Born: Established: 1940 Warracknabeal, Hopetoun - Warracknabeal - Murtoa area, North West Victoria, Victoria, ;
Gender:
Male
AustLit
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
* AustLit's TAL data covers the period 2009-2016, with a small number of courses logged in 2008. Data for 2013 is estimated to cover only half of the eligible courses. Please use this data with caution and contact us if you plan to use it in research or analysis.
Details of Works Taught
| Text | Unit Name | Institution | Year |
|---|---|---|---|
y
Dimboola : A Wedding Reception Play
(Manuscript version)x401376
Z1133391
1974
single work
musical theatre
humour
(taught in 6 units)
Playfully vulgar, bawdy and boisterous, Dimboola plays out the wedding reception from hell, with the audience actively playing the roles of the guests. A celebration as much as a satire, the play joyously takes a familiar ritual and turns it uproariously on its head. Source: Currency Press (http://www.currency.com.au/search.aspx?type=author&author=Jack+Hibberd) |
The "Bloody Australian" on Stage | Edith Cowan University | 2013 (Semester 1) |
|
y
Dimboola : A Wedding Reception Play
(Manuscript version)x401376
Z1133391
1974
single work
musical theatre
humour
(taught in 6 units)
Playfully vulgar, bawdy and boisterous, Dimboola plays out the wedding reception from hell, with the audience actively playing the roles of the guests. A celebration as much as a satire, the play joyously takes a familiar ritual and turns it uproariously on its head. Source: Currency Press (http://www.currency.com.au/search.aspx?type=author&author=Jack+Hibberd) |
Australian Drama | Edith Cowan University | 2009 |
|
y
Dimboola : A Wedding Reception Play
(Manuscript version)x401376
Z1133391
1974
single work
musical theatre
humour
(taught in 6 units)
Playfully vulgar, bawdy and boisterous, Dimboola plays out the wedding reception from hell, with the audience actively playing the roles of the guests. A celebration as much as a satire, the play joyously takes a familiar ritual and turns it uproariously on its head. Source: Currency Press (http://www.currency.com.au/search.aspx?type=author&author=Jack+Hibberd) |
The Bloody Australian on Stage | Edith Cowan University | 2010 |
|
y
Dimboola : A Wedding Reception Play
(Manuscript version)x401376
Z1133391
1974
single work
musical theatre
humour
(taught in 6 units)
Playfully vulgar, bawdy and boisterous, Dimboola plays out the wedding reception from hell, with the audience actively playing the roles of the guests. A celebration as much as a satire, the play joyously takes a familiar ritual and turns it uproariously on its head. Source: Currency Press (http://www.currency.com.au/search.aspx?type=author&author=Jack+Hibberd) |
The Bloody Australian on Stage | Edith Cowan University | 2011 |
|
y
Dimboola : A Wedding Reception Play
(Manuscript version)x401376
Z1133391
1974
single work
musical theatre
humour
(taught in 6 units)
Playfully vulgar, bawdy and boisterous, Dimboola plays out the wedding reception from hell, with the audience actively playing the roles of the guests. A celebration as much as a satire, the play joyously takes a familiar ritual and turns it uproariously on its head. Source: Currency Press (http://www.currency.com.au/search.aspx?type=author&author=Jack+Hibberd) |
The "Bloody Australian" on Stage | Edith Cowan University | 2014 |
|
y
Dimboola : A Wedding Reception Play
(Manuscript version)x401376
Z1133391
1974
single work
musical theatre
humour
(taught in 6 units)
Playfully vulgar, bawdy and boisterous, Dimboola plays out the wedding reception from hell, with the audience actively playing the roles of the guests. A celebration as much as a satire, the play joyously takes a familiar ritual and turns it uproariously on its head. Source: Currency Press (http://www.currency.com.au/search.aspx?type=author&author=Jack+Hibberd) |
The Bloody Australian on Stage | Edith Cowan University | 2012 |
| Text | Unit Name | Institution | Year |
|---|---|---|---|
|
y
Plays
Harmondsworth
Ringwood
:
Penguin
,
1970
Z826268
1970
anthology
drama
(taught in 1 units)
|
Australian Drama | University of Southern Queensland | 2012 (Semester 1) |
| Text | Unit Name | Institution | Year |
|---|---|---|---|
|
y
Selected Plays
Strawberry Hills
:
Currency Press
,
2000
Z795032
2000
selected work
drama
(taught in 3 units)
Three landmark plays from the renaissance of Australian playwriting: 'White with Wire Wheels' was the first play to examine the insecurity inherent in the male culture of women and cars; 'Dimboola', a Rabelaisian account of a country wedding; Monk O'Neill, of 'A Stretch of the Imagination' has become an archetype of Australian character. |
Australian Theatre and Performance | University of Melbourne | 2013 (Semester 2) |
|
y
Selected Plays
Strawberry Hills
:
Currency Press
,
2000
Z795032
2000
selected work
drama
(taught in 3 units)
Three landmark plays from the renaissance of Australian playwriting: 'White with Wire Wheels' was the first play to examine the insecurity inherent in the male culture of women and cars; 'Dimboola', a Rabelaisian account of a country wedding; Monk O'Neill, of 'A Stretch of the Imagination' has become an archetype of Australian character. |
Australian Theatre & Cinema | University of Notre Dame | 2014 (Semester 1) |
|
y
Selected Plays
Strawberry Hills
:
Currency Press
,
2000
Z795032
2000
selected work
drama
(taught in 3 units)
Three landmark plays from the renaissance of Australian playwriting: 'White with Wire Wheels' was the first play to examine the insecurity inherent in the male culture of women and cars; 'Dimboola', a Rabelaisian account of a country wedding; Monk O'Neill, of 'A Stretch of the Imagination' has become an archetype of Australian character. |
Australian Drama | University of Southern Queensland | 2014 (Semester 1) |
