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Issue Details: First known date: 2020... 2020 ‘I Can’t Stand the Noise of It’ : the Figure of the Child and the Critique of Colonialism in Jennifer Kent’s the Nightingale
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'The presence in Jennifer Kent’s The Nightingale of children, and of violence against them, has so far been little commented upon, as much commentary has focused on the film’s depiction of rape and colonial gender relations. Yet key plot points are articulated through violence against a child — and the exclamations at these points by the film’s antagonist, Lt. Hawkins, of “shut it up” and “I can’t stand the ... noise of it,” indicates a critical role played by representations of children that may be turned against colonial power. This article examines the-role of the child as a site of immanent critique of colonial violence in The Nightingale, in the context of the use of representations of childhood in settler-colonial film and culture more broadly.' (Publication abstract)

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  • Appears in:
    y separately published work icon Studies in Australasian Cinema vol. 14 no. 1 2020 20904158 2020 periodical issue 'The most powerful films are frequently divisive and often stay with you, making an impression that requires a response. After my first viewing of Jennifer Kent's (2019) film The Nightingale, I felt heavy and immobilised. I felt the weight of the film in my body, and at the same time was unsure as to whether to be angry at the violence or to see it as an absolute diegetic necessity; to question the spectacle of both victimhood and agency, or to loudly applaud a different representational perspective of Australian/Tasmanian history, colonial violence, space, gender and indigeneity. In truth, the film invites all of these reactions and more, as evidenced by the contributions featured in this special issue of Studies in Australasian Cinema, guest edited by Michelle Arrow and James Findlay. Multiple threads of temporality, identities, bodies, emotion, language, critique, memory, sound and location are, like the film, interwoven in a series of passionate and provocative responses, from Arrow and Findlay's vital ‘Critical Introduction’ to rigorous articles from Joanne Faulkner, Kristyn Hamer, Catriona Elder, James Findlay, and the inclusion of Rebe Taylor's remarkable conversation with Jim Everett, the film's associate producer and Aboriginal consultant, taken from the symposium ‘The Nightingale: Gender, Race and Troubled Histories on Screen’ held at the University of Technology, Sydney in December 2019.' (Editorial introduction) 2020 pg. 23-34
Last amended 21 Dec 2020 12:28:30
23-34 ‘I Can’t Stand the Noise of It’ : the Figure of the Child and the Critique of Colonialism in Jennifer Kent’s the Nightingalesmall AustLit logo Studies in Australasian Cinema
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