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AbstractHistoryArchive Description
'As we began to compile this issue towards the end of 2020, the local Melbourne poetry scene (and beyond) was deeply saddened to hear of the unexpected passing of Ania Walwicz. Ania was a poet, writer and artist born in Poland in 1951; she came to Australia in 1963 with her family, and it became her permanent home. I first met Ania in person about 10 years ago; we sat at an outside table at Federal Coffee Palace in the Melbourne CBD as I interviewed her about her dual careers in writing and teaching (that interview was published in issue no. 7 of Rabbit). I had read Ania’s prose poems and other experimental works long before this time, and had also heard her read at numerous events—her distinctive voice and style, both on and off the page, disrupted norms of speaking and communicating as she regularly challenged concepts of self and belonging. She was also fond of psychoanalytic modes of thinking, which infused all of her writing. Not only had Ania amassed a considerable following, but she always managed to draw a crowd to a public reading event. And yet, chatting to Ania in person for a few hours showed me the expanse of her thinking mind, and her curiosity and concern for art and for the world.' (Jessica L. Wilkinson, Editorial introduction)
Notes
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Only literary material by, or about, Australian authors individually indexed. Other material in this issue includes:
Charlie Crowe Interviews Ebony Stewart
Everyday language charged and electrified until it glows like pixels on Tokyo billboards — Derek Beaulieu
Contents
* Contents derived from the 2020 version. Please note that other versions/publications may contain different contents. See the Publication Details.
- What Happened to Books?i"What happened to books right now?...this begins with rationalisation", single work poetry (p. ix-x)
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Poetry Editorial,
single work
essay
'In the spirit of cultural respect, we acknowledge the Traditional Custodians throughout Australia and their connections to land, sea and community. We pay our respects to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander peoples.' (Introduction)
- Sandstone Academyi"sandstone", single work poetry (p. 2-3)
- Lemmai"My maternji jezic is split three ways and if I ever want to sound smart", single work poetry (p. 4-5)
- Faggot Poem, single work poetry (p. 6-7)
- Without the Starsi"we'd be better off.", single work poetry (p. 8-10)
- Zhuzhing the Paradigm Shifti"Re the below", single work poetry (p. 12-13)
- Tórshavni"what tides what waves what breakwaves what stones", single work poetry (p. 14-15)
- Kakaköy, or Blue Ruini"The mountains are close to roofless stone", single work poetry (p. 16-19)
- Hauling the Sunfish into the Gallery, 1883i"I have dragged you out from the depths", single work poetry (p. 20-21)
- Scattering Matteri"I am made from scattering matter I", single work poetry (p. 22-23)
- Landscape near Malabatai"The strait swoops around the cape.", single work poetry (p. 24-25)
- Boys Standing on a Footpathi"A group of boys stands on the footpath, their skin darker than mine,", single work poetry (p. 26-29)
- Shopping Centre Formation : Aldii"My waist met her height", single work poetry (p. 30-31)
- Women's Voices, sequence poetry (p. 32-33)
- Prompt : There Comes a Timei"There comes a time", single work poetry (p. 33)
- Participation : As If No-One Is Watchingi"What happens when women act, as if no-one is watching?", single work poetry (p. 34)
- Performance : Speaking Poetry to Poweri"As women, we came together,", single work poetry (p. 34-35)
- Humidicribsi"the day after the 'inadequate' club opened its doors they were ripped out their", single work poetry (p. 38-43)
- Main Dragi"'I'll be back in a minute." The driver's door", single work poetry (p. 44-45)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Poetry Editorial
2020
single work
essay
— Appears in: Rabbit , no. 32 2020; (p. xvi-xvii) 'In the spirit of cultural respect, we acknowledge the Traditional Custodians throughout Australia and their connections to land, sea and community. We pay our respects to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander peoples.' (Introduction)
-
Poetry Editorial
2020
single work
essay
— Appears in: Rabbit , no. 32 2020; (p. xvi-xvii) 'In the spirit of cultural respect, we acknowledge the Traditional Custodians throughout Australia and their connections to land, sea and community. We pay our respects to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander peoples.' (Introduction)
Last amended 5 May 2021 11:37:05
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