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Dominic Smith Dominic Smith i(A138655 works by)
Born: Established: Brisbane, Queensland, ;
Gender: Male
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Works By

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1 2 y separately published work icon The Electric Hotel Dominic Smith , Crows Nest : Allen and Unwin , 2019 14974179 2019 single work novel historical fiction

'Dominic Smith’s The Electric Hotel winds through the nascent days of cinema in Paris and Fort Lee, New Jersey—America’s first movie town—and on the battlefields of Belgium during World War I. A sweeping work of historical fiction, it shimmers between past and present as it tells the story of the rise and fall of a prodigious film studio and one man’s doomed obsession with all that passes in front of the viewfinder.

'For nearly half a century, Claude Ballard has been living at the Hollywood Knickerbocker Hotel. A French pioneer of silent films, who started out as a concession agent for the Lumière brothers, the inventors of cinema, Claude now spends his days foraging mushrooms in the hills of Los Angeles and taking photographs of runaways and the striplings along Sunset Boulevard. But when a film-history student comes to interview Claude about The Electric Hotel—the lost masterpiece that bankrupted him and ended the career of his muse, Sabine Montrose—the past comes surging back. In his run-down hotel suite, the ravages of the past are waiting to be excavated: celluloid fragments and reels in desperate need of restoration, and Claude’s memories of the woman who inspired and beguiled him.'  (Publication summary)

6 12 y separately published work icon The Last Painting of Sara de Vos Dominic Smith , New York (City) : Sarah Crichton Books , 2016 9187015 2016 single work novel historical fiction

'This is what we long for: the profound pleasure of being swept into vivid new worlds, worlds peopled by characters so intriguing and real that we can't shake them, even long after the reading's done. In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.

'In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain–a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.' (Publication summary)

1 Creating Drama Out of Stillness Dominic Smith , 2016 single work review
— Appears in: The Weekend Australian , 15-16 October 2016; (p. 23)

— Review of The Museum of Modern Love Heather Rose , 2016 single work novel
1 The Projectionist Dominic Smith , 2012 single work short story
— Appears in: Review of Australian Fiction , vol. 4 no. 4 2012;
1 11 y separately published work icon Bright and Distant Shores Dominic Smith , Crows Nest : Allen and Unwin , 2011 Z1760583 2011 single work novel historical fiction

'Set amid the skyscrapers of 1890s Chicago and the far-flung islands of the South Pacific, Bright and Distant Shores is both a sweeping epic and a triumph of lyrical storytelling. Chicago First Equitable has won the race to construct the world's tallest building and its president, Hale Gray, hits upon a surefire way to make it an enduring landmark: to establish on the roof an exhibition of real-life "savages".

'He sponsors a South Seas voyage to collect not only weaponry and artefacts, but also "several natives related by blood" for the company's rooftop spectacle. Caught up in this scheme are two orphans: Owen Graves, the voyage's head trader from Chicago's South Side, and Argus Niu, a mission houseboy in Melanesia - two young men haunted by their pasts.' (From the publisher's website.)

1 y separately published work icon The Beautiful Miscellaneous Dominic Smith , New York (City) : Atria Books , 2007 Z1760580 2007 single work novel

'Nathan Nelson is the average son of a genius. His father, a physicist of small renown, has prodded him toward greatness from an early age—enrolling him in whiz kid summer camps, taking him to the icy tundra of Canada to track a solar eclipse, and teaching him college algebra. But despite Samuel Nelson's efforts, Nathan remains ordinary.

'Then, in the summer of 1987, everything changes. While visiting his small-town grandfather in Michigan, Nathan is involved in a terrible accident. After a brief clinical death—which he later recalls as a lackluster affair lasting less than the length of a Top-40 pop song—he falls into a coma. When he awakens, Nathan finds that everyday life is radically different. His perceptions of sight, sound, and memory have been irrevocably changed. The doctors and his parents fear permanent brain damage. But the truth of his condition is more unexpected and leads to a renewed chance for Nathan to find his place in the world.

'Thinking that his son's altered brain is worthy of serious inquiry, Samuel arranges for Nathan to attend the Brook-Mills Institute—a Midwestern research center where savants, prodigies, and neurological misfits are studied and their specialties applied. Immersed in this strange atmosphere—where an autistic boy can tell you what day Christmas falls on in 3026 but can't tie his shoelaces, where a medical intuitive can diagnose cancer during a long-distance phone call with a patient—Nathan begins to unravel the mysteries of his new mind. He also tries to make peace with the crushing weight of his father's expectations.'

Source: Dominic Smith's website, http://www.dominicsmith.net/
Sighted: 15/02/2011

1 y separately published work icon The Mercury Visions of Louis Daguerre Dominic Smith , New York (City) : Atria Books , 2006 Z1760577 2006 single work novel historical fiction

'When the vision came, he was in the bathtub. So begins the madness of Louis Daguerre. In 1847, after a decade of using poisonous mercury vapors to cure his daguerreotype images, his mind is plagued by delusions. Believing that the world will end within one year, Daguerre creates his "Doomsday List"—ten items he must photograph before the final day. The list includes a portrait of Isobel Le Fournier, a woman he has always loved but not spoken to in half a century.

'In this luminous debut novel, Dominic Smith reinvents the life of one of photography's founding fathers. Louis Daguerre's story is set against the backdrop of a Paris prone to bohemian excess and social unrest. Poets and dandies debate art and style in the cafés while students and rebels fill the garrets with revolutionary talk and gun smoke. It is here, amid this strange and beguiling setting, that Louis Daguerre sets off to capture his doomsday subjects.

'Louis enlists the help of the womanizing poet Charles Baudelaire, known to the salon set as the "Prince of Clouds," and a jaded but beautiful prostitute named Pigeon. Together they scour the Paris underworld for images worthy of Daguerre's list. But Louis is also confronted by a chance to reunite with the only woman he's ever loved. Half a lifetime ago, Isobel Le Fournier kissed Louis Daguerre in a wine cave outside of Orléans. The result was a proposal, a rejection, and a misunderstanding that outlasted three kings and an emperor. Now, in the countdown to his apocalypse, Louis wants to understand why he has carried the memory of that kiss for so long.'

Source: Dominic Smith's website, http://www.dominicsmith.net/
Sighted: 15/02/2011

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