AustLit

'In the Aboriginal missions of far northern Australia, it was a battle between saving souls and saving traditional culture.

'Every Secret Thing is a rough, tough, hilarious portrayal of the Bush Mob and the Mission Mob, and the hapless clergy trying to convert them. In these tales, everyone is fair game.

'At once playful and sharp, Marie Munkara's wonderfully original stories cast a taunting new light on the mission era in Australia.' (From the publisher's website.)

'Australia's centre and north are a world apart from its big coastal cities. Here one finds unique natural wonders, visionary art, original thinkers and, sometimes, distilled despair and death.

In Journeys to the Interior, Nicolas Rothwell travels deep into the northern realm, combining the storytelling flair and persistence of a journalist with the imagination of an artist

Following on from the acclaimed Another Country, this book contains haunting and perceptive portraits, of, among others, Geoffrey Gurrumul Yunupingu, Ian Fairweather, Noel Pearson and Galarrwuy Yunupingu. There are explorations of the natural world - of pythons, desert oaks and magpie geese. And there are wonderful introductions to the art and artists that bring the northern landscape to life and transform it, whether through painting, dance or photography.' (From the publisher's website.)

'In the Aboriginal missions of far northern Australia, it was a battle between saving souls and saving traditional culture.

'Every Secret Thing is a rough, tough, hilarious portrayal of the Bush Mob and the Mission Mob, and the hapless clergy trying to convert them. In these tales, everyone is fair game.

'At once playful and sharp, Marie Munkara's wonderfully original stories cast a taunting new light on the mission era in Australia.' (From the publisher's website.)

'Australia's centre and north are a world apart from its big coastal cities. Here one finds unique natural wonders, visionary art, original thinkers and, sometimes, distilled despair and death.

In Journeys to the Interior, Nicolas Rothwell travels deep into the northern realm, combining the storytelling flair and persistence of a journalist with the imagination of an artist

Following on from the acclaimed Another Country, this book contains haunting and perceptive portraits, of, among others, Geoffrey Gurrumul Yunupingu, Ian Fairweather, Noel Pearson and Galarrwuy Yunupingu. There are explorations of the natural world - of pythons, desert oaks and magpie geese. And there are wonderful introductions to the art and artists that bring the northern landscape to life and transform it, whether through painting, dance or photography.' (From the publisher's website.)

'My Brilliant Career was written by Stella Franklin (1879-1954) when she was just nineteen years old. The novel struggled to find an Australian publisher, but was published in London and Edinburgh in 1901 after receiving an endorsement from Henry Lawson. Although Franklin wrote under the pseudonym 'Miles Franklin', Lawson’s preface makes it clear that Franklin is, as Lawson puts it 'a girl.'

'The novel relates the story of Sybylla Melvyn, a strong-willed young woman of the 1890s growing up in the Goulburn area of New South Wales and longing to be a writer.' (Publication summary)

'My Brilliant Career was written by Stella Franklin (1879-1954) when she was just nineteen years old. The novel struggled to find an Australian publisher, but was published in London and Edinburgh in 1901 after receiving an endorsement from Henry Lawson. Although Franklin wrote under the pseudonym 'Miles Franklin', Lawson’s preface makes it clear that Franklin is, as Lawson puts it 'a girl.'

'The novel relates the story of Sybylla Melvyn, a strong-willed young woman of the 1890s growing up in the Goulburn area of New South Wales and longing to be a writer.' (Publication summary)

'Every city, town and village has its memorial to war. Nowhere are these more eloquent than in Australia, generations of whose young men have enlisted to fight other people's battles - from Gallipoli and the Somme to Malaya and Vietnam. In THE GREAT WORLD, his finest novel yet, David Malouf gives a voice to that experience. But THE GREAT WORLD is more than a novel of war. Ranging over seventy years of Australian life, from Sydney's teeming King's Cross to the tranquil backwaters of the Hawkesbury River, it is a remarkable novel of self-knowledge and lost innocence, of survival and witness.'

Source: Publisher's blurb (Vintage reprint).

'Should a woman bear a child knowing that there are traces of insanity in her family? Linda Hainlin, niece of a famous biologist, was aware of the danger when she married Dr. Nigel Hendon, a practical idealist, whose creed was normality and the rational ordering of the world. This book tells how, years later, while temporarily deprived of her husband's sane companionship, Linda feels the oncoming of those homicidal impulses which presage madness. On this tragic theme, 'Prelude to Christopher' is written with strong literary art as a narrative of four days of crisis. The story goes back in memory to the happiness of Linda's love for Nigel, and forward in her frightened imagination to a future from which the strongest must flinch. Christopher, the unborn child, dominates terrific events in which he has no living part to play. The prelude to his birth is told with emotional power.'

Source: Publisher's blurb.

'Friendship is a slippery notion. We lose friends as we change and our friends don't, or as we form other alliances, or as we betray our friends or are ourselves betrayed ...

'Alice, Hartley, Mitsy and Jamie are kids growing up in Broome before the Second World War. Their lives, although very different, are bound by friendship. Hartley and Alice Penrose are the children of an uneducated pearling master and a cultivated, disgruntled mother. Mitsy Sennosuke is Japanese, the daughter of Zeke, a diver working for Hartley and Alice's father, and Sadako, who makes soy sauce in a tin shed factory. Jamie Kilian is the son of a local magistrate, recently moved north from the city. Together, they unconsciously cross the boundaries of class and race, as they swim, joke and watch films in the cinema in Sheba Lane.

'But these happy, untroubled times end when lives are lost in a terrible cyclone, Alice falls for a wealthy cattleman pilot, a young woman is assaulted, and Hartley and Jamie compete for the love of Mitsy. The Second World War brings further strain into their lives. The four friends are no longer children but old enough to fight for their country. As Japanese bombs begin to fall like silver rain on northern Australia, loyalties are divided and friendships take on an altogether different form …

'This thrilling and beautifully written new novel from Garry Disher evokes an era of Australia caught up in the events of war and its effects on people torn apart from all they know and hold dear in childhood.' (Source: Publisher's website)

'In Town, James Roy turns his hand to the short story, using it to explore the lives of the young residents of an Australian town. This town doesn't have a name. But if it seems familiar, it's because we recognise the people who walk its streets.

'From the serendipity of an unexpected moment of connection, to the sadness of leaving home, and the pain of the desperate decisions we make, these stories take a personal and uncompromising look at life. Love and loss, grief, humour and passion. Hope and hopelessness. Thirteen linked short stories, spanning a year in the lives of thirteen young people, from a town near you.' (Publisher's blurb)

'My Brilliant Career was written by Stella Franklin (1879-1954) when she was just nineteen years old. The novel struggled to find an Australian publisher, but was published in London and Edinburgh in 1901 after receiving an endorsement from Henry Lawson. Although Franklin wrote under the pseudonym 'Miles Franklin', Lawson’s preface makes it clear that Franklin is, as Lawson puts it 'a girl.'

'The novel relates the story of Sybylla Melvyn, a strong-willed young woman of the 1890s growing up in the Goulburn area of New South Wales and longing to be a writer.' (Publication summary)

'Every city, town and village has its memorial to war. Nowhere are these more eloquent than in Australia, generations of whose young men have enlisted to fight other people's battles - from Gallipoli and the Somme to Malaya and Vietnam. In THE GREAT WORLD, his finest novel yet, David Malouf gives a voice to that experience. But THE GREAT WORLD is more than a novel of war. Ranging over seventy years of Australian life, from Sydney's teeming King's Cross to the tranquil backwaters of the Hawkesbury River, it is a remarkable novel of self-knowledge and lost innocence, of survival and witness.'

Source: Publisher's blurb (Vintage reprint).

'Should a woman bear a child knowing that there are traces of insanity in her family? Linda Hainlin, niece of a famous biologist, was aware of the danger when she married Dr. Nigel Hendon, a practical idealist, whose creed was normality and the rational ordering of the world. This book tells how, years later, while temporarily deprived of her husband's sane companionship, Linda feels the oncoming of those homicidal impulses which presage madness. On this tragic theme, 'Prelude to Christopher' is written with strong literary art as a narrative of four days of crisis. The story goes back in memory to the happiness of Linda's love for Nigel, and forward in her frightened imagination to a future from which the strongest must flinch. Christopher, the unborn child, dominates terrific events in which he has no living part to play. The prelude to his birth is told with emotional power.'

Source: Publisher's blurb.

'Friendship is a slippery notion. We lose friends as we change and our friends don't, or as we form other alliances, or as we betray our friends or are ourselves betrayed ...

'Alice, Hartley, Mitsy and Jamie are kids growing up in Broome before the Second World War. Their lives, although very different, are bound by friendship. Hartley and Alice Penrose are the children of an uneducated pearling master and a cultivated, disgruntled mother. Mitsy Sennosuke is Japanese, the daughter of Zeke, a diver working for Hartley and Alice's father, and Sadako, who makes soy sauce in a tin shed factory. Jamie Kilian is the son of a local magistrate, recently moved north from the city. Together, they unconsciously cross the boundaries of class and race, as they swim, joke and watch films in the cinema in Sheba Lane.

'But these happy, untroubled times end when lives are lost in a terrible cyclone, Alice falls for a wealthy cattleman pilot, a young woman is assaulted, and Hartley and Jamie compete for the love of Mitsy. The Second World War brings further strain into their lives. The four friends are no longer children but old enough to fight for their country. As Japanese bombs begin to fall like silver rain on northern Australia, loyalties are divided and friendships take on an altogether different form …

'This thrilling and beautifully written new novel from Garry Disher evokes an era of Australia caught up in the events of war and its effects on people torn apart from all they know and hold dear in childhood.' (Source: Publisher's website)

'"There were only eleven of them, like eleven sisters all the same age in a large family. Because it was such a very small class, they had a very small classroom, which was perched at the very top of the school - up four flights of stairs, up in the high sky, like a colony of little birds nesting on a cliff. 'Today, girls,' said Miss Renshaw, 'we shall go out into the beautiful Gardens and think about death."'

'In the Gardens they meet a poet. What follows is inexplicable, shocking, a scandal. What really happened that day? Is 'the truth' as elusive as it seems? And do the little girls know more than they are letting on?' (From the publisher's website.)

'In Town, James Roy turns his hand to the short story, using it to explore the lives of the young residents of an Australian town. This town doesn't have a name. But if it seems familiar, it's because we recognise the people who walk its streets.

'From the serendipity of an unexpected moment of connection, to the sadness of leaving home, and the pain of the desperate decisions we make, these stories take a personal and uncompromising look at life. Love and loss, grief, humour and passion. Hope and hopelessness. Thirteen linked short stories, spanning a year in the lives of thirteen young people, from a town near you.' (Publisher's blurb)

A comprehensive, generously illustrated reference work on a multitude of aspects of Aboriginal history, culture and art. Although the emphasis is on visual art and artists, the many survey entries on indigenous languages, traditions, writing and performance provide a much wider context.

The Companion is divided into two separate yet interconnected parts. Part One consist of essays by indigenous and non-indigenous scholars and experts, interspersed with textual and visual examples. Broadly chronological in structure, it contains the following sections: 'Foundations of Being' (subdivided into 'Religion', 'Ritual and Sacred Sites', 'Kinship and Gender'); 'Colonial and Post-colonial Scenes' (art and culture in different regions of Australia); 'Renegotiating Tradition' ('Urban Aboriginal Art', 'Film and Communications', 'Literature', 'Music', 'Performance', 'Fibre-work and Textiles', 'Cultural Meeting Places', buildings and architecture) ; 'The Public Face of Aboriginality' ('Aboriginalities', 'Reception and Recognition of Aboriginal Art', 'Cross-Cultural Exchange', 'The Way Ahead'). An index to Part One provides easy access to topics.

Part Two is organised as a reference section and consists of alphabetical entries on artists, organisations, key issues and ideas.

'The flowers flared up from the ground unconquerable. The unrepentant gaiety of the weed, the burning blues and crimsons, set the hills glowing.

''It's a plant that's struck it lucky,' the Stray said thoughtfully. 'It hasn't got no right, but it's there.'

'The Battlers is the story of Snow, a drifter and wanderer, the waiflike Dancy the Stray, from the slums of Sydney, and the other outcasts who accompany them as they travel the country roads looking for work. Like the weed Patterson's Curse, they 'haven't got no right', but they are there. Based on her own experiences of life on the roads in the 1930s, Tennant tells the story of the motley crowd of travellers with compassion and humour. First published in 1941, The Battlers was awarded the Gold Medal of the Australian Literature Society and shared the S. H. Prior Memorial Prize. More than seventy years later, the book's message of survival against the odds is as relevant today as it was then. ' (Publication summary)

'Jonah, born a hunchback, is feared and revered in equal measure as the ruthless leader of the Push, a violent gang that terrorises the slums of Waterloo. Chook, a fellow member of the Push, is Jonah's loyal best friend. But after a chance encounter with his son, the result of a casual affair, Jonah decides to abandon the larrikin life and settle down. He marries Ada, the mother of his child, and takes advantage of an opportunity to open his own business. Chook, too, leaves the Push and finds love in the arms of factory worker, Pinkey. But can either man escape his awful past?'

Source: Publisher's blurb (Text Publishing edition).

'My Brilliant Career was written by Stella Franklin (1879-1954) when she was just nineteen years old. The novel struggled to find an Australian publisher, but was published in London and Edinburgh in 1901 after receiving an endorsement from Henry Lawson. Although Franklin wrote under the pseudonym 'Miles Franklin', Lawson’s preface makes it clear that Franklin is, as Lawson puts it 'a girl.'

'The novel relates the story of Sybylla Melvyn, a strong-willed young woman of the 1890s growing up in the Goulburn area of New South Wales and longing to be a writer.' (Publication summary)

'Friendship is a slippery notion. We lose friends as we change and our friends don't, or as we form other alliances, or as we betray our friends or are ourselves betrayed ...

'Alice, Hartley, Mitsy and Jamie are kids growing up in Broome before the Second World War. Their lives, although very different, are bound by friendship. Hartley and Alice Penrose are the children of an uneducated pearling master and a cultivated, disgruntled mother. Mitsy Sennosuke is Japanese, the daughter of Zeke, a diver working for Hartley and Alice's father, and Sadako, who makes soy sauce in a tin shed factory. Jamie Kilian is the son of a local magistrate, recently moved north from the city. Together, they unconsciously cross the boundaries of class and race, as they swim, joke and watch films in the cinema in Sheba Lane.

'But these happy, untroubled times end when lives are lost in a terrible cyclone, Alice falls for a wealthy cattleman pilot, a young woman is assaulted, and Hartley and Jamie compete for the love of Mitsy. The Second World War brings further strain into their lives. The four friends are no longer children but old enough to fight for their country. As Japanese bombs begin to fall like silver rain on northern Australia, loyalties are divided and friendships take on an altogether different form …

'This thrilling and beautifully written new novel from Garry Disher evokes an era of Australia caught up in the events of war and its effects on people torn apart from all they know and hold dear in childhood.' (Source: Publisher's website)

A comprehensive, generously illustrated reference work on a multitude of aspects of Aboriginal history, culture and art. Although the emphasis is on visual art and artists, the many survey entries on indigenous languages, traditions, writing and performance provide a much wider context.

The Companion is divided into two separate yet interconnected parts. Part One consist of essays by indigenous and non-indigenous scholars and experts, interspersed with textual and visual examples. Broadly chronological in structure, it contains the following sections: 'Foundations of Being' (subdivided into 'Religion', 'Ritual and Sacred Sites', 'Kinship and Gender'); 'Colonial and Post-colonial Scenes' (art and culture in different regions of Australia); 'Renegotiating Tradition' ('Urban Aboriginal Art', 'Film and Communications', 'Literature', 'Music', 'Performance', 'Fibre-work and Textiles', 'Cultural Meeting Places', buildings and architecture) ; 'The Public Face of Aboriginality' ('Aboriginalities', 'Reception and Recognition of Aboriginal Art', 'Cross-Cultural Exchange', 'The Way Ahead'). An index to Part One provides easy access to topics.

Part Two is organised as a reference section and consists of alphabetical entries on artists, organisations, key issues and ideas.