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Kate Mitchell Kate Mitchell i(A145601 works by)
Gender: Female
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Works By

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1 Constructing Cosmopolitanism, Promoting Humanitarianism : The Marvellous Melbourne of E.W. Cole in Lisa Lang’s Utopian Man (2010) Kate Mitchell , 2017 single work criticism
— Appears in: Australian Literary Studies , September vol. 32 no. 2 2017;

'Lisa Lang’s award-winning Australian novel Utopian Man (2010) reimagines E.W. Cole and his famous Book Arcade in Melbourne in the last decades of the nineteenth century. Running in its central Melbourne location from 1883-1929, in popular discourses Cole’s Book Arcade was, and is, synonymous with nineteenth-century Melbourne itself; its vibrant, eclectic atmosphere seemed to capture the essence of the booming nineteenth-century metropolis. In Lang’s biofiction, the Arcade becomes a lens through which to view Melbourne itself. Cole is sympathetically drawn and his characteristics – his eccentricities, entrepreneurism, philanthropy and idealism – provide a critical contrast with a city increasingly suspicious toward immigrants, as Australia moves toward federation, and toward establishing the White Australia policy. While it is set entirely in the past, the novel’s structural nostalgia – the Arcade and its values are always already lost in this narrative – speaks to a present in which Australia is once again closing its borders. The novel positions itself as witness to Australia’s lost alternative of a tolerant society, one that embraced other views and welcomed a range of immigrants, and which exists today only as memory.'  (Publication abstract)

1 y separately published work icon Crossings : Journal of Migration and Culture vol. 4 no. 1 Nina Fischer (editor), Kate Mitchell (editor), Jacqueline Lo (editor), 2013 Z1938930 2013 periodical issue
1 The Migratory Imagination Kate Mitchell , 2013 single work criticism
— Appears in: Crossings : Journal of Migration and Culture , vol. 4 no. 1 2013;
1 [Review] Lighting Dark Places : Essays on Kate Grenville. Kate Mitchell , 2011 single work review
— Appears in: Australian Literary Studies , June vol. 26 no. 2 2011; (p. 112-114)

— Review of Lighting Dark Places : Essays on Kate Grenville 2010 anthology criticism
1 [Review] Sensational Melbourne : Reading, Sensation Fiction and 'Lady Audley's Secret' in the Victorian Metropolis Kate Mitchell , 2011 single work review
— Appears in: JASAL , vol. 11 no. 2 2011;

— Review of Sensational Melbourne : Reading, Sensation Fiction and 'Lady Audley's Secret' in the Victorian Metropolis Susan K. Martin , Kylie Mirmohamadi , 2011 single work criticism
1 Australia's 'Other' History Wars : Trauma and the Work of Cultural Memory in Kate Grenville's The Secret River Kate Mitchell , 2010 single work criticism
— Appears in: Neo-Victorian Tropes of Trauma : The Politics of Bearing after-Witness to Nineteenth-Century Suffering 2010; (p. 253-282)
'Kate Grenville's The Secret River (2005) enacts a narrative return to the violent trauma of Aboriginal dispossession and destruction upon which Australia is founded, situating its reader complexly, as both witness to and complicit in the events it retells. Her use of fiction to represent this trauma made Grenville the focus of heated public debate about the role of fiction in representing the past, a debate that repeatedly cast her project as historically dubious. However, rather than approaching the novel as a corrupted form of history's reconstruction of past events, it seems more useful to situate this text as an act of memory in the present, which shapes both past and future. Even as it represents the past, Grenville's novel addresses a present both deeply divided and in danger of forgetting its history. It uses the affective power of fiction to reinscribe and reactivate Aboriginal Australian history in the contemporary historical imaginary.' (Author's abstract)
1 Ghostly Histories and Embodied Memories : Photography, Spectrality and Historical Fiction in Afterimage and Sixty Lights Kate Mitchell , 2008 single work criticism
— Appears in: Neo-Victorian Studies , Autumn vol. 1 no. 1 2008; (p. 81-109)

'Sixty Lights and Afterimage use the trope of photography to explore the relationship between history, memory and fiction as modes of recollection. Employing a lexicon of haunting and spectrality, these novels are concerned with recognising the persistence of the past in a present cut off from linear models of inheritance and memory. Extending and elaborating influential theoretical models of contemporary historical fiction, these novels deploy the ghostly figure of photography in order to posit the persistence of the past as uncanny repetition and as embodied memory. The article closes by considering the implications of these historical fictions as “memory texts,” arguing that they are not, primarily, concerned with metafictional or metahistorical reflections but rather write the period into our cultural memory, offering themselves as the uncanny repetition of the “body” of Victorian culture persisting in the here and now.'

Source: Abstract.

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