AustLit
Issue Details:
First known date:
2014...
vol.
38
no.
3
September
2014
of
Journal of Australian Studies
est. 1977
Journal of Australian Studies
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
Latest Issues
Notes
-
Contents indexed selectively.
Contents
* Contents derived from the 2014 version. Please note that other versions/publications may contain different contents. See the Publication Details.
-
Introduction : Australia's Mediterranean Isolario,
single work
criticism
'The article offers in formation on the historical and cultural relationships between Australia and other Pacific islands. Topics include relationship between image of the Mediterranean Sea and association with Australian cultural history, relationships and links between, Australian artists and the Mediterranean islands and geophysical boundedness.' (Publication abstract)
-
Crete : Dorothy Porter, Exuberance, and the Limits of Art,
single work
criticism
'This essay argues that the poetry of Australian poet Dorothy Porter, exemplified in her collection,Crete, operates along contrapuntal lines. The poet's daemonic energy celebrates the ancient island culture, expressed variously in outbursts of democratic irreverence or pagan sensuousness or hierophantic exuberance or queer subversiveness. However, this celebration is met by what reaches out beyond the celebration of aesthetic energy, towards a sifting, self-questioning ethics. This ethics questions the limits of the aesthetic and gives Porter'sCreteits richest, most disturbing depths. This double action of Porter's poetry puts aesthetics—its powers and its limits—into question. (Publication abstract)
-
“The Illusion of Old Solitude” : Shirley Hazzard's Capri,
single work
criticism
'Shirley Hazzard'sGreene on Capriprovides an account of a Capri habitation that extended, not uninterrupted, but at frequent and regular intervals, from the postwar years until the end of the century through the lens of the longstanding friendship between herself, her husband (literary translator and biographer Francis Steegmuller), author Graham Greene, and a number of Greene's other friends. The focus of Hazzard's memoir is thus on a literary world characterised by a privileged cosmopolitanism and an autodidactic erudition that are now past; the memoir is marked by her sense of this loss as much as it is marked by the loss of her friend and her husband. Her own position, moreover, is marked unmistakably by her sense of the gendered nature of the literary world she inhabited. This essay examines the ways Hazzard's elegiac account of the passing of a particular kind of literary sensibility draws from both the traditions of representing Capri itself but also from a broader tradition of writing and thinking about islands and their place in a rootless, Anglophone cosmopolitanism. (Publication abstract)
-
Review : The Misogyny Factor,
single work
review
— Review of The Misogyny Factor 2013 single work non-fiction ; (p. 360-361) -
Review : Eureka: The Forgotten Rebels of Eureka,
single work
review
— Review of The Forgotten Rebels of Eureka 2013 single work biography ; (p. 361-363) -
Review : The Forgotten War,
single work
review
— Review of Forgotten War 2013 single work non-fiction ; (p. 363-364) -
Review : Telling Stories: Australian Life and Literature 1935–2012,
single work
review
— Review of Telling Stories : Australian Life and Literature 1935–2012 2013 anthology biography criticism ; (p. 367-369) -
Review : Circus and Stage : The Theatrical Adventures of Rose Edouin and G.B.W. Lewis,
single work
review
— Review of Circus and Stage : The Theatrical Adventures of Rose Edouin and G.B.W. Lewis 2013 single work biography ; (p. 374-376)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 17 Oct 2014 11:19:14