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Texts

Weatherman Stephanie Bishop , 2014 single work autobiography (taught in 1 units)
— Appears in: Southerly , vol. 74 no. 1 2014; (p. 167-181)
Why I Write What I Write Gerald Murnane , 1986 single work autobiography (taught in 1 units)
— Appears in: Meanjin , Summer vol. 45 no. 4 1986; (p. 514-517) Invisible Yet Enduring Lilacs : Essays 2005; (p. 25-29) Macquarie PEN Anthology of Australian Literature 2009; (p. 945-948)
y separately published work icon Making Stories : How Ten Australian Novels Were Written Kate Grenville , Sue Woolfe , St Leonards : Allen and Unwin , 1993 Z271890 1993 anthology interview extract criticism (taught in 5 units)

'Making Stories shows ten acclaimed Australian authors at work.'

Description

This course will examine the form of the short story. Focusing on modernist and contemporary examples, the course will explore the principles that have shaped the development of this form. We may consider, for instance, the influence of Anton Chekhov and his advocacy of the story as a “slice of life”, Edgar Allen Poe’s Pre- Modernist aesthetic theories, the development of stream of consciousness in relation to the short story, the use of epiphany and anti-epiphany and the function of omission. In addition we will examine techniques and strategies crucial to the success of the form and useful to your development as writers, including point of view, narrative design, the development of voice and the use of economy and symbolism. In the later part of the course we will examine the metamorphosis of the short story in relation to creative non-fiction and look at the influence of new technology on the short story, including the relationship between the short story and the blog and the transmission of the short story through twitter. Writing exercises will be provided and everyone will have the chance to workshop their writing and participate in online discussion.

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