AustLit

Black Chicks Talking investigates what it means to be Black in Australia today. Over dinners of Indigenous gourmet cuisine, Purcell turns the camera on five Indigenous women, allowing them to speak candidly about the issues that have affected their lives, exploring themes of culture, identity, and denial.

The five women are Rosanna Angus, a community warden and cultural tour guide in her traditional Western Australian community of One Arm Point; Kathryn Hay, from Tasmania, who became the first Aboriginal Miss Australia; Deborah Mailman, an award-winning actress who was born and raised in Mount Isa; Cilla Malone, a mother of six who lives in Cherbourg (an Aboriginal settlement in southeast Queensland); and Tammy Williams from Gympie, a lawyer who aims to be the UN High Commissioner for Human Rights.

'How do you learn to love again when the pain of the past won't let you go? Tracy Heart has set herself the humble goal of owning her own business. The return of her ex-boyfriend Jonny, the criminal aspirations of her brother Ray and the emotional draw of ex-footy star Lionel create friction for Tracy, and her bond of trust with her mother Janelle is tested. A story about families. About lies. And about learning to love again.'

Source: Screen Australia. (Sighted: 6/8/2013)

'Sandy, a geologist, finds herself stuck on a field trip to the Pilbara desert with a Japanese man she finds inscrutable, annoying and decidedly arrogant. Hiromitsu's view of her is not much better. Things go from bad to worse when they become stranded in one of the most remote regions on earth. JAPANESE STORY is a journey of change and discovery for its two lead characters.'

Source: Screen Australia.

Set over the course of one night, Head On focuses on Ari, a handsome nineteen-year-old boy of Greek descent who finds himself torn between his traditional upbringing and his sexual identity. As he attempts to come to terms with where he fits in, Ari careens between hanging out with his friends and bickering with his family while also becoming involved in several heterosexual and homosexual encounters.

Fred Scully is in another country, a 'desert Irishman' far from home. After two long years of travelling through Europe, he decided to move his family from Australia to western Ireland. Scully arrived weeks ahead of his family to renovate the old farmhouse they'd bought in the shadow of a castle in County Offally, and which he's renovated by hand. Now, at the gate of Shannon's international airport, he anxiously awaits the arrival of his pregnant wife and seven-year-old daughter, envisioning a new life ahead, a fresh start. He has waited for and worried about this for months. He is a man who does not like being alone. The plane lands, the glass doors to the terminal slide open and his daughter emerges. Alone. There is no note, no word of explanation from his wife, only the mute silence of his stunned child. In an instant, Scully's life goes down in flames. This is a story of a marriage in our time. So begins a love-crazed odyssey across Europe, to the underside of the male psyche, in search of a woman vanished.

(Adapted from Trove)

'Families can detonate. Some families are torn apart forever by one small act, one solitary mistake. In my family it was a series of small explosions; consistent, passionate, pathetic. Cruel words, crude threats... We spurred each other on till we reached a crescendo of pain and we retired exhausted to our rooms, in tears or in fury.

'Ari is nineteen, unemployed and a poofter who doesn't want to be gay. He is looking for something - anything - to take him away from his aimless existence in suburban Melbourne. He doesn't believe in anyone or anything, except the power of music. All he wants to do is dance, take drugs, have sex and change the world.

'For Ari, all the orthodoxies of family, sex, politics and work have collapsed. Caught between the traditional Greek world of his parents and friends and the alluring, destructive world of clubs, chemicals and anonymous sex, all Ari can do is ease his pain in the only ways he knows how.

'Written in stark, uncompromising prose, Loaded is a first novel of great passion and power.' (From the publisher's website.)

Set in the eccentric backwater of Karakarook, New South Wales, this is the story of Douglas Cheeseman, a shy and clumsy engineer who meets Harley Savage, a woman who is known for being rather large and abrupt. Harley Savage is a plain, rawboned woman, a part-time museum curator and quilting expert with three failed marriages and a heart condition. Douglas Cheeseman is a shy, gawky engineer with jug-handle ears, one marriage gone sour, and a crippling lack of physical courage. Seeming to be incompetent was something Douglas did to protect himself, just as having a "dangerous streak" served the same purpose for Harley. Douglas is there to pull down a quaint old bridge and Harley aims to foster heritage. They are clearly on a collision course - but when they meet they are unaware that something unexpected is going to happen. (Source: Trove)

 

'A story of homecoming, this absorbing novel opens with a young, city-based lawyer setting out on her first visit to ancestral country. Candice arrives at "the place where the rivers meet", the camp of the Eualeyai where in 1918 her grandmother Garibooli was abducted. As Garibooli takes up the story of Candice's Aboriginal family, the twentieth century falls away.

Garibooli, renamed Elizabeth, is sent to work as a housemaid, but marriage soon offers escape from the terror of the master's night-time visits. Her displacement carries into the lives of her seven children - their stories witness to the impact of orphanage life and the consequences of having a dark skin in post-war Australia. Vividly rekindled, the lives of her family point the direction home for Candice.

Home is a ... novel from an author who understands both the capacity of language to suppress and the restorative potency of stories that bridge past and present.' (Source: Publisher's blurb)

'In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests - most of them university students - had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder. Helen Garner followed the trials in the ACT Supreme Court. Compassionate but unflinching, this is a book about how and why Joe Cinque died. It probes the gap between ethics and the law; examines the helplessness of the courts in the face of what we think of as 'evil'; and explores conscience, culpability, and the battered ideal of duty of care.' (Source: Pan Macmillan website)

Garner takes 'a deliberately subjective and "literary" approach' to her material with an 'emphasis on a sympatheitic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).