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'Who else, but a writer, is really able to interrogate the work of other writers?
'From Christina Stead, Les Murray and Patrick White to Proust, Shakespeare and Charlotte Bronte, David Malouf reads and examines the work of writers who have challenged, inspired and entertained us for generations. He also explores his own work and the life of the writer, where the ever-present danger is spending too much time talking about writing and not enough doing it.
'These alternative views of some of our best-loved writers and readers will send us scurrying back to read Jane Eyre, Such is Life, Kipling and of course, David Malouf. ' (Publication summary)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Large print.
Related Works
-
y
The Writing Life (Book 2)
Sydney
:
Random House Australia
,
2014
7949705
2014
selected work
criticism
(taught in 1 units)
'Who else, but a writer, is really able to interrogate the work of other writers?
'From Christina Stead, Les Murray and Patrick White to Proust, Shakespeare and Charlotte Bronte, David Malouf reads and examines the work of writers who have challenged, inspired and entertained us for generations. He also explores his own work and the life of the writer, where the ever-present danger is spending too much time talking about writing and not enough doing it.
'These alternative views of some of our best-loved writers and readers will send us scurrying back to read Jane Eyre, Kipling and of course, David Malouf.' (Publication summary)
Works about this Work
-
David Malouf , A First Place; The Writing Life and Being There
2016
single work
essay
— Appears in: Queensland Review , June vol. 23 no. 1 2016; (p. 97-99)'As a poet, librettist, short story writer and novelist, David Malouf has produced more than twenty volumes since his Bicycle and Other Poems was published in 1970. Until recently, 12 Edmondstone Street (1984) was his only volume of non- fiction. But throughout his writing career, he has also been an active reviewer, essayist and public speaker. His words can be found in the files of magazines and newspapers, and in his introductions to works of literature, performances and art exhibitions. His public addresses live on in the memories of those fortunate enough to have heard him speak.' (Introduction)
-
The Vast Museum : A Fine Collection of David Malouf's Criticisms
2015
single work
review
— Appears in: Australian Book Review , March no. 369 2015; (p. 28-29)
— Review of The Writing Life 2014 selected work criticism -
Exploring a Literary Sense and Sensibility
Malouf Explores the Experience of Reading
2014
single work
review
— Appears in: The Sydney Morning Herald , 25-26 October 2014; (p. 31) The Canberra Times , 25 October 2014; (p. 22) The Age , 25 October 2014; (p. 25)
— Review of The Writing Life 2014 selected work criticism
-
Exploring a Literary Sense and Sensibility
Malouf Explores the Experience of Reading
2014
single work
review
— Appears in: The Sydney Morning Herald , 25-26 October 2014; (p. 31) The Canberra Times , 25 October 2014; (p. 22) The Age , 25 October 2014; (p. 25)
— Review of The Writing Life 2014 selected work criticism -
The Vast Museum : A Fine Collection of David Malouf's Criticisms
2015
single work
review
— Appears in: Australian Book Review , March no. 369 2015; (p. 28-29)
— Review of The Writing Life 2014 selected work criticism -
David Malouf , A First Place; The Writing Life and Being There
2016
single work
essay
— Appears in: Queensland Review , June vol. 23 no. 1 2016; (p. 97-99)'As a poet, librettist, short story writer and novelist, David Malouf has produced more than twenty volumes since his Bicycle and Other Poems was published in 1970. Until recently, 12 Edmondstone Street (1984) was his only volume of non- fiction. But throughout his writing career, he has also been an active reviewer, essayist and public speaker. His words can be found in the files of magazines and newspapers, and in his introductions to works of literature, performances and art exhibitions. His public addresses live on in the memories of those fortunate enough to have heard him speak.' (Introduction)
