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y separately published work icon Kill Your Darlings [Online] periodical issue  
Issue Details: First known date: 2021... July 2021 of Kill Your Darlings [Online] est. 2010 Kill Your Darlings [Online]
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Contents

* Contents derived from the 2021 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Where Are the Australian Anti-War Films?, Lauren Carroll Harris , single work criticism
Show Your Working : Mark Brandi, Mark Brandi , single work column
Books Roundup : The Mother Wound, House of Kwa, She is Haunted, The Newcomer, Ellen Cregan , Megan Cheong , Annie Zhang , Claire Sullivan , single work review
— Review of The Mother Wound Amani Haydar , 2021 single work autobiography ; House of Kwa Mimi Kwa , 2021 single work autobiography ; She Is Haunted Paige Clark , 2021 selected work short story ; The Newcomer Laura Woollett , 2021 single work novel ;
She is Haunted : An Extract, Paige Clark , single work extract short story
The Rabbits : An Extract, Sophie Overett , single work extract novel
What Happened to the Digital Book Revolution?, Alexandra Dane , single work essay
'The introduction of the Kindle and the iPad brought warnings about the end of the book as we knew it—a prophecy that did not come to pass. In 2021, post-digital book culture is a mix of old and new technologies, flattening some traditional hierarchies and upholding others.' (Introduction)
Shelf Reflection : Amani Haydar, Amani Haydar , single work column
The Shut Ins : An Extract, Katherine Brabon , single work extract novel
What I Wish I'd Known About : Being Edited, Kill Your Darlings , single work column
Perfect Victim, Shirley Le , single work autobiography
'At the height of Pauline Hanson’s anti-Asian rhetoric in the late 90s, I was haunted by the disappearance of a girl from my community. In the wake of recent racial violence, I am reminded that those deemed less than ‘perfect’ endure a second death.' (Introduction)
Healing Brush, Sarah Walker , single work autobiography
'The first thing you need to know is that the camera always lies. Light the subject from above, and cheekbones emerge from the face. Add a softbox, and the years slide away. The camera is a machine, and data gains meaning in the interpretation. Photographs reveal only that reality is changeable, labile. Shift a reflector and the world moves with it. The ultimate lesson is that the most powerful force is light.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 4 Aug 2021 11:45:10
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