AustLit
Latest Issues
AbstractHistoryArchive Description
'Robert Tickner had always known he was adopted but had rarely felt much curiosity about his origins. Born in 1951, he had a happy childhood, raised by his loving adoptive parents. He grew up a young man with a fierce sense of social justice, and with the desire and stamina to make political change. Serving in the Hawke and Keating governments, he held the portfolio of minister for Aboriginal and Torres Strait Islander affairs, and while there he was instrumental in instigating the national inquiry into the stolen generations.
'When, in his forties, Robert at last turned his attention to the question of his own birth, he had some sense of the potentially life-changing course that lay ahead of him. But he could not have anticipated learning of the exceptional nature of the woman who had brought him into the world, the deep scars that his forced adoption had left on her, or the astonishing series of coincidences that had already linked their lives. And this was only the first half of a story that was to lead to a reunion with his birth father and siblings.
'This deeply moving memoir is a testament to the significance of all forms of family in shaping us — and to the potential for love to heal great harm.'
Source: Publisher's blurb.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Sound recording.
Works about this Work
-
The Challenges and Rewards of Political Memoir Writing
2021
single work
essay
— Appears in: Australian Journal of Biography and History , August no. 5 2021; (p. 169-185) 'I have unexpectedly been invited to share the ‘behind the scenes’ story of two autobiographical books that I have written concerning aspects of my public and related personal life. I was at first reticent to undertake the process of sharing the inside account of how a political autobiography is conceived and ultimately carried forward into print. Reticent, because I always knew that I was not a gifted creative writer and that, like the process of making sausages, knowledge of what goes on behind the scenes in the creation of a political memoir—or any book for that matter—is not always entertaining, enlightening or uplifting.' (Introduction) -
Ten Doors Down : The Story of an Extraordinary Adoption Reunion by Robert Tickner
2020
single work
review
— Appears in: Australian Book Review , April no. 420 2020;
— Review of Ten Doors Down 2020 single work autobiography'Twenty years ago, Robert Tickner tried his hand at the nuanced art of political memoir. Taking a Stand (2001) was, he said, ‘an insider’s account of momentous initiatives’ in the Aboriginal and Torres Strait Islander Affairs portfolio in the 1990s. A portrait of the politician as a young man, son, father, and husband was not in the offing. Cabinet diarist Neal Blewett, a man not renowned for political flamboyance, described Tickner’s narrative as ‘remorselessly impersonal’. Privately, it seems, Tickner also protested that ‘the public me is not the real me!’' (Introduction)
-
Ten Doors Down : The Story of an Extraordinary Adoption Reunion by Robert Tickner
2020
single work
review
— Appears in: Australian Book Review , April no. 420 2020;
— Review of Ten Doors Down 2020 single work autobiography'Twenty years ago, Robert Tickner tried his hand at the nuanced art of political memoir. Taking a Stand (2001) was, he said, ‘an insider’s account of momentous initiatives’ in the Aboriginal and Torres Strait Islander Affairs portfolio in the 1990s. A portrait of the politician as a young man, son, father, and husband was not in the offing. Cabinet diarist Neal Blewett, a man not renowned for political flamboyance, described Tickner’s narrative as ‘remorselessly impersonal’. Privately, it seems, Tickner also protested that ‘the public me is not the real me!’' (Introduction)
-
The Challenges and Rewards of Political Memoir Writing
2021
single work
essay
— Appears in: Australian Journal of Biography and History , August no. 5 2021; (p. 169-185) 'I have unexpectedly been invited to share the ‘behind the scenes’ story of two autobiographical books that I have written concerning aspects of my public and related personal life. I was at first reticent to undertake the process of sharing the inside account of how a political autobiography is conceived and ultimately carried forward into print. Reticent, because I always knew that I was not a gifted creative writer and that, like the process of making sausages, knowledge of what goes on behind the scenes in the creation of a political memoir—or any book for that matter—is not always entertaining, enlightening or uplifting.' (Introduction)
