AustLit
Issue Details:
First known date:
2013...
vol.
99
no.
2
December
2013
of
Journal of the Royal Australian Historical Society
est. 1920
Journal of the Royal Australian Historical Society
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
Latest Issues
Contents
* Contents derived from the 2013 version. Please note that other versions/publications may contain different contents. See the Publication Details.
- George Vandiemen : A Tasmanian Aborigine in Lancashire, England : (1822-1827), single work biography (p. 153-169)
-
Lights, Camera, Fire! Cinematic Representations of World War I's Middle East Front and its Palestine Campaign,
single work
criticism
(p. 170-189)'Two important Australian feature films, separated by nearly 50 years, form the basis of this article's examination of World War I's Middle East front through a study of the cinematic corpus referring to the war and its images. Charles Chauvel's 40,000 Horsemen (1941) and Simon Wincer's The Lighthorsemen (1987) offer a spring board for the exploration of the visual aspects of viewers' historical, social and cultural memory shaping the nearly forgotten story of the forces of the British Empire that fought in Palestine and Eastern Transjordan. The cinematic medium developed its own unique signs for wars, usually portraying wartime as a romantic epoch, and not as death and destruction.' (Author's introduction)
-
[Untitled],
single work
— Review of L. Bernard Hall : The Man the Art World Forgot 2013 single work biography ; (p. 220-222)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 22 Jan 2014 11:29:15
