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AustLit

Australian Stage and Screen (ASLT2616)
Semester 1 / 2014

Texts

y separately published work icon Collected Plays : Volume I Patrick White , Sydney : Currency Press , 1985 Z60895 1985 selected work drama (taught in 19 units)
The Gift Joanna Murray-Smith , 2011 single work drama (taught in 4 units)

'Sadie and Ed meet Martin and Chloe at a holiday resort and instantly hit it off, despite coming from completely different worlds. When Martin saves Ed's life, everyone knows the debt can never be properly repaid. But Ed is rich and generous, and Martin and Chloe have a need so great it seems divine providence that the two couples should have found each other. So, given time to think, they return to make their wish - but surely it's a wish nobody could possibly grant?'

Source: Melbourne Theatre Company website, www.mtc.com.au (sighted: 29/09/2010)

y separately published work icon Summer of the Seventeenth Doll Ray Lawler , 1955 London Sydney : Angus and Robertson , 1957 Z522838 1955 single work drama (taught in 56 units)

'The most famous Australian play and one of the best loved, Summer of the Seventeenth Doll is a tragicomic story of Roo and Barney, two Queensland sugar-cane cutters who go to Melbourne every year during the 'layoff' to live it up with their barmaid girl friends. The title refers to kewpie dolls, tawdry fairground souvenirs, that they brings as gifts and come, in some readings of the play, to represent adolescent dreams in which the characters seem to be permanently trapped. The play tells the story in traditional well-made, realistic form, with effective curtains and an obligatory scene. Its principal appeal – and that of two later plays with which it forms The Doll Trilogy – is the freshness and emotional warmth, even sentimentality, with which it deals with simple virtues of innocence and youthful energy that lie at the heart of the Australian bush legend.

'Ray Lawler’s play confronts that legend with the harsh new reality of modern urban Australia. The 17th year of the canecutters’ arrangement is different. There has been a fight on the canefields and Roo, the tough, heroic, bushman, has arrived with his ego battered and without money. Barney’s girl friend Nancy has left to get married and is replaced by Pearl, who is suspicious of the whole set-up and hopes to trap Barney into marriage. The play charts the inevitable failure of the dream of the layoff, the end of the men’s supremacy as bush heroes and, most poignantly, the betrayal of the idealistic self-sacrifice made by Roo’s girl friend Olive – the most interesting character – to keep the whole thing going. The city emerges victorious, but the emotional tone of the play vindicates the fallen bushman.'

Source: McCallum, John. 'Summer of the Seventeenth Doll.' Companion to Theatre in Australia. Ed. Philip Parson and Victoria Chance. Sydney: Currency Press , 1997: 564-656.

y separately published work icon The Boys Gordon Graham , 1991 Paddington : Currency Press , 1994 Z273156 1991 single work drama (taught in 7 units)
y separately published work icon No Sugar Jack Davis , 1980 (Manuscript version)x400874 Z264453 1980 single work drama (taught in 21 units)
— Appears in: ドリーマーズ : ノー・シュガー 2006;

'The spirited story of the Millimurra family’s stand against government ‘protection’ policies in 1930s Australia.' (From the publisher's website.)

y separately published work icon Don's Party David Williamson , 1971 1971 (Manuscript version)x402002 Z1505961 1971 single work drama satire (taught in 17 units)
y separately published work icon Speaking in Tongues Andrew Bovell , 1996 Strawberry Hills : Currency Press Playbox Theatre , 1998 Z166331 1996 single work drama (taught in 10 units) 'Two couples set out to betray their partners...

'A lover returns from the past and a husband doesn’t answer the phone... A woman disappears and a neighbour is the prime suspect... Contracts are broken between intimates and powerful bonds are formed between strangers.

'In Andrew Bovell’s masterfully interconnected polyphony, an evocative mystery unravels at the same time as a devastating tale of disconnection between individuals, partners and communities.' (Production summary)

Description

Australian theatre and cinema have lively, at times intersecting, histories, and have played significant roles at both national and international levels, from the depiction of various local 'types' on stage and screen, to the work of Australian actors, directors and cinematographers overseas. This unit examines selected plays and films over the last century or so through a number of thematic focuses, including: race, gender and national identity; comic traditions; Australia and the world; modernity and innovation.

Assessment

1 x 2000wd essay (40%)

1 x 2000wd take-home exercise (40%)

1 x oral presentation

1 x 500wd written summary (20%)

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