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Niloofar Fanaiyan Niloofar Fanaiyan i(8904193 works by)
Gender: Female
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Works By

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1 Untitled i "The world is my heart — I shall not waver", Niloofar Fanaiyan , 2019 single work poetry
— Appears in: Axon : Creative Explorations , December vol. 9 no. 2 2019;
1 y separately published work icon Ley Lines and the Rustling of Cedar Niloofar Fanaiyan , Canberra : Recent Work Press , 2018 14408214 2018 selected work poetry

'Niloofar Fanaiyan’s new book of poetry is a subtle, observant and gentle collection of poems that capture Fanaiyan’s unique voice, a voice searching for connections in and through all things, to find their dignified and respectful centre.' (Publication summary)

1 y separately published work icon The Authorised Theft Papers : Writing, Scholarship, Collaboration The Authorised Theft Papers : Writing, Scholarship, Collaboration : Papers – The Refereed Proceedings Of The 21st Conference Of The Australasian Association Of Writing Programs, 2016 Niloofar Fanaiyan (editor), Rachel Franks (editor), Jessica Seymour (editor), Canberra : The Australasian Association of Writing Programs , 2017 20512298 2017 anthology criticism

'The 21st annual conference of the AAWP invited writers and academics to respond to the idea that, as writers, we are engaging in a type of ‘authorised theft’. Over 100 delegates responded enthusiastically by presenting papers that straddled genres, disciplines, modes of expression, as well as languages and cultures. Panel topics included sociologies of writing, poetry and song, narrative and narrative modes, responses to pain and trauma, digital literature and the online space, memoir/biography and travel writing, identity and voice, oral storytelling and ways of knowing, as well as translation and cross-cultural encounters.'

Source: Introduction.

1 Song of the Caravan i "Morgheh sahar nale ra dar = to face the morning star and taste", Niloofar Fanaiyan , 2017 single work poetry
— Appears in: Westerly : Crossings , no. 3 2017; (p. 53-55)
1 Water to Water i "They teach you that "blood is thicker than water" - it moves slowly,", Niloofar Fanaiyan , 2017 single work poetry
— Appears in: Southerly , vol. 76 no. 3 2017; (p. 139)
1 Mirrors in the Garden i "Violet petals hesitate then turn slowly inwards", Niloofar Fanaiyan , 2017 single work poetry
— Appears in: Southerly , vol. 76 no. 3 2017; (p. 137-138)
1 Shades of Life Niloofar Fanaiyan , 2017 single work essay
— Appears in: TEXT : Journal of Writing and Writing Courses , April vol. 21 no. 1 2017;
'The List of Last Remaining by Louise Nicholas is a collection full of depth and diversity, a narrative of fractures in time where people and places mirror each other and become windows into the human condition. She combines the craft of poetry with memoir, drawing the reader into intimate moments. From memories of childhood to historical events and reflections on aging, Nicholas weaves a tapestry of experience and meaning-making. There is a circularity to this narrative, which Nicholas begins ‘On the day our parents went out in the boat and didn’t come back’ (9) and ends with ‘the list of last remaining’ (85), and where many of the poems in-between contain fragments of the whole.' (Introduction)
1 Last Night's Waxing Crescent i "I reached into the sky and plucked a scythe from the cheek of the moon. Light bled into my fingertips,", Niloofar Fanaiyan , 2016 single work poetry
— Appears in: Otoliths , May no. 41 2016;
1 After Time i "Head in her hands, she glances up, stares at the rain washing, washing, washing the window to a world", Niloofar Fanaiyan , 2016 single work poetry
— Appears in: Otoliths , May no. 41 2016;
1 Crossroad i "The whirring click of a camera shutter, one two three, cypress trees sway precariously in the gust of", Niloofar Fanaiyan , 2016 single work poetry
— Appears in: Otoliths , May no. 41 2016;
1 Within Transit i "Staying still when everything else is moving around you, like trying to keep your bearings on the deck of a", Niloofar Fanaiyan , 2016 single work poetry
— Appears in: Otoliths , May no. 41 2016;
1 y separately published work icon Transit Niloofar Fanaiyan , Kambah : Recent Work Press , 2016 11628969 2016 selected work poetry

'This first book of poetry by Niloofar Fanaiyan is about transit as both a physical and conceptual suspension of time and space. It touches on the intersections of people, place, culture and history experienced by travellers:  the feeling of being stuck on the periphery while life continues elsewhere;  and the possibilities inherent in every journey.' (Publication summary)

1 y separately published work icon Tremble : The University of Canberra Vice-Chancellor's International Poetry Prize Niloofar Fanaiyan (editor), Monica Carroll (editor), Canberra : International Poetry Studies Institute (IPSI) , 2016 10364604 2016 anthology poetry
1 y separately published work icon Underneath : The University of Canberra Vice-Chancellor's International Poetry Prize 2015 Owen Bullock (editor), Niloofar Fanaiyan (editor), Bruce : Axon Elements , 2015 8904254 2015 anthology poetry
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