AustLit

'The global story unfolding is not only about microbes; it is also about culture, politics and history. The spread of disease is not without responsibility.'

'Truganini: Journey through the apocalypse follows the life of the strong Nuenonne woman who lived through the dramatic upheavals of invasion and dispossession and became known around the world as the so-called ‘last Tasmanian’. But the figure at the heart of this book is George Augustus Robinson, the self-styled missionary and chronicler who was charged with ‘conciliating’ with the Tasmanian Aboriginal peoples. It is primarily through his journals that historians are able to glimpse and piece together the world fractured by European arrival.'  (Introduction)

'At first I can’t make out the inscription, even though I’m searching for it. Smooth new bark has grown into the cuts, bulging around the incision, preserving the words on the trunk. I run my hand across the surface, tracing the grooves, feeling the letters: R-E-T-R-I-B-U-T-I-O-N. And below, in slightly larger hand, ‘CAMP’.'(Introduction)

'Soon after Billy Griffiths joins his first archaeological dig as camp manager and cook, he is hooked. Equipped with a historian’s inquiring mind, he embarks on a journey through time, seeking to understand the extraordinary deep history of the Australian continent.

'Deep Time Dreaming is the passionate product of that journey. It investigates a twin revolution: the reassertion of Aboriginal identity in the second half of the twentieth century, and the uncovering of the traces of ancient Australia.

'It explores what it means to live in a place of great antiquity, with its complex questions of ownership and belonging. It is about a slow shift in national consciousness: the deep time dreaming that has changed the way many of us relate to this continent and its enduring, dynamic human history.' (Publication summary)

'David Unaipon’s Legendary Tales of the Australian Aborigines is part of the classical culture of Australia. The collection is as varied in subject as it is ambitious in scope, ranging from ethnographic essays on sport, hunting, fishing and witchcraft to the legends of ancestral beings who transformed the landscape in the Dreaming. The stories are unified by the voice of Unaipon, Australia’s first Indigenous author, whose familiar face now adorns the fifty dollar note.' (Introduction)