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AustLit

Australian Theatre and Performance (ENGL40020)
Semester 2 / 2013

Texts

y separately published work icon When the Rain Stops Falling Andrew Bovell , 2008 Strawberry Hills : Currency Press , 2009 Z1430823 2008 single work drama (taught in 8 units)

'It begins with a miracle. On a rainy day in Alice Springs in 2039 a fish falls like manna from heaven to bless the reunion of a father with his long lost son. Perhaps it's a sign that the pattern of betrayal and abandonment that began on another rainy day in London in 1959 will come to an end.

'Who'll stop the rain? Andrew Bovell's award-winning When the Rain Stops Falling is powerful storytelling in which the voices of our past echo into our future.' (Publisher's blurb)

y separately published work icon Melbourne Stories : Three Plays Andrew Bovell , Belinda Bradley , Raimondo Cortese , Strawberry Hills : Currency Press , 2000 Z800421 2000 anthology single work drama (taught in 2 units)
y separately published work icon Life after George Hannie Rayson , Strawberry Hills : Currency Press , 2000 Z344453 2000 single work drama (taught in 1 units) Peter George, charismatic academic, idealist, lover of life, is dead. His wife, two ex-wives and daughter gather for his funeral. As the true nature of the man and his life unfolds, so these women discover much about themselves and the lives they have lived both within and outside his shadow. (Publisher's blurb, back cover).
y separately published work icon Still Angela Jenny Kemp , Sydney : Currency Press Playbox Theatre , 2002 Z957751 2002 single work drama (taught in 8 units)
y separately published work icon The Seven Stages of Grieving Wesley Enoch , Deborah Mailman , Hilary Beaton , 1995 Brisbane : Playlab , 1996 Z355402 1995 single work drama (taught in 14 units)
— Appears in: アボリジニ戯曲選 : ストールン; 嘆きの七段階 2001;

'This is a proud milestone in Australian theatre history; a contemporary Indigenous performance text from the highly acclaimed Kooemba Jdarra. Appropriating western forms whilst using traditional storytelling, it gives emotional insight into Murri life. This one-woman show follows the journey of an Aboriginal ‘Everywoman’ as she tells poignant and humorous stories of grief and reconciliation. A powerful, demanding and culturally profound text, The 7 Stages of Grieving is a celebration of Indigenous survival, an invitation to grieve publicly, a time to exorcize pain. It has a universal theme told through the personal experiences of one incredible character.'

Source: Publisher's blurb (Playlab).

y separately published work icon Damage : A Collection of Plays John Romeril , Sydney : Currency Press , 2010 Z1709452 2010 selected work drama (taught in 3 units)

'This collection, introduced by John McCallum, includes three previously unpublished works: Jonah, a Brechtian musical reinvention of Louis Stone's novel of the same name; Top End, a political drama set in Darwin during the Indonesian invasion of East Timor, and Lost Weekend which takes a class-based look at 'Australianess'. They are published together with Romeril's best-known play, The Floating World, the story of a returned serviceman's descent into madness on a cruise ship bound for Japan.

'Romeril's writing conveys the immediacy of the times that stems from his beginnings as an agitprop writer, but he focuses on everyday lives. The plays in Damage explore the twentieth century stresses and strains, the damage we do and the damage done to us.' (From the publisher's website.)

y separately published work icon Selected Plays Jack Hibberd , Strawberry Hills : Currency Press , 2000 Z795032 2000 selected work drama (taught in 3 units)

Three landmark plays from the renaissance of Australian playwriting: 'White with Wire Wheels' was the first play to examine the insecurity inherent in the male culture of women and cars; 'Dimboola', a Rabelaisian account of a country wedding; Monk O'Neill, of 'A Stretch of the Imagination' has become an archetype of Australian character.

y separately published work icon The Removalists David Williamson , 1971 Sydney : Currency Press , 1972 Z365225 1971 single work drama (taught in 12 units)

A young policeman’s first day on duty becomes a violent and highly charged initiation into law enforcement. Remarkable for its blend of boisterous humour and horrifying violence, the play has acquired a reputation as a classic statement on Australian authoritarianism and is a key work in the study of Australian drama.

(Publication Synopsis)

y separately published work icon Summer of the Seventeenth Doll Ray Lawler , 1955 London Sydney : Angus and Robertson , 1957 Z522838 1955 single work drama (taught in 56 units)

'The most famous Australian play and one of the best loved, Summer of the Seventeenth Doll is a tragicomic story of Roo and Barney, two Queensland sugar-cane cutters who go to Melbourne every year during the 'layoff' to live it up with their barmaid girl friends. The title refers to kewpie dolls, tawdry fairground souvenirs, that they brings as gifts and come, in some readings of the play, to represent adolescent dreams in which the characters seem to be permanently trapped. The play tells the story in traditional well-made, realistic form, with effective curtains and an obligatory scene. Its principal appeal – and that of two later plays with which it forms The Doll Trilogy – is the freshness and emotional warmth, even sentimentality, with which it deals with simple virtues of innocence and youthful energy that lie at the heart of the Australian bush legend.

'Ray Lawler’s play confronts that legend with the harsh new reality of modern urban Australia. The 17th year of the canecutters’ arrangement is different. There has been a fight on the canefields and Roo, the tough, heroic, bushman, has arrived with his ego battered and without money. Barney’s girl friend Nancy has left to get married and is replaced by Pearl, who is suspicious of the whole set-up and hopes to trap Barney into marriage. The play charts the inevitable failure of the dream of the layoff, the end of the men’s supremacy as bush heroes and, most poignantly, the betrayal of the idealistic self-sacrifice made by Roo’s girl friend Olive – the most interesting character – to keep the whole thing going. The city emerges victorious, but the emotional tone of the play vindicates the fallen bushman.'

Source: McCallum, John. 'Summer of the Seventeenth Doll.' Companion to Theatre in Australia. Ed. Philip Parson and Victoria Chance. Sydney: Currency Press , 1997: 564-656.

Description

Australian Theatre and Performance is a study of representative Australian performing arts selected for historical, dramatic, theatrical and cultural significance. Important plays, performance groups, and artists from the 1960s until the present-day will be discussed and analysed. Students will read plays, view live works and performance documentation, engage in archival research, and undertake textual and performance analysis. An interdisciplinary approach combining aspects of theatre and performance studies and cultural history will inform the subject. Artistic trends are discussed alongside analysis of social, political and cultural movements and contexts evident in the development and expansion of the national performance scene. Australian Theatre and Performance investigates the contemporary senses of diversity and innovation in the arts as well as examining challenges and the changing cultural landscape.

Objectives:

Upon completion of this subject students will be able to:

  • Apply interdisciplinary methodologies drawing on aesthetic, cultural, social and economic perspectives to inform an understanding of the creation of dramatic literature and performance;
  • Understand how Australian drama is an expression of culture and society;
  • Broaden the understanding of contemporary drama and performance in the contemporary period; and
  • Debate the contribution of the arts to society.

Assessment

An individual research paper on an aspect of the subject 5000 words 100% (due in the examination period). Students are required to attend a minimum of 80% (or 10 out of 12) classes in order to qualify to have their written work assessed. Any student who fails to meet this hurdle without valid reason will not be eligible to pass the subject. All required written work must be submitted in order to pass the subject. Essays submitted after the due date without an extension will be penalised 2% per day. Essays submitted after two weeks of the assessment due date without a formally approved application for special consideration or an extension will only be marked on a pass/fail basis if accepted.

Other Details

Offered in: 2011, 2012
Current Campus: Parkville
Levels: Postgraduate
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