'The first time Brenda Walker packed her bag to go into hospital, she wondered which book to take with her. As a novelist and professor of literature, her life had been built around reading and writing. Now she was also a patient, being treated for breast cancer, fighting for her life and afraid for herself and her family. But turning to medicine didn't mean she turned away from fiction. Books had always been her solace and sustenance, and now choosing the right one was the most important thing she could do for herself.

'In Reading by Moonlight, Brenda describes the five stages of her treatment and how different books and authors helped her through the tumultuous process of recovery. As well as offering wonderful introductions and insights into the work of writers like Dante, Tolstoy, Nabokov, Beckett and Dickens, Brenda shows how the very process of reading - surrendering and then regathering yourself - echoes the process of healing.

'Reading by Moonlight guides, reassures, throws light on dark places, and finds beauty in the stories that come to us in times of jeopardy. It affirms that reading can be essential to life itself.' (From the publisher's website.)

'Samson and Delilah tells the story of two Aboriginal teenagers in a remote community. They live in a sparse environment but one that absorbs all manner of cultural influences, where dot painting and country music exist side by side. Samson gets through his days by sniffing, while Delilah is the caregiver for her nana before taking a moment for herself to listen to Latino music. Their journey ranges across many of the most urgent issues concerning Indigenous people in Australia, homelessness, poverty, domestic violence and substance abuse, but it does so with tenderness, dignity, and even humour.'

Source: Adelaide Film Festival website, www.adelaidefilmfestival.org/ Sighted: 23/02/2009

'To the Islands concerns the ordeal of Stephen Heriot, an elderly, careworn, and disillusioned Anglican missionary who abandons his mission when he mistakenly believes he has accidentally killed one of his Aboriginal charges in a not entirely unprovoked confrontation. Heriot flees into the desert not to escape justice but to embrace its desolate beauty and its elemental purity as the one objective reality and the one certainty left available to him.

Heriot's flight and his embrace of the desert may be seen as his attempt, as a European Australian, to immerse himself in the landscape, to make himself one with the land. At this realistic level, the novel enacts the ontological and existential dilemma that confronts most — if not all — European Australians, the dilemma that Professor Hassall [in his introduction to the 2002 UQP Australian Authors version] defines as the continuing quest for psychic integration, for reconciliation with indigenous Australians, and with the land itself.'

Wells-Green, James. [Untitled Review.] JAS Review of Books 15 (May 2003)