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Claire G. Coleman Claire G. Coleman i(9648274 works by)
Born: Established: Perth, Western Australia, ;
Gender: Female
Heritage: Aboriginal ; Aboriginal Noongar / Nyoongar / Nyoongah / Nyungar / Nyungah/Noonygar ; Aboriginal Wirlomin
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BiographyHistory

Claire G. Coleman is a Noongar woman whose family have belonged to the south coast of Western Australia since long before history started being recorded. She writes fiction, essays and poetry while (mostly) traveling around the continent now called Australia in a ragged caravan towed by an ancient troopy (the car has earned 'vintage' status). Born in Perth, away from her ancestral country she has lived most of her life in Victoria and most of that in and around Melbourne.

During an extended circuit of the continent she wrote a novel, influenced by certain experiences gained on the road. She has since won a Black&Write! Indigenous Writing Fellowship for that novel, Terra Nullius, which was published in 2017.

In May 2020, it was announced that Coleman was one of the participants in Malthouse Theatre's Malcolm Robertson Writers Program, writing a play called Black Betty at the End of the World.

Sources include http://www.clairegcoleman.com/about.html, Book + Publishing.

Exhibitions

Most Referenced Works

Personal Awards

2020 shortlisted Queensland Poetry Festival Oodgeroo Noonuccal Indigenous Poetry Prize
2020 recipient Malcolm Robertson Writers Program for 'Black Betty at the End of the World'.
2018 shortlisted The Horne Prize for 'After the Grog War'.

Awards for Works

The Mists of Down Below 2020 single work novella
— Appears in: Griffith Review , no. 70 2020; (p. 195-228)
2020 joint winner Viva La Novella Award
Hidden in Plain Sight 2020 single work autobiography
— Appears in: Meanjin , June vol. 79 no. 2 2020; (p. 58-61)
'This is a difficult piece to write. It cuts closer to the bone than most of what I have written; closer to my bones, through my blood and flesh to the bones of truth and country. There is truth here, not disguised but in the open, and that truth hurts. As I caress the truth with my blood and bones I find it increasingly hard to breathe. At the core is a discussion I had with my dad, Graham Coleman, a Noongar man and a member of what some of us have come to call the ‘Hidden Generation’' (Introduction)
2019 shortlisted The Horne Prize
Last amended 16 Sep 2021 12:11:09
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