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Mindy Gill Mindy Gill i(8428560 works by)
Gender: Female
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Works By

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1 Books Roundup : Permafrost, Scary Monsters, Another Day in the Colony, How to End a Story Ellen Cregan , Mindy Gill , Monique Grbec , Fiona Murphy , 2021 single work review
— Appears in: Kill Your Darlings [Online] , November 2021;

— Review of Permafrost S. J. Norman , 2021 selected work short story ; Scary Monsters Michelle De Kretser , 2021 single work novel ; Another Day in the Colony Chelsea Watego , 2021 selected work essay ; How to End a Story : Diaries 1995–1998 Helen Garner , 2021 single work diary
1 Preaching to the Converted : Burdening Literature with Moral Instruction Mindy Gill , 2021 single work review
— Appears in: Australian Book Review , July no. 433 2021; (p. 15-16)

— Review of Racism : Stories on Fear, Hate and Bigotry 2021 anthology life story

'Sweatshop, based in Western Sydney, is a writing and literacy organisation that mentors emerging writers from culturally and linguistically diverse backgrounds. Racism, their ninth anthology, brings together all thirty-nine writers involved in their three programs – the Sweatshop Writers Group, Sweatshop Women Collective, and Sweatshop Schools Initiative. The section titled ‘Micro Aggressive Fiction’ houses the school students’ work, and the remainder of the anthology includes poetry, fiction, and essays (it can be difficult to distinguish between fiction and non-fiction; the works are not labelled by genre) by emerging writers, though a short story by award-winning poet Sara M. Saleh also appears. This anthology contributes to the recent crop of anti-racist texts aimed at white audiences. Editors Winnie Dunn, Stephen Pham, and Phoebe Grainer write that Racism is for Australians ‘who require an honest reflection of racism that is present and prevalent’. However, unlike other such texts – generally non-fiction works that directly address the issue at hand – anti-racist fiction can have its limitations, frequently risking didacticism.'  (Introduction)

1 Le Méridien i "8 a.m. poolside, two women rolling", Mindy Gill , 2021 single work poetry
— Appears in: Griffith Review , April no. 72 2021; (p. 204)
1 Sudden Landing i "The cement floor is tiled over. And the jungle", Mindy Gill , 2020 single work poetry
— Appears in: Australian Poetry Journal , vol. 10 no. 1 2020; (p. 23)
1 Muses and Acolytes : A Nuanced Look at Art and Friendship Mindy Gill , 2020 single work review
— Appears in: Australian Book Review , September no. 424 2020; (p. 34)

— Review of We Were Never Friends Margaret Bearman , 2020 single work novel

'Margaret Bearman’s We Were Never Friends is a novel that places the myth of the artistic male genius against the critical eye of history. Lotti, the eldest daughter of renowned Australian painter George Coates, narrates from two perspectives: her younger, twelve-year-old self and her present-day one, a trainee surgeon.' (Introduction)

1 Looking for Meaning When It's Simple i "The high Madras sky is closing in on us", Mindy Gill , 2019 single work poetry
— Appears in: Rabbit , no. 28 2019; (p. 117-118)
1 The Phytoplankton i "How vast our equine depths", Mindy Gill , 2019 single work poetry
— Appears in: Plumwood Mountain : An Australian Journal of Ecopoetry and Ecopoetics , February vol. 6 no. 1 2019;
1 Four Years of Februarys i "I am outside your window,", Mindy Gill , 2018 single work poetry
— Appears in: Stilts , August no. 1 2018;
1 The Peacock i "Given apples in the half-sun,", Mindy Gill , 2018 single work poetry
— Appears in: Rabbit , no. 26 2018; (p. 98-99)
1 Dawn i "Nothing is left of the radiant city.", Mindy Gill , 2018 single work poetry
— Appears in: The Lifted Brow , September no. 39 2018; (p. 22)
1 Dreamlines i "Of Koons, of Vuitton. Of Gauguin’s", Mindy Gill , 2018 single work poetry
— Appears in: Peril : An Asian-Australian Journal , no. 33 2018;
1 The Sea Will Change, Everything Will Follow i "What should last, if not us? In our madness", Mindy Gill , 2018 single work poetry
— Appears in: Peril : An Asian-Australian Journal , no. 33 2018;
1 In a Tranquil Period i "The stillness of the street along the river,", Mindy Gill , 2018 single work poetry
— Appears in: Cordite Poetry Review , 1 February no. 84 2018;
1 Left of Desire i "A bridge and a river running under it,", Mindy Gill , 2017 single work poetry
— Appears in: Tell Me Like You Mean It 2 2017; (p. 27)
1 August Burns the Sky like Rubber i "A fist of dough, sunlight fallen", Mindy Gill , 2017 single work poetry
— Appears in: Award Winning Australian Writing 2017 2017; (p. 191-193)
1 A Kind of Paradise i "Walking through the mango trees, the horses", Mindy Gill , 2017 single work poetry
— Appears in: Australian Poetry Journal , vol. 7 no. 2 2017; (p. 56)
1 Shimla Is a City Full of Ghosts i "The horizon : slice of white fish belly.", Mindy Gill , 2017 single work poetry
— Appears in: Island , no. 150 2017; (p. 86)
1 Bronze with Two Ears i "In the black-water light of the ceramics exhibit-", Mindy Gill , 2017 single work poetry
— Appears in: Island , no. 150 2017; (p. 85)
1 Aubade i "Clean water in the porcelain basin, a croissant,", Mindy Gill , 2017 single work poetry
— Appears in: StylusLit , September no. 2 2017;
1 How Much Harder Is It to Speak Mindy Gill , 2017 single work essay
— Appears in: Peril : An Asian Australian Journal , vol. 31 no. 2017;

'We are delighted to collaborate once again with Queensland Poetry Festival to present in part this special poetry edition, ‘I Can’t Speak to You’.  This year’s theme at QPF, ‘Distant Voices’, asks us to consider how we connect to ourselves and to others when language dissolves, is disappeared.' (Introduction)

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