AustLit logo

AustLit

image of person or book cover 1824550945555645016.jpg
Source: Amazon
form y separately published work icon The Rats of Tobruk single work   film/TV  
Alternative title: The Fighting Rats of Tobruk
Note: Maxwell Dunn is credited with writing the narrative.
Issue Details: First known date: 1944... 1944 The Rats of Tobruk
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
* AustLit's TAL data covers the period 2009-2016, with a small number of courses logged in 2008. Data for 2013 is estimated to cover only half of the eligible courses. Please use this data with caution and contact us if you plan to use it in research or analysis.

Units Teaching this Work

Text Unit Name Institution Year
form y separately published work icon The Rats of Tobruk The Fighting Rats of Tobruk Elsa Chauvel , Charles Chauvel , Maxwell Dunn , ( dir. Charles Chauvel ) Sydney : Chamun Productions , 1944 6939175 1944 single work film/TV (taught in 1 units)

Australia's only fully war-time feature, The Rats of Tobruk focuses on three friends who are cattle droving in the outback just before the outbreak of World War II. By 1941, restless Bluey Donkin, easy-going Milo Trent, and Shakespeare-quoting Englishman Peter Linton have decided to join the Australian Imperial Forces (A.I.F.) and later find themselves in North Africa fighting Rommel's army.

After early successes against the Italian army, the Australian 9th Division finds itself besieged in Tobruk. When not fighting, the men have comic encounters with a barber, while Peter falls for a nurse, Sister Mary, after being wounded. The other two men are also later wounded, but it is Peter who is eventually killed just before the others are able to repel the enemy. Bluey and Milo are then later transferred to New Guinea, where Bluey is injured and Milo killed by a sniper. Bluey manages to kill the sniper.

A romance subplot occurs between Bluey (who prior to leaving Australia was not prepared to settle down with any woman) and the daughter of a squatter, Kate, who is in love with him. When Bluey finally returns home, he and Kate are united.

Upfront: History of Film in Australia University of the Sunshine Coast 2015 (Semester 1)
X