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y separately published work icon Westerly periodical issue   peer reviewed assertion
Issue Details: First known date: 2021... vol. 66 no. 1 2021 of Westerly est. 1956 Westerly
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AbstractHistoryArchive Description

'With writing and ideas from Josephine Wilson, Mykaela Saunders, Aidan Coleman, Maddie Godfrey, and Stephen Orr, Westerly 66.1 stretches the scales of time and space, beginnings and endings. Westerly 66.1 includes poetry from our Mid-Career Fellow Maddie Godfrey, and a special ekphrastic feature after Abdul-Rahman Abdullah’s Everything Is True exhibition.' (Publication summary)

Notes

  • Only literary material by Australian authors or with Australian themes are individually indexed.  

Contents

* Contents derived from the 2021 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Word Mothsi"Olga is the last person", Josephine Wilson , single work poetry (p. 10-11)
Saint Lin, Sam Gibson-Mayne , single work short story (p. 12-17)
Nocturni"I wait to return-", Claire M. Roberts , single work poetry (p. 18)
River Redi"I want my history", Claire M. Roberts , single work poetry (p. 18)
Suite of Four, Claire M. Roberts , sequence poetry (p. 18-19)
Brown Boroniai"Interned in burgundy", Claire M. Roberts , single work poetry (p. 19)
Mitchell Riveri"My future is backward", Claire M. Roberts , single work poetry (p. 19)
Campfire Constellationsi"I have been out in the mountains for five days, alone", Mykaela Saunders , single work poetry (p. 20)
The Randolph Stow Memorial Lecture : A Series of Private Letters, Caitlin Maling , Bron Bateman , John Kinsella , single work criticism
If you are here in tins room, it is probably because you have a familiarity with Randolph Stow. Some will have been drawn for other reasons - hopefully a love of poetry-but as Catherine Noske, the editor of Westerly, told me when commissioning me for this lecture, the people who come to the Stow talk tend to know Stow. You are also likely to of the same places as Stow, at least the young Stow, who shares with one of our contributors, John Kinsella, the landscapes of the Midwest. And with the rest of us here, even temporarily, these Perth streets and the river that gives this festival its theme - bilya. (Introduction)
(p. 21-39)
Ishmaeli"Oasis. Discovered homeland. My eyes drink at your eyes.", Randolph Stow , single work poetry (p. 24-25)
Calliope 1i"The words do not come. I place my hands", Caitlin Maling , single work poetry (p. 25)
Artemisi"You are no goddess of night in this light, my love-", Kaya Ortiz , single work poetry (p. 25)
Kintsugi : A Response to 'Ishmael', by Randolph Stowi"I leave our bed to go to the toilet", Bron Bateman , single work poetry (p. 27)
Riding the Train : A Response to 'The Recluse', by Randolph Stowi"Then", Bron Bateman , single work poetry (p. 28-30)
Landscapesi"A crow cries: and the world unrolls like a blanket;", Randolph Stow , single work poetry (p. 31)
Landscapesi"Your voice builds like the butcher", Caitlin Maling , single work poetry (p. 31)
A Thousand Times : A Response to 'Still Life with Amaryllis Belladonna', by Randolph Stowi"This afternoon, when the sky was heavy with crows, I couldn't", Bron Bateman , single work poetry (p. 32)
Notes On, Kaya Ortiz , sequence poetry (p. 33)
Landi"At Walyalup, walking", Kaya Ortiz , single work poetry (p. 33)
Wateri"At the beach, by ocean's edge, by river's mouth", Kaya Ortiz , single work poetry (p. 33-34)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 13 Jul 2021 08:52:01
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