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Oliver Mol Oliver Mol i(A150293 works by)
Gender: Male
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Works By

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1 In The Garden with Amanda Lohrey Oliver Mol (interviewer), 2021 single work interview
— Appears in: Sydney Review of Books , November 2021;

'Every so often, and usually when the novice writer needs them most, a writer of immense stature, a writer who has written and published and continued to write and publish, impressively, joyfully, doggedly, over the course of forty years and seven books, a writer whose work has been long listed for the Miles Franklin three times and shortlisted twice before finally and deservedly winning the 2021 award for The Labyrinth, very occasionally, a writer like this, a writer named Amanda Lohrey will reach out to the inexperienced writer at the beginning of their career and say something kind. They will say that they like the work or they will recommend places to submit writing or books to read. More than anything, however, they will tell a writer to hold their nerve. They will tell them that writing is hard, that it takes discipline, that writing, true writing, is a practice. And though, I suspect, Amanda will frown, or perhaps laugh, at this backstory – for I know, at least in the literature she writes and reads, Amanda frowns, and sometimes laughs, at backstories – it cannot be underestimated how important these words have been.' (Introduction)

1 This Is Not A Love Story Oliver Mol , 2018 single work essay
— Appears in: Sydney Review of Books , October 2018;
1 Some Things That Happened Oliver Mol , 2017 single work short story
— Appears in: Seizure [Online] , July 2017;
1 Writing A Book and Living A Life Can Be Like Two Lonely Kids Gripping Each Other Because They Don’t Want To Be Alone Oliver Mol , 2015 single work essay
— Appears in: Seizure [Online] , April 2015;
1 8 y separately published work icon Lion Attack! Oliver Mol , Brunswick : Scribe , 2015 8074138 2015 single work prose

'An exuberant memoir from an original new voice.

'Oliver is a writer who’s just moved to Melbourne. He doesn’t have any friends yet; he can’t get his surly flatmate, Mark, to crack a smile; and the only ones who will talk to him are the odd assortment of characters at the KeepCup warehouse where he works.

'Oliver is lonely. Oliver is sleepwalking through life. Then he meets Lisa, and things begin to change.

'In the tradition of Sam Pink and Tao Lin comes a startlingly original, ambitious work of creative non-fiction that explores love, sex, and meaning in the age of Gen Y. Part romance, part tragicomedy, and part social critique, Lion Attack! is a hilarious contemporary coming-of-age story by a brilliant new writer.' (Publication summary)

1 Sometimes Things Are Broken i "When I returned from South America, I decided to study", Oliver Mol , 2014 single work prose poetry
— Appears in: Bumf 2014;
1 When It Was Cold but Not Too Cold Oliver Mol , 2014 single work short story
— Appears in: Going Down Swinging , no. 35 2014; (p. 226-238)
1 Deception Bay Oliver Mol , 2013 single work short story
— Appears in: Voiceworks , Winter no. 93 2013; (p. 11-13)
'I'd been at the boarding school for five years. My family never visited. My dad was always busy, something to do with politics. After school, me and my mates would sit at the communal table, joking, finishing our homework, and when the sun went down and the heat became bearable we'd play footy, all of us running around pretending to be Jonathan Brown, Cameron Bruce, Nick Dal Santo... our favourite footy players. It was only later, in the bunks after lights out, after the showers had stopped running and the boys had stopped giggling, speaking about Jackie and Lisa, the bras they'd started wearing, who they'd rather kiss, that I felt like something was missing. On my birthdays my family would send a card. Usually there was no message, just twenty dollars folded inside...'

 (Publication abstract)

1 Australia Day Oliver Mol , 2012 single work short story
— Appears in: Voiceworks , Winter no. 89 2012; (p. 53-55)
'I Say Let's call Australia Day 'Caveman Day' and Steve looks at me and says what, cunt. Then he tilts his head back and laughs and I guess it's a joke because he gets up and asks what I'm drinking. I tell him a Carlton and he brings back two double Jack and Cokes. He leans in and whispers you know who I fucking hate and I stay silent and he says them fucking panheads. Then the girl next to us starts laughing like she's shocked even though they've been dating for two years and he says yeah, them fucking panheads. You know why they call them panheads? I look around and wonder if anyone is going to guess and no-one does and he says 'cause it looks like someone hit them with a fucking shovel... or a pan... in the head. Several people grunt but it might be a tinnie opening, or a burp, and I'm wondering what will happen if I order a soda water with lime. There's more chatter between the boys and someone calls someone else a faggot and punches them in the penis. It's probably 40 degrees and apart from the smooth lime taste, that carbonated refreshment, the real reason I want a soda water with lime is because I'm terribly dehydrated and hydration is an essential component of the human body. I'm looking at the bar, or at least what I think is the bar, but I can't really tell because I'm as blind as a bat without my glasses and my eyes are allergic to contacts. At work last year one of the boys slapped me on the back and said hey, four eyes. What you wearing those things for? What are ya? A pussy? And I said no and then put on an accent and said I was playing a joke, wasn't I, heard there's some new kid coming who wears glasses. What an idiot, ha ha. He started grunting and told me I was a classic which is good because now I don't get picked on but I literally cannot see a thing without my glasses...'  (Publication abstract)
1 Letter to Yarra Trams Oliver Mol , 2011 single work prose
— Appears in: Offset , no. 11 2011; (p. 59-61)
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