AustLit

'Stan Parker, with only a horse and a dog for company journeys to a remote patch of land he has inherited in the Australian hills. Once the land is cleared and a rudimentary house built, he brings his wife Amy to the wilderness. Together they face lives of joy and sorrow as they struggle against the environment.' (Publication summary)

'Liza used to say that she saw her past life as a string of roughly-graded balls, and so did Hilda have a linear conception of hers, thinking of it as a track with detours. But for some years now I have likened mine to a globe suspended in my head, and ever since the shocking realisation that waste is irretrievalbe, I have been careful not to let this globe spin to expose the nether side on which my marriage has left its multitude of images.

'Nora Porteous has spent most of her life waiting to escape. Fleeing from her small-town family and then from her stifling marriage to a mean-spirited husband, Nora arrives finally in London where she creates a new life for herself as a successful dressmaker.

'Now in her seventies, Nora returns to Queensland to settle into her childhood home.

'But Nora has been away a long time, and the people and events of her past are not at all like she remembered them. And while some things never change, Nora is about to discover just how selective her 'globe of memory' has been.

'Tirra Lirra by the River is a moving account of one woman's remarkable life, a beautifully written novel which displays the lyrical brevity of Jessica Anderson's award-winning style.' (Publication summary)

'A civilian chaplain records whispered confessions and low urgings into a notebook during his summer tenure at Central Street Police Station. His Summer Exercises are habitual - five times a day - his terseness can generate feelings so sharp that sometimes a great notion gets pared clean with a meagre swatch of syllables.

'Constructing this notebook of a sharp observer, author Ross Gibson builds a world: Sydney in 1946 - sordid and bruised after decades of depredations. A war will take your innards out. In The Summer Exercises, Gibson uses approximately 175 carefully selected black and white photographs from the collection of the Justice & Police Museum taken during the years immediately after World War II.

'These photographs, generated by NSW Police in the course of their investigations between 1945-1960, form a visual reference for richly imagined and experimental storytelling to take place. Anchored in the realities of 1940s Sydney police investigative procedure, the work is an artistic re-invention of history as it happened.' (Publisher's blurb)