AustLit

'A passionate and controversial novel set in turn-of-the-century Europe

'Henry Handel Richardson’s debut, published in London in 1908, is set in the music scene of Leipzig, a cosmopolitan centre for the arts drawing students from around the world—among them Maurice Guest, a young Englishman, who falls helplessly in love with an Australian woman, Louise Dufrayer. Maurice Guest is the story of this overwhelming passion.

'The novel was deemed too controversial to be published as Richardson intended, and she was forced to cut twenty thousand words from the original manuscript and tone down its language.' (Publication summary)

'Written in the 1920s, Brumby Innes confronts the turbulent relations between the sexes and the races in the remote Pilbara region of Western Australia. It is published with another Prichard play from the 1920s, Bid Me To Love which, by contrast, is set among the fashionable rich in the lush hills outside Perth.'

'The two plays are compelling for their dramatic styles and for their insight into the novels which followed: Coonardoo and Intimate Strangers. And both had to wait more than forty years for their first production.' (Source: Reading Australia website)

'Kenneth Slessor (1901-71) is one of Australia's finest poets and this is the definitive collection of 103 poems; all he had ever published. This is the author's selection of his work from 1919 to 1939, first published as One Hundred Poems in 1944 (with the addition of three further poems in 1957). It draws from his acclaimed books, Earth Visitors (1926), Cuckooz Contrey (1932) and Five Bells (1939). Introduced by Dennis Haskell, this selection includes Slessor's own piece about his work, 'Some Notes on the Poems'. From his historical series, 'Five Visions of Captain Cook', to his memorial to the loss of a friend, 'Five Bells', from the tragic landscape of El Alamein, made famous in 'Beach Burial', to the meditation 'Out of Time', Slessor's poetry continues to dazzle contemporary audiences.' (Publication summary)

'To the Islands concerns the ordeal of Stephen Heriot, an elderly, careworn, and disillusioned Anglican missionary who abandons his mission when he mistakenly believes he has accidentally killed one of his Aboriginal charges in a not entirely unprovoked confrontation. Heriot flees into the desert not to escape justice but to embrace its desolate beauty and its elemental purity as the one objective reality and the one certainty left available to him.

Heriot's flight and his embrace of the desert may be seen as his attempt, as a European Australian, to immerse himself in the landscape, to make himself one with the land. At this realistic level, the novel enacts the ontological and existential dilemma that confronts most — if not all — European Australians, the dilemma that Professor Hassall [in his introduction to the 2002 UQP Australian Authors version] defines as the continuing quest for psychic integration, for reconciliation with indigenous Australians, and with the land itself.'

Wells-Green, James. [Untitled Review.] JAS Review of Books 15 (May 2003)

'Two children are brought to a wild garden on the shores of Sydney Harbour to shelter from the Second World War. The boy's mother has died in the Blitz. The girl is the daughter of a Sydney woman and a Communist executed in a Greek prison. In wartime Australia, these two children form an extraordinary bond as they negotiate the dangers of life as strangers abandoned on the far side of the world. With the tenderness and rigour of an old, wise novelist, Patrick White explores the world of these children, the city of his childhood and the experience of war. The Hanging Garden ends as the news reaches Sydney of victory in Europe, and the children face their inevitable separation.

White put the novel aside at this point and how he planned to finish the work remains a mystery. But at his death in 1990 he left behind a masterpiece in the making, which is published here for the first time.'

Source: Publisher's blurb