration such as writers’ houses, graves, statues and trails. The focus is on a selected group of notable ‘heritage’ authors who have been celebrated through tangible memorials including Adam Lindsay Gordon, Henry Lawson, A. B. ‘Banjo’ Paterson, Joseph Furphy, Henry Handel Richardson, Nan Chauncy, Katharine Susannah Pritchard, Eleanor Dark and P. L Travers. Although inherited traditions have shaped local forms of literary memorialisation, some colourful, idiosyncratic rituals have evolved in the Australian context.
'Through the interweaving of Brigid Magner’s impressions of specific sites with biographical, literary and scholarly material, this book speculates on the intensities and attractions that underpin the preservation of literary places and the practices enacted within them. Key themes such as haunting, pilgrimage and nostalgia are drawn out from her discussion of these places in order to understand the fascination with literary places and the tensions and ambiguities associated with their perpetuation.
'Compared with attractions in Europe and the United States, Australian literary commemorations are relatively modest, with very few ‘grand’ houses, reflecting the impoverishment of local authors as well as a tendency to celebrate their humble origins, a literary paradigm which has been described as the 'success of failure'. The book argues that literary places – and the artefacts residing in them – often tell us more about the memorialisers, and their rituals, than the authors themselves.'
Source: Publisher's blurb.
Notes
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Table of Contents:
Introduction: Why Chase the Writer?; 1. Adam Lindsay Gordon’s Grave; 2. Joseph Furphy in the Riverina; 3. Henry Handel Richardson and the Haunting of Lake View; 4. Henry Lawson Country; 5. A. B. ‘Banjo’ Paterson’s Many Birthplaces; 6. Nan Chauncy’s Sanctuary; 7. Living Memorials: The Houses of Eleanor Dark and Katharine Susannah Prichard; 8. P. L. Travers, Mary Poppins and a Handful of Statues; Conclusion: Towards a Mythic Geography of Literary Sites; Index.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Review of Locating Australian Literary Memory, by Brigid Magner
2020
single work
review
— Appears in: Australian Literary Studies , 29 October vol. 35 no. 2 2020;
— Review of Locating Australian Literary Memory 2019 multi chapter work criticism'Locating Australian Literary Memory begins with a typically pithy quotation from Miles Franklin about its subject matter: ‘Such monuments, alas, too often are a saving of face by the living in regard to the neglected dead’. Many of the eleven Australian writers focused on by Brigid Magner were indeed neglected during their lifetimes, and most, even if achieving popularity at one time, are little read today. They include a number whose work would still be regarded as canonical, such as Joseph Furphy, Henry Handel Richardson, Henry Lawson, ‘Banjo’ Paterson, Katharine Susannah Prichard and Eleanor Dark, along with two best-known for their books for children, Nan Chauncy and P. L. Travers. Novelist Kylie Tennant, Indigenous author David Unaipon and poet Adam Lindsay Gordon make up the rest of the group, all of whom were writing mainly in the nineteenth through to the mid-twentieth centuries.' (Publication abstract)
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[Review] Brigid Magner, Locating Australian Literary Memory
2020
single work
review
— Appears in: JASAL , vol. 20 no. 1 2020;
— Review of Locating Australian Literary Memory 2019 multi chapter work criticism 'What is the Australian literary memory? And what are the appropriate signifiers of a collective memory? Why do we often shun our literary heritage? Why are we so blind, contrary and eccentric in the ways we choose or fail to choose to commemorate our literary history in Australia? It has always seemed odd to me, in such a materialistic country, that so little remains of our authors in their regions, towns and in the cities, and that there is so little literary tourism. However, we are not without memorial spaces and monuments, but whether an author is remembered seems a chancy business in this country. It seems to have very little to do with calibre, reputation and much more to do with the vagaries of local council politics and community sentiment. For example, Judith Wright has a small but inspiring native garden named after her in the centre of Armidale, but there is nothing else in the New England region in the way of physical markers, to remember her origins, presence or contribution to literature and Australian life.' (Introduction)
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[Review] Brigid Magner, Locating Australian Literary Memory
2020
single work
review
— Appears in: JASAL , vol. 20 no. 1 2020;
— Review of Locating Australian Literary Memory 2019 multi chapter work criticism 'What is the Australian literary memory? And what are the appropriate signifiers of a collective memory? Why do we often shun our literary heritage? Why are we so blind, contrary and eccentric in the ways we choose or fail to choose to commemorate our literary history in Australia? It has always seemed odd to me, in such a materialistic country, that so little remains of our authors in their regions, towns and in the cities, and that there is so little literary tourism. However, we are not without memorial spaces and monuments, but whether an author is remembered seems a chancy business in this country. It seems to have very little to do with calibre, reputation and much more to do with the vagaries of local council politics and community sentiment. For example, Judith Wright has a small but inspiring native garden named after her in the centre of Armidale, but there is nothing else in the New England region in the way of physical markers, to remember her origins, presence or contribution to literature and Australian life.' (Introduction) -
Review of Locating Australian Literary Memory, by Brigid Magner
2020
single work
review
— Appears in: Australian Literary Studies , 29 October vol. 35 no. 2 2020;
— Review of Locating Australian Literary Memory 2019 multi chapter work criticism'Locating Australian Literary Memory begins with a typically pithy quotation from Miles Franklin about its subject matter: ‘Such monuments, alas, too often are a saving of face by the living in regard to the neglected dead’. Many of the eleven Australian writers focused on by Brigid Magner were indeed neglected during their lifetimes, and most, even if achieving popularity at one time, are little read today. They include a number whose work would still be regarded as canonical, such as Joseph Furphy, Henry Handel Richardson, Henry Lawson, ‘Banjo’ Paterson, Katharine Susannah Prichard and Eleanor Dark, along with two best-known for their books for children, Nan Chauncy and P. L. Travers. Novelist Kylie Tennant, Indigenous author David Unaipon and poet Adam Lindsay Gordon make up the rest of the group, all of whom were writing mainly in the nineteenth through to the mid-twentieth centuries.' (Publication abstract)
Awards
- 2021 shortlisted ASAL Awards — Walter McRae Russell Award
