AustLit

'The Bass Rock opens with a memory, or a dream, where six-year-old Vivianne, whose adult self is one of the narrators of the novel proper, discovers a woman’s body in a suitcase, washed up on the beach near her grandmother’s house. The memory is important, not only because it is a formative experience for Vivianne and one that haunts her adult life, but also because it sets up The Bass Rock’s central concern: this is a novel about the centuries-long history of violence committed against women, and the legacies this might leave.' (Introduction)

'Evie Wyld won the Miles Franklin Award for her last novel, All the Birds, Singing. Her latest, set on the coast of Scotland, contains both beauty and violence.' 

'In the Firth of Forth in Scotland’s east, a hulking lump of volcanic rock rises steeply from the water, an “igneous intrusion”. Known as Bass Rock, it’s the kind of geological anomaly that inspires anthropomorphizing. It menaces; it waits. In Evie Wyld’s new novel, The Bass Rock, the guano-white monolith has watched on for centuries as women have come to harm, murdered under its imperious shadow. It feels as if some dark power is loose – a vicious bedevilment – but Wyld’s point is far more terrifying: the rock has simply borne witness to ordinary life.' (Introduction)