AustLit

'Narrated by a 13,000-year-old extinct American mastodon, Mammoth is the (mostly) true story of how the skull of a Tyrannosaurus bataar, a pterodactyl, a prehistoric penguin, the severed hand of an Egyptian mummy and the narrator himself came to be on sale at a 2007 natural history auction in Manhattan.

'Ranging from the Pleistocene Epoch to nineteenth-century America and beyond, including detours to Napoleonic France and Nazi Germany, Mammoth illuminates a period of history when ideas about science and religion underwent significant change. By tracing how and when the fossils were unearthed, Mammoth traverses time and place to reveal humanity's role in the inexorable destruction of the natural world.'(Publication summary)

'Elliot Perlman’s fourth novel is tentatively billed as a corporate satire and has a striking opening line: ‘I am absolutely terrified of losing a job I absolutely hate.’ The man in this all-too-familiar predicament is Stephen Maserov, a former English teacher turned lawyer. Maserov is a lowly second year in the Terry Gilliam-esque law firm Freely Savage Carter Blanche, which, apart from sounding like a character in a Tennessee Williams play, is home to loathsome dinosaurs in pinstripe suits and an HR department referred to as ‘The Stasi’.' (Introduction)

'Halfway through Minotaur, Peter Goldsworthy’s jauntily satisfying novel about a sharp-tongued former motorcycle cop blinded by a bullet to the head, Detective Sergeant Rick Zadow gropes his way to a shed behind his Adelaide cottage. Inside lies a partially dismantled 1962 Green Frame Ducati 750SS. Zadow, who had begun disassembling the crankshaft prior to his injury, fumbles round in the dark as he tries to restore the beloved bike he will never be able to ride again. He uses his ever-present companion and virtual girlfriend, Siri, to order parts from a website called Road and Race.' (Introduction)

'Metempsychosis, or the transmigration of the soul, usually happens after death, when the consciousness and memories of an individual are transported into the body of another. If you believe that sort of thing. It is also a handy, if well-trodden, literary device, used to influential effect in David Mitchell’s Cloud Atlas.' (Introduction)

'Great science fiction often tackles portentous real-world events. The genre provides a heady platform for the extrapolation of ideas, imagining what might happen if a current situation were pushed to extremes. Tasmanian-born author Rohan Wilson embraces the liberty of genre conventions in his latest book. Having thus far examined his home state’s brutal colonial history in the novels The Roving Party and To Name Those Lost, he changes tack by leaping five decades into the future with Daughter of Bad Times, a layered novel that can be read as a doomed love story, a climate change warning and a searing commentary on Australian refugee policy.' (Introduction)

'The plethora of crime stories is such that, in order to succeed, they must either follow a well-trodden narrative path and do so extremely well, or run with a high concept and hope for the best. Having the word ‘girl’ in the title doesn’t hurt. Readers are familiar with genre tropes, to the point of being high-functioning literary detectives, ready to sniff out lapses in logic and to scream at the page (or at a screen) when a plot goes haywire. Treat aficionados of crime fiction with contempt, and you’re dead in the water.' (Introduction)

'Mary Bryant was a Cornishwoman transported with the First Fleet for highway robbery. After three years in Sydney, she masterminded the first escape from the nascent colony. Her story was the subject of an ABC television drama in the 1960s and a telemovie in 2005, and she has appeared as a minor character in several books. Arguably none capture the extensive detail found in Meg Keneally’s latest, Fled, in which Bryant has been fictionalised as Jenny Trelawney.' (Introduction)

'Journeyman author Matt Howard pops up with his fourth novel in 13 years, and with his fourth publisher. Given the commercial appeal of his work, this bedhopping seems odd, but such is the climate of publishing these days. Hit it out of the park with your first swing, or move house.' (Introduction)

'In 2004, New York-based publisher Akashic Books released Brooklyn Noir, a collection of short fiction written under a specific brief. Stories had to be set in that neighbourhood and feature noir themes: simmering familial revenge, cheating and double-crossing, sexual betrayal, domestic discord, murderous trysts, down-at-heel detectives. Authors rose to the challenge by focusing on communities like Williamsburg, Bensonhurst, Park Slope, and Bedford–Stuyvesant. This was small-time crime on a localised level. A clever idea, which editor Tim McLoughlin split into four sections: Old School Brooklyn, New School Brooklyn, Cops & Robbers, and Backwater Brooklyn.'  (Introduction)