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King's College London
UK

Works Taught at This Institution

form y separately published work icon The Adventures of Barry McKenzie Barry Humphries , Bruce Beresford , ( dir. Bruce Beresford ) Sydney : Longford Productions , 1972 Z400738 1972 single work film/TV humour satire (taught in 2 units)

After he comes into a small inheritance, Barry McKenzie (aka Bazza) decides to visit England with his aunt, which leads to many humerus and some not-so-humorous incidents with Poms from all persuasions and classes. As Andrew Pike and Ross Cooper note: 'The narrative offers a 'vigorous parody of the Australian "ocker," anti-intellectual, xenophobic, obsessed with beer and sex but never capable of relating positively with women, using a vernacular of prodigious vulgarity and inventiveness, and totally oblivious of anything beyond his own narrow conception of the order of things' (1980, p. 340).

form y separately published work icon The Adventures of Priscilla, Queen of the Desert Stephan Elliott , ( dir. Stephan Elliott ) Australia : Latent Image Productions Specific Films , 1994 Z367706 1994 single work film/TV humour satire (taught in 8 units) 'Tick' Belrose, a Sydney drag queen, accepts his ex-wife's invitation to bring his stage show to the outback. Felicia, a younger drag queen, and the grieving Bernadette. They set out for Alice Springs in a second-hand bus that they name 'Priscilla, Queen of the Desert'. the journey takes them to Broken Hill, Coober Pedy and are rescued by an open-minded mechanic when Priscilla breaks down in the desert. In Alice Springs, Tick meets the young son he barely knows and the three climb Kings Canyon together in full drag, before making their debut at the Alice Springs casino.
y separately published work icon All That Swagger Miles Franklin , Sydney : Bulletin , 1936 Z451516 1936 single work novel (taught in 2 units)
y separately published work icon The Aunt's Story Patrick White , London : Routledge , 1948 Z470389 1948 single work novel (taught in 27 units)

'With the death of her mother, middle-aged Theodora Goodman contemplates the desert of her life. Freed from the trammels of convention, she leaves Australia for a European tour and becomes involved with the residents of a small French hotel. But creating other people's lives, even in love and pity, can lead to madness. Her ability to reconcile joy and sorrow is an unbearable torture to her. On the journey home, Theodora finds there is little to choose between the reality of illusion and the illusion of reality. She looks for peace, even if it is beyond the borders of insanity.' (From the publisher's website.)

form y separately published work icon Australia Baz Luhrmann , Stuart Beattie , Ronald Harwood , Richard Flanagan , ( dir. Baz Luhrmann ) Sydney : Bazmark Films , 2008 Z1531345 2008 single work film/TV (taught in 8 units)

At the beginning of World War II, Lady Sarah Ashley travels from her home in England to Northern Australia to confront her husband, whom she believes is having an affair. He is in the country to oversee the selling of his enormous cattle station, Faraway Downs. Her husband sends Drover, an independent stockman, to transport her to Faraway Downs. When Lady Sarah arrives at the station, however, she finds that her husband has been murdered (allegedly by King George, an Aboriginal elder) and that cattle station manager Neil Fletcher is trying to gain control of Faraway Downs, so that Lesley 'King' Carney will have a complete cattle monopoly in the Northern Territory.

Lady Sarah is captivated by Nullah (King George's grandson) son of an Aboriginal mother and an unknown white father. When Nullah tells her that he has seen her cattle being driven onto Carney's land, Fletcher beats him. Lady Sarah fires Fletcher, deciding to try to run the cattle station herself. To save the property from Carney, she enlists the aid of Drover; together, they drive 2,000 head of cattle across hundreds of miles of the country's most unforgiving land. In the course of the journey, she falls in love with both Drover and the Australian landscape.

Lady Sarah, Nullah, and Drover live together happily at Faraway Downs for two years, while Fletcher (the actual murderer of Lady Sarah's husband and very likely the father of Nullah) kills Carney, marries his daughter, and takes over Carney's cattle empire. When the authorities send Nullah to live on Mission Island with the other half-Aboriginal children, Lady Sarah is devastated. In the meantime, she works as a radio operator in Darwin.

When the Japanese attack the island and Darwin in 1942, Lady Sarah fears that Nullah has been killed and Drover, who had quarrelled with Lady Sarah and left the station, believes Lady Sarah has been killed. Learning of Nullah's abduction to Mission Island, however, he sets out to rescue him. Lady Sarah decides to sell Faraway Downs to Fletcher and return to England. Drover and Nulla sail back into port at Darwin as Lady Sarah is about to depart, and the three are reunited. Fletcher, distraught at the death of his wife, attempts to shoot Nullah, but is speared by King George and dies.

y separately published work icon Benang : From the Heart Kim Scott , Fremantle : Fremantle Press , 1999 Z135862 1999 single work novel (taught in 31 units) 'Oceanic in its rhythms and understanding, brilliant in its use of language and image, moving in its largeness of spirit, compelling in its narrative scope and style, Benang is a novel of celebration and lament, of beginning and return, of obliteration and recovery, of silencing and of powerful utterance. Both tentative and daring, it speaks to the present and a possible future through stories, dreams, rhythms, songs, images and documents mobilised from the incompletely acknowledged and still dynamic past.' (Publisher's website)
form y separately published work icon Beneath Clouds Ivan Sen , ( dir. Ivan Sen ) Sydney : Autumn Films , 2001 Z1440560 2001 single work film/TV (taught in 12 units) Blue eyed, fair skinned Lena is the daughter of an Aboriginal mother, living in a small country town. She longs for the romantic ideal of her absent father and his Irish heritage. When her home life feels set to implode, she hits the road with little money, a backpack and a photo of her dad. When Lena misses her bus to Sydney, she meets up with Vaughn, an Aboriginal teenager who has run away from a minimum-security prison in the desperate hope of reaching his ill mother. Vaughn is hardened by his anger at the world. Initially the two reluctant travelling companions are suspicious and wary of each other, but their journey, mostly by foot and the odd lift, builds an understanding between them. -- Libraries Australia
y separately published work icon Brumby Innes : A Play in Three Acts Katharine Susannah Prichard , 1927 (Manuscript version)8304401 8304396 1927 single work drama (taught in 4 units)

Brumby Innes 'begins with a corroboree and, like Coonardoo, attempts to engage with a portrayal of Aboriginal life. Its central character, Brumby Innes, is a swaggering drunk who exploits the black workers on his station and abuses the women; he bears a close resemblance to Sam Geary in Coonardoo. Yet, Brumby Innes provides the central energy of the drama, and the celebration of that energy in the play conflicts with the dramatic critique of his sexism and racism. Brumby Innes's character exemplifies the ambivalent attitude in Prichard's work toward this type of male hero. Portrayed as stereotypically masculine, such characters are admired for their energetic, vital sexuality; yet, the extreme limitations of such maleness are also acknowledged.'

Source: Bird, Delys. 'Katharine Susannah Prichard.' Australian Writers, 1915-1950. Ed. Selina Samuels. Detroit: Gale, 2002. Dictionary of Literary Biography Vol. 260.

The Bush Undertaker A Christmas in the Far West, Or, the Bush Undertaker Henry Lawson , 1892 single work short story (taught in 1 units)
— Appears in: The Antipodean 1892; (p. 95-102) The Herald , 7 April no. 17751 1934; (p. 38) While the Billy Boils : The Original Newspaper Versions 2013; (p. 74-89)

— Appears in: (p. 229-239) Short Stories in Prose and Verse 1894; (p. [55]-71) While the Billy Boils 1896; (p. 229-239) Short Stories of Australia : The Lawson Tradition 1967; (p. 14-21) The Bush Undertaker and Other Stories 1970; (p. 11-17) While the Billy Boils : 87 Stories from the Prose Works of Henry Lawson 1970; (p. 139 - 146)
An old shepherd discovers his mate, Brummy, dead and mummified in the bush. Saddened, he feels compelled to bury him.
y separately published work icon Carpentaria Alexis Wright , Artarmon : Giramondo Publishing , 2006 Z1184902 2006 single work novel (taught in 47 units) Carpentaria's portrait of life in the precariously settled coastal town of Desperance centres on the powerful Phantom family, whose members are the leaders of the Pricklebush people, and their battles with old Joseph Midnight's tearaway Eastend mob on the one hand, and the white officials of Uptown and the neighbouring Gurfurrit mine on the other. Wright's storytelling is operatic and surreal: a blend of myth and scripture, politics and farce. The novel is populated by extraordinary characters - Elias Smith the outcast saviour, the religious zealot Mozzie Fishman, leader of the holy Aboriginal pilgrimage, the murderous mayor Stan Bruiser, the ever-vigilant Captain Nicoli Finn, the activist and prodigal son Will Phantom, and above all, Angel Day the queen of the rubbish-dump, and her sea-faring husband Normal Phantom, the fish-embalming king of time - figures that stand like giants in this storm-swept world. (Backcover)
form y separately published work icon Chopper Andrew Dominik , ( dir. Andrew Dominik ) Australia : Pariah Films , 2000 Z1361008 2000 single work film/TV crime (taught in 5 units) Based on Mark 'Chopper' Read's autobiography, Chopper is an exploration of the life and complex psyche of a vicious thug who resorts to violence in an instant but can just as easily be filled with remorse. The narrative begins in 1991 with Read in gaol and then shifts back in time to Pentridge Prison in 1978. It was then that Read established his reputation in jail by stabbing Keithy George, a member of the much-feared criminal gang associated with the Victorian Painters and Dockers Union, and also by getting some fellow inmates to cut off his ears (why Read did this is unclear as he provides at two different reasons in his books). 'Chopper' is later stabbed by his best mate, Jimmy Loughnan, who is attempting to fulfil a contract to kill him. When 'Chopper' is eventually freed in 1985, he moves back home to live with his dad but becomes paranoid, not only because of the large quantities of speed he's consuming but also because he's become a police informant. He shoots a drug dealer called 'The Turk' outside a nightclub in St Kilda, but the police refuse to believe him, and later shoots an old drug-dealing associate, only to drive his victim to hospital. He also later threatens his old mate Jimmy Loughnan with a gun, then apologises. Although Read is eventually arrested for the murder of 'The Turk,' he is acquitted but given a five-year sentence for other offences. The narrative then returns to 1991, by which time Read has sold 250,000 copies of his first book, From the Inside, and become a celebrity.
Chopper Mark Brandon Read , 1991- 1991- series - author (taught in 1 units)
y separately published work icon Chopper : From the Inside : The Confessions of Mark Brandon Read Andrew Rule (editor), John Silvester (editor), Mark Brandon Read , Kilmore : Floradale Productions , 1991 Z380268 1991 single work autobiography crime (taught in 1 units)
y separately published work icon Coonardoo : The Well in the Shadow Katharine Susannah Prichard , 1928 Z1081769 1928 single work novel (taught in 39 units) Set in North-West of Western Australia, it describes life on cattle stations and the relationship between the white owner of the station and Coonardoo, an Aboriginal woman.
y separately published work icon The Currency Lass ; Or, My Native Girl The Currency Lass ; Or, My Native Girl : An Operetta in Two Acts; The Currency Lass ; Or, My Native Girl : A Musical Play in Two Acts Edward Geoghegan , (Manuscript version)x401304 Z1072217 1844 single work musical theatre (taught in 1 units)

Ballad opera (in two acts).

The lively and light-hearted story concerns a rich uncle (Sir Samuel Simile) who mistakenly believes that his nephew is going to marry a 'native' girl when the lad is in fact to marry Susan Hearty - a currency lass (white girl born in Australia). The uncle is put through a good deal of torment before being told of his error.

Geoghegan wrote The Currency Lass for Tilly Jones, a popular young actress who was also among the first citizens to be born in Australia. There is, however, no record of her ever having appeared in any of the three 1844 Victoria Theatre productions. Although now recognised as historically significant, The Currency Lass did not fare as well as other productions presented by Samuel Lazar at the Royal Victoria during the same year. More popularly received, for example, were plays such as Humphrey Clinker (farce), Twins of Warsaw, Sworn at Highgate, The Beehive (musical farce), The Executioner, Aladdin, Turning the Tables, and Geoghegan's big success, The Hibernian Father.

The fourteen songs used in the original production had new lyrics set to pre-existing tunes, as is traditionally the case with the ballad opera style (see note below). The melodies used were mostly from traditional Irish, English or Scottish songs, with the choice of material sometimes undertaken with a degree of deliberate humour. In his preface to the 1976 Currency edition Roger Covell points for example to the air 'A Fine Old English Gentleman' (the melody comes from an Irish dialect song) which Geoghegan uses to recall the supposed golden age of English gentry. Covell also suggests that the actor playing the role of Susan requires agility and accuracy in both her singing and dancing (these are sometimes required with much vigour at the same time). This is particularly the case in a pivotal scene in Act Two where she performs a sequence of five characterised songs and dances. Although many of the songs used by Geoghegan are no longer well-known, several tunes are still reasonably recognisable today - these being, 'Malbrook' (a French melody used by English-speaking people when they sing 'For He's a Jolly Good Fellow'); 'Over the Hills and Far Away' (from John Gay's The Beggar's Opera); and 'The Lincolnshire Poacher' (its melody is also used for the Australian folksong, 'The Murrumbidgee Shearer').

The 1966 Jane Street production was part of a trilogy of plays used to launch the company's season of Australian drama. The other two plays were I've Come about the Assassination by Tony Morphett, and The Pier by Michael Thomas. All three plays utilised members of the same company. The 1989 Q Theatre production, which kept the lighthearted, comic feel of Geoghegan's original, cast Aboriginal actor Justine Saunders in the role of the bigoted uncle, Samuel Similie, in an attempt to re-orientate Goeghegan's theme towards one of race. The stage also featured a ground plan of Aboriginal dots and circle motifs.

y separately published work icon The Darkening Ecliptic 'Ern Malley' , Melbourne : Reed and Harris , 1944 Z339108 1944 collected work poetry (taught in 4 units)
y separately published work icon Don't Take Your Love to Town Ruby Langford Ginibi , Ringwood : Penguin , 1988 Z496435 1988 single work autobiography (taught in 10 units)

'Don’t Take Your Love to Town is a story of courage in the face of poverty and tragedy. Ruby recounts losing her mother when she was six, growing up in a mission in northern New South Wales and leaving home when she was fifteen. She lived in tin huts and tents in the bush and picked up work on the land while raising nine children virtually single-handedly. Later she struggled to make ends meet in the Koori areas of Sydney. Ruby is an amazing woman whose sense of humour has endured through all the hardships she has experienced.' (Source UQP website: www.uqp.uq.edu.au)

y separately published work icon The Dreamers Jack Davis , Paddington : Currency Press , 1996 Z450251 1982 single work drama (taught in 18 units)
— Appears in: ドリーマーズ : ノー・シュガー 2006;

'With humane irony the Western Australian poet, Jack Davis gives a painful insight into the process of colonisation and the transformation of his people.'

'The Dreamers is the story of a country-town family and old Uncle Worru, who in his dying days, recedes from urban hopelessness to the life and language of the Nyoongah spirit which in him has survived 'civilisation'.' (Currency Press website)

The Drover's Wife Henry Lawson , 1892 single work short story (taught in 3 units)
— Appears in: Aus einer neuen Literatur : Australische Erzählungen und Plaudereien 1906; The Drover's Wife : A Celebration of a Great Australian Love Affair 2017; (p. 3-14)

— Appears in: The Bulletin , 23 July vol. 12 no. 649 1892; (p. 21-22) Short Stories in Prose and Verse 1894; (p. 26-39) While the Billy Boils 1896; (p. 127-138) The Bulletin Story Book : A Selection of Stories and Literary Sketches from 'The Bulletin' [1881-1901] 1901; (p. 75-83) The Observer , 17 April vol. 72 no. 5537 1915; (p. 4) Australian Short Stories 1928; (p. 176-185)

— Appears in: The School Paper for Classes V and VI , August no. 143 1911; (p. 106-109) The School Paper for Grades VII and VIII , March no. 299 1925; (p. 18-21) The School Paper : Grades VII and VIII , February no. 309 1926; (p. 2-5) The School Paper : Grades VII and VIII , September no. 349 1929; (p. 122-125) Victorian Readers : Fifth Book 1930; (p. 24-29) Victorian Readers : Fifth Book 1940; (p. 22-27)

— Appears in: Cerita Dari Australia 1974; (p. 4-31)

— Appears in: Australische Erzähler von Marcus Clarke bis Patrick White 1984; (p. 36-44)

— Appears in: Crocevia : Scritture Straniere, Migranti e di Viaggio , Estate vol. 5/6 no. 2005; (p. 69-75)

First appearing in The Bulletin in 1892, Henry Lawson's short story 'The Drovers Wife' is today regarded as a seminal work in the Australian literary tradition. Noted for it's depiction of the bush as harsh, potentially threatening and both isolated and isolating, the story opens with a simple enough premise: an aggressive--and presumably deadly--snake disrupts the working life of a bushwoman and her young children. Brave but cautious, the woman resolves to protect her children since her husband is, characteristically, away from home and of no help. 

As time passes within the story, tension builds, and the snake's symbolic threat takes on layers of meaning as the sleepless heroine recalls previous challenges she faced while her husband was away. A series of flashbacks and recollections propel the story through the single night over which it takes place, and by the time the climax arrives--the confrontation with the snake--readers have learned much about the heroine's strengths and fears, most of the latter involving the loss of children and dark figures who encroach upon her small, vulnerable homestead. To be sure, this "darkness" is highly symbolic, and Lawson's use of imagery invokes Western notions of good and evil as well as gendered and racial stereotypes. 

y separately published work icon Follow the Rabbit-Proof Fence Doris Pilkington Garimara , St Lucia : University of Queensland Press , 1996 Z126936 1996 single work biography (taught in 26 units)

'The film Rabbit-Proof Fence is based on this true account of Doris Nugi Garimara Pilkington's mother Molly, who as a young girl led her two sisters on an extraordinary 1,600 kilometre walk home. Under Western Australia's invidious removal policy of the 1930s, the girls were taken from their Aboriginal family at Jigalong on the edge of the Little Sandy Desert, and transported halfway across the state to the Native Settlement at Moore River, north of Perth...

The three girls - aged 8, 11 and 14 - managed to escape from the settlement's repressive conditions and brutal treatment. Barefoot without provisions or maps, they set out to find the rabbit-proof fence, knowing it passed near their home in the north. Tracked by native police and search planes, they hid in terror, surviving on bush tucker, desperate to return to the world they knew.

The journey to freedom - longer than many of the legendary walks of [the Australian nation's] explorer heroes... told from family recollections, letters between the authorities and the Aboriginal Protector, and ... newspaper reports of the runaway children.' Source: Publisher's blurb

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