AustLit

'ABR Editor Peter Rose reviews Yellow Notebook, the first volume of the diaries by Helen Garner, a most anticipated book. [Peter] delves into Garner's own private musings, the diaries she kept during the pivotal years of her writing life.'

Source: Publisher's blurb.

'In 1975 the governor general, John Kerr, removed a democratically elected Labor government, amid great intrigue and subterfuge. The dismissal of the Whitlam government remains one of the blights on our democracy – perhaps the most controversial event in Australian political history. And yet the full record of what happened in the weeks and months leading up to the dismissal is still unavailable to Australian citizens because of the intransigence of Queen Elizabeth and the expensive lengths to which the National Archives of Australia have gone to suppress access to John Kerr’s correspondence with Buckingham Palace.' (Introduction)

'The imminent closure of Australian Associated Press, or AAP, has sounded alarm bells for many citizens and journalists already worried about the lack of media diversity in Australia. AAP has long played a fundamental role in investigative journalism, which we need more than ever in an age of government intrusion, evasion, and over-reach. Johanna Leggatt, a journalist who has worked for Fairfax, News Corp, and AAP, writes about this troubling threat to journalism.' (Production summary)

'Truganini: Journey through the apocalypse follows the life of the strong Nuenonne woman who lived through the dramatic upheavals of invasion and dispossession and became known around the world as the so-called ‘last Tasmanian’. But the figure at the heart of this book is George Augustus Robinson, the self-styled missionary and chronicler who was charged with ‘conciliating’ with the Tasmanian Aboriginal peoples. It is primarily through his journals that historians are able to glimpse and piece together the world fractured by European arrival.'  (Introduction)

'Peter Rose – before introducing this week’s ABR Podcast guest – updates readers on ABR’s response to the Covid-19 pandemic and the Australia Council’s inexplicable decision not to fund ABR in 2021–24.

'Then Robyn Archer – renowned performer and ABR Laureate – currently hunkering down in Melbourne, reflects on how people are surviving and what Australia might look like when it emerges from this crisis.' (Introduction)

'During the Covid-19 crisis, many of us are surfeiting on television drama from Netflix, Stan, and the rest of them. Back in 2015, we published James McNamara's Ian Potter Foundation Fellowship essay 'The Golden Age of Television?', which considers the ascendancy of television drama and its cultural significance. Listen to James reading his essay, which appears in ABR's film and television issue in April 2015.' (Introduction) 

'All literature, but poetry in particular for some of us, becomes more important during the pandemic. Last month, we invited a group of poets and critics to read favourite poems of theirs, from any country or century. We know how much you enjoyed it; the response has been fantastic. So we've invited fifteen more poets and poetry lovers to read a poem that resonates for them and that might speak to others as we hunker down and live more privately. All the readers, poets, and titles of poems are listed on our website. 

'Featuring Kate Middleton, Jaya Savige, Anthony Lawrence, Claire G. Coleman, Warwick Hadfield, Sarah Day, Chris Wallace-Crabbe, Kerryn Goldsworthy, Kevin Brophy, Andrea Goldsmith, Michael Farrell, Geoffrey Lehmann, Maria Takolander, Ali Alizadeh, and Thom Sullivan. ' (Introduction)

'The Covid-19 pandemic has affected all our lives, and little else has featured in the media for weeks. Unsurprisingly, this has led those of us who work with words to track the language of the pandemic (coronaspeak) closely. Here at the Australian National Dictionary Centre (temporarily WFH, of course), we have been compiling a database of the words emerging from the pandemic; from anti-lockdown protest to zumping (being dumped via Zoom), the Covid-19 isolation lockdown has generated its own vocabulary.' (Introduction)

'When I’m ten or so, my brother appears shirtless at the dinner table. Ever the eager disciple, I follow his example without a second thought. It is a sweltering January day, and our bodies are salt-crusted from the beach. Clothing seems cruel in these conditions.' (Introduction)

'There’s a script for everything. Someone, voice wavering, says, ‘She’s dead’, and you say, ‘What?’ They say it again, and you say, ‘Oh, my god.’ You ask the usual questions, and then hang up and everything is incredibly quiet. You tell your boyfriend, and you both walk around the house trying to pack useful things: a sleeve of Valium, warm socks. You call your brother in London. He texts to say it’s five am there, can it wait? You call back. Before he even answers the phone, he knows.' (Introduction)

'First, I need to visit Dean Nicolle’s eucalypt arboretum. Four hundred rows of trees, four specimens of each species of Eucalyptus, Corymbia, and Angophora (the eucalypts) nestled together, sharing pollen and landscape, dropping limbs in the grass. Each group of trees is a result of the previous year’s fieldwork. The year 2000 was big: Nicolle this keeper of the keys to the eucalypts spent six months in Western Australia collecting seed.' (Introduction)

Declan Fry discusses Fire Front before reading his review of the book. 

'Sometime late morning it begins, a root of something that only as it grows do you recognise as pain. You have had coffee, as you do every morning, and now you feel the kind of heaviness that sends you to lie down. At home, the friend who is staying with you, whom you half invited and who may have misinterpreted your keenness for company, notes your early return and approves of your plan to retreat. For both of you it has been a year frantic with change and learning and emotion, and even if it is likely indulgent – so what, you’ve earned the right to call a morning off the books and instead take a heat pack and wish it were night all over again. She even microwaves the heat pack for you. You take it to bed where you think you will read or watch television or luxuriate in some way.' (Introduction)

'In today's episode, Johanna Leggatt speaks to ABR Editor Peter Rose about growing disquiet about ‘cancel culture’, censorious voices on social media, and Twitter's threat to writers and journalists. Beginning with the recent case of Rachel Baxendale, a journalist at The Australian, who was subjected to much invective because of her persistent questions about the quarantine fiasco in Victoria, Leggatt laments the ‘routine trashing of reputations on Twitter’ and wonders why Twitter has ‘devolved into a channel for our most juvenile emotions’. This interview is based on her recent article, 'The Problem of Belonging'.'

'Is it possible to parse Australian writers by states and territories? In today's episode, Tony Hughes-d'Aeth – Chair of Australian Literature at the University of Western Australia – speculates about new ways of contemplating Australian writers through the lens of regionalism. As he writes in his upcoming essay 'Thinking in a regional accent: New ways of contemplating Australian writers': 'Yes, we are divided into states and territories, but are these anything other than lines on a map, drawn with a ruler and a set square, and the occasional river? The contrast between the political map of Australia and the now iconic AIATSIS map of Indigenous Australia graphically exposes the poverty of the Australian regional imagination and the essential irreality of our territorial demarcations. More particularly, for someone like me, is it right to conceive of Australia in terms of literary regions?'' (Production summary)

'In today's episode, Joshua Black reads his tribute to former Labor senator Susan Ryan, featured in our November issue. Ryan was a historic figure in Australian politics: she was the first woman from the ALP to serve in cabinet, and cemented her legacy with the Sex Discrimination Act (1984) – which prohibited sexual discrimination in the workplace. Here, Black recounts his interview with the pioneering politician only weeks before her death on 27 September 2020.' (Production summary)

'Kylie Maslen's début essay collection, Show Me Where It Hurts, is an intimate exploration of living with chronic illness. Maslen describes her own experiences with the invisible illness she has lived with for the last twenty years, delving into its daily reality while incorporating music, literature, television, film, online culture, and more. Kate Crowcroft, who reviews the book in ABR's November issue, describes it as 'essential reading for those of us with the privilege of having a body that behaves itself'.' (Production summary)

'In today's episode, Amy Baillieu speaks to Nicole Abadee about Sofie Laguna's latest novel, Infinite Splendours. In her November issue review, Abadee reflects that Laguna 'does not shy away from confronting subject matter' and notes that Infinite Splendours represents 'new territory' for Laguna as it follows protagonist Lawrence from childhood into adulthood. Baillieu and Abadee also discuss Abadee's own podcast Books Books Books.' (Production summary)

'Amanda Laugesen, historian and lexicographer, is director of the Australian National Dictionary Centre at the ANU. In her latest book, the evocatively titled Rooted, Amanda considers the bountiful history of bad language in Australia. Her column in the December issue of ABR is devoted to the quaint old euphemism. Amanda talks about the inventive ways in which writers and editors have tried to placate the censor while also celebrating profanity. ' (Production summary)

'In today's episode, Peter Rose talks to writers Beejay Silcox and Billy Griffiths about what they’ve been reading during this tumultuous year. They also speculate about some highlights of 2021. For those looking for a more extensive listing of this year's finest works, our Books of the Year features more than 30 different ABR critics nominating their favourite releases.' (Production summary)

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'In today's episode of the ABR Podcast Tim Byrne discusses his review of Mark Mordue's new biography of Nick Cave, Boy on Fire, with ABR Digital Editor Jack Callil.'(Production summary) 

'In today’s episode, Naama Grey-Smith reads her review of At the Edge of the Solid World, the second book of fiction by the Australian writer Daniel Davis Wood. The novel follows the breakdown of the lives of a man and wife in the aftermath of the death of their firstborn. Naama Grey-Smith, an editor, publisher and critic based in Fremantle, Western Australia, reviews the book for ABR’s January-February issue – describing it as ‘a masterclass in wedding form to content’.' (Production summary)

'Paul Kildea is a man of many parts – author, musician, new artistic director of Musica Viva – and a regular contributor to ABR. In this week’s podcast, he talks to Peter Rose about the challenges of programming Musica Viva’s season during a pandemic and about Benjamin Britten, whose opera A Midsummer Night’s Dream is a highlight of the 2021 Adelaide Festival. Paul Kildea – who will conduct the opera – is the author of a biography of Britten.' (Production summary)

'In the wake of Brittany Higgins's startling allegations of sexual abuse in Parliament House, Beejay Silcox revisits her review of Witness by award-winning journalist Louise Milligan. Witness (recently shortlisted in the 2021 Stella Prize) is an interrogative critique of the criminal trial process. It is the culmination of five years of research into how witnesses are treated (and often intimidated or worse) in court rooms.' (Production summary)

'Over the past year the pandemic has devastated the performing arts in Australia. Theatre especially has been adversely impacted. In today’s episode, theatre critic and ABR regular Tim Byrne looks at how theatre organisations are coping now that venues are beginning to reopen. He interviews a range of artistic directors spanning Melbourne Theatre Company’s departing Brett Sheehy, Queensland Theatre Lee Lewis, Malthouse Theatre’s Matthew Lutton, and many more.' (Production summary)

'Richard Flanagan's new work, Toxic, is a startling exposé on Tasmania's salmon farming industry. From genetically altered 'frankenfish' to the use of dangerous chemicals to turn 'dead-grey flesh a marketable red', the industrial machinations uncovered in Flanagan's new work are stomach-churning. As James Boyce writes in his review, 'After the publication of Toxic, I doubt Tasmania will ever be the same again.'' (Production summary)

'Patrick White, winner of the Nobel Prize for Literature in 1973, has long been considered Australia’s finest novelist. And yet, the thirtieth anniversary of his death in 2020 passed by with barely a murmur. Was this merely a consequence of the pandemic, or are there larger cultural forces at play? In today's episode, historian and ABR Calibre prize-winning essayist Martin Thomas considers the posthumous neglect of the great Australian writer, who once described himself as a ‘Londoner at heart’ and who continues to challenge jingoistic and complacent forms of nationalism.' (Production summary)

'In today's episode, Josephine Rowe – winner of the 2016 ABR Elizabeth Jolley Short Story Prize – reads a new short story, 'Bunker', which appears in the June issue of ABR. Josephine has published three short story collections and a novel called A Loving, Faithful Animal.' (Production summary)

'As the world realigns itself in the wake of a global pandemic, ABR turns its thoughts to the various forms – individual and institutional, material and more intangible – that recovery may take. In 'Poetry in times of recovery', we asked a number of Australian poets to share the works that best capture how recovery can look, sound, and feel. Today’s episode builds on the popularity of our ‘Poetry for troubled times’, released in 2020.

'We bear in mind, of course, that these are still troubled times, as recent events in the Middle East and the intractable problems (to do with sovereignty and borders) back home well attest. Poetry may not be the only balm we need at this juncture, but in ‘the nightmare of the dark’, as W.H. Auden once put it, the poet’s ‘unconstraining voice’ nevertheless remains a place where ‘the healing fountain starts’.'(Production summary)

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'Recently, for the eleventh time, ABR presented the Elizabeth Jolley Short Story Prize. This year the Prize attracted 1,428 entries, from thirty-six different countries. In a virtual ceremony last night, ABR named Camilla Chaudhary as the winner of this year’s Jolley Prize for her story titled ‘The Enemy, Asyndeton’. The judges – Melinda Harvey, Elizabeth Tan, and Gregory Day – described Chaudhary’s entry as ‘a delightful, nimble story; the characters bristle with life, and the dialogue is crisply rendered’. In today’s episode, listen to Camilla Chaudhary read her story in its entirety.' (Production summary)

'In today’s episode, ABR looks back at the winner of the inaugural Calibre Essay Prize in 2007: ‘An Die Nachgeborenen: For Those Who Come After’ by Elisabeth Holdsworth. Holdsworth was born in the Netherlands in the years following World War II. Zeeland, where she grew up, was heavily bombed during the war and later flooded. Her poignant essay is a dialogue with the past, detailing her recent return to the Netherlands, her family’s vicissitudes and suffering during the war, and an unforgettable portrait of her conflicted mother.' (Production summary)

'This year, the ABR Elizabeth Jolley Short Story Prize received nearly 1500 entries from thirty-six different countries, a record field. Placed third was ‘A Fall from Grace’ by John Richards. The story is the first work of historical fiction to appear on the shortlist of the Jolley Prize. In today’s episode, listen to the author read ‘A Fall from Grace’, which our judges described as ‘a deliciously enigmatic story, rich in the overtones of the international canon: Balzac, Calvino, Borges. Set in pre-revolutionary rural France, a talented painter’s career receives an unforeseen jolt that simultaneously shadows his life and propels his work from realist proficiency to metaphysical greatness.’'(Production summary)

'ABR’s Calibre Essay Prize is one of the world’s leading prizes for an original essay. This year, we received a record field of 638 essays. Today we hear from Anita Punton, who placed second for her essay ‘May Day’, a poignant memoir about piecing together her father’s life after his death. Our judges – Sheila Fitzpatrick, Billy Griffiths, and Peter Rose – described Punton’s essay as ‘a rich and moving evocation of a relationship between father and daughter’, one ‘written with humour and flair, offering a complex portrait of Punton’s father: a brilliant, narcissistic man, whose life was full of contradictions.’' (Production summary)