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Melanie Cheng Melanie Cheng i(6847988 works by)
Born: Established: Adelaide, South Australia, ;
Gender: Female
Heritage: Chinese
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Works By

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1 Kernel Panic Melanie Cheng , 2021 single work short story
— Appears in: Meanjin , Autumn vol. 80 no. 1 2021;
1 y separately published work icon Live Recording : Kate Grenville on A Room Made of Leaves Melanie Cheng (interviewer), Melbourne : Readings , 2020 23473220 2020 single work podcast interview

'Kate Grenville chats with fellow author Melanie Cheng about A Room Made of Leaves, her highly imaginative retelling of the life of Elizabeth Macarthur. This conversation was recorded online during the Covid-19 crisis.' (Production summary)

1 This Pandemic Exposes the Source of True Fear – Our Utter Powerlessness Melanie Cheng , 2020 single work column
— Appears in: The Guardian Australia , 5 August 2020;
1 The Human Factor : Empathy as a Therapeutic Tool Melanie Cheng , 2020 single work autobiography
— Appears in: Griffith Review , April no. 68 2020; (p. 225-232)
1 All the Other Stories Melanie Cheng , 2019 single work autobiography
— Appears in: Meanjin , Winter vol. 78 no. 2 2019; (p. 121-125)

'I've just devoured Alex Miller's book Lovesong. Even more than the love affair between John and Sabiha, I'm haunted by the narrator Ken's dilemma - the question of whether he should follow his impulse to write a book about the couple's extraordinary story. John tells Ken he plans to write his own memoir, but Ken has little confidence in John's abilities as a writer, believing the English teacher to be too close to the story to channel the characters effectively.' (Introduction)

 

1 The Man in the Green Suit Melanie Cheng , 2019 single work prose
— Appears in: Peril : An Asian-Australian Journal , June no. 35 2019;
1 9 y separately published work icon Room for a Stranger Melanie Cheng , Melbourne : Text Publishing , 2019 15404279 2019 single work novel

'Since her sister died, Meg has been on her own. She doesn’t mind, not really—not with Atticus, her African grey parrot, to keep her company—but after her house is broken into by a knife-wielding intruder, she decides it might be good to have some company after all.

'Andy’s father has lost his job, and his parents’ savings are barely enough to cover his tuition. He can't go home to Hong Kong -- but if he wants to graduate, he’ll have to give up his student flat and find a homeshare. Living with an elderly Australian woman is harder than he’d expected, though, and soon he’s struggling with more than his studies.'

Source: Publisher's blurb.

1 What I’m Reading Melanie Cheng , 2018 single work column
— Appears in: Meanjin Online 2018;
1 The ‘E’ Word Melanie Cheng , 2018 single work column
— Appears in: Meanjin , Autumn vol. 77 no. 1 2018; (p. 5-10)

'When my daughter was two-and-a-half, I took her to her first movie. She was princess-obsessed at the time and I had bought tickets to The Little Mermaid. I knew this was ambitious—toddlers are not known for their capacity to sit still for 90 minutes. I had anticipated a short period of awe, quickly superseded by an ants-in-the-pants restlessness. What I had not expected was to hear her wailing by the end of the first song. But a few minutes after Ariel began lamenting her life beneath the sea, my daughter was crying in sympathy for the would-be princess’s plight. That such a young child could feel empathy under these conditions was a revelation. It made me wonder about the physiology of empathy. At what age does empathy develop? What parts of the brain are responsible for it? Why are some people more empathetic than others?' (Introduction)

1 7 y separately published work icon Australia Day Melanie Cheng , Melbourne : Text Publishing , 2017 11202969 2017 selected work short story

'Australia Day is a collection of stories by debut author Melanie Cheng. The people she writes abut are young, old, rich, poor, married, widowed, Chinese, Lebanese, Christian, Muslim. What they have in common—no matter where they come from—is the desire we all share to feel that we belong. The stories explore universal themes of love, loss, family and identity, while at the same time asking crucial questions about the possibility of human connection in a globalised world.' (Introduction)

1 White Sparrow Melanie Cheng , 2016 single work short story
— Appears in: Shibboleth & Other Stories : Margaret River Short Story Competiion 2016 2016;
1 Our Lucky Country Melanie Cheng , 2016 single work autobiography
— Appears in: Meanjin , Winter vol. 75 no. 2 2016; (p. 130-134)
1 A Sailboat for Naima Melanie Cheng , 2016 single work short story
— Appears in: Seizure [Online] , March 2016;
1 Muse Melanie Cheng , 2016 single work novella
— Appears in: Griffith Review , no. 54 2016; (p. 11-48)
' Her ceilings are soft with cobwebs. Her garden is choked with weeds. Her fence leans, like buckteeth, out onto the footpath. She is getting old, and noisy. Like me, with my snorts and grunts and farts that catch even me by surprise. Her doors creak, her heating claps itself to life, and her pipes splutter up their rusty sputum...'
1 The Honeymoon Melanie Cheng , 2015 single work short story
— Appears in: Forty South Short Story Anthology 2015 : The 10 Best Stories from the Tasmanian Writers' Prize 2015 2015;
1 Things That Grow Melanie Cheng , 2015 single work short story
— Appears in: The Sleepers Almanac X 2015; (p. 183-188)
1 By Any Other Name Melanie Cheng , 2015 single work essay
— Appears in: LEAP+ Magazine of Asia Pacific Writers & Translators 2015;
'Melanie Cheng recalls her experiences as a half-Chinese half-Australian emerging writer in Australia...'
1 Pure Lotus Melanie Cheng , 2013 single work prose
— Appears in: Peril : Asian-Australian Arts and Culture , no. 16-17 2013;
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