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How Poetry Lines Up single work   criticism  
Issue Details: First known date: 2016... 2016 How Poetry Lines Up
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AbstractHistoryArchive Description

'Some poets and critics have claimed that there is no distinction at an between the language of poetry and prose. That claim may lend aid and comfort to readers and writers who see many twenty-first-century unrhymed open poems only as wilfully chopped-up prose in language that is remote from earlier verse-practice. Wordsworth raised similar critical hackles when he claimed to write poetry in simple ballad forms, couched in the real language of men. He didn't write anything of the sort in much of his verse: save for some ballads and lyrics written in language approaching the directness of children's and peasants' speech, much of his philosophical, political, and religious verse is noteworthy for toning-down some of the hackneyed poeticisms that passed for conventional badges of late-eighteenth-century poetry. If he took chances with language that, according to acidulous critics, sometimes led him to reproduce children's babble, his sense of decorum also prompted him to attribute to non-genteel characters a language they never spoke.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The Poetic Eye : Occasional Writings 1982-2012 Michael Sharkey , Netherlands : Brill , 2016 10632316 2016 selected work criticism

    'This volume contains a selection of the Australian poet Michael Sharkey’s uncollected essays and occasional writings on poetics and poets, chiefly Australian and New Zealand. Reviews and conversations with other poets highlight Sharkey’s concern with preserving and interrogating cultural memory and his engagement with the practice and championing of poetry. Poets discussed range from Lord Byron to colonial-era and early twentieth-century poets (Francis Adams, David McKee Wright, and Zora Cross), underrepresented Australian women poets of World War I, traditionalists and experimentalists, including several ‘New Australian Poetry’ activists of the 1970s, and contemporary Australian and New Zealand poets. Writings on poetics address form and tradition, the teaching and reception of poetry, and canon-formation. The collection is culled from commissioned and occasional contributions to anthologies of practical poetics, journals devoted to literary and cultural history and book reviewing, as well as newspaper and small-magazine features from the 1980s to the present. The writing reflects Sharkey’s poetic practice and pedagogy relating to the teaching of literature, rhetorical analysis, cultural studies, and writing in universities'.

    Source: Publisher's blurb.

    Netherlands : Brill , 2016
    pg. 426-442
Last amended 5 May 2020 09:46:39
426-442 How Poetry Lines Upsmall AustLit logo
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