AustLit logo

AustLit

Michael Wilding Michael Wilding i(A16165 works by) (a.k.a. R. M. Wilding)
Born: Established: 1942 Worcester, Worcestershire,
c
England,
c
c
United Kingdom (UK),
c
Western Europe, Europe,
;
Gender: Male
Arrived in Australia: 1963
Heritage: English
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 Untitled Michael Wilding , single work review
— Review of Images of Society and Nature : Seven Essays on Australian Novels 1971 selected work criticism
1 Untitled Michael Wilding , single work review
— Review of Mr Butterfry and Other Tales of New Japan Hal Porter , 1970 selected work short story
1 Questions of Truth and Integrity Michael Wilding , 2021 single work review
— Appears in: Quadrant , November vol. 65 no. 11 2021; (p. 79-82)

— Review of Bench and Book Nicholas Hasluck , 2021 single work autobiography
'Nicholas Hasluck has been a significant and engaging novelist on the Australian literary scene for half a century now. His achievements, from Quarantine and The Bellarmine Jug to Dismissal and The Bradshaw Case are well attested. His books are not only a good read, but they have something to say. In part this is the result of his having led a double life. He has not only been a prolific writer, author of some thirty volumes of fiction, poetry and essays, but he has also worked for his living. He has encountered the real world. He has not lived on a succession of government grants and hand-outs, on that treacherous largesse that has insulated so many litterateurs from normative human experience and left them with little to write about.'  (Introduction)
1 1 y separately published work icon The Midlands, and Leaving Them Michael Wilding , Beeston : Shoestring Press (UK) , 2021 22108204 2021 selected work short story
1 1 y separately published work icon Marcus Clarke : Novelist, Journalist and Bohemian Michael Wilding , North Melbourne : Australian Scholarly Publishing , 2021 21934899 2021 multi chapter work criticism

'Michael Wilding’s essays on Marcus Clarke’s life and works, from his schooldays at Highgate with Gerard Manley Hopkins to membership of the Melbourne Bohemian Yorick Club with Adam Lindsay Gordon and Henry Kendall, and his associations with the Chief of Police Captain Frederick Standish, the Irish nationalist politician and political prisoner Sir Charles Gavan Duffy, and the President of the Melbourne Public Library Sir Redmond Barry.

'Essays on His Natural Life, Clarke’s classic novel of the convict system; on Chidiock Tichborne the historical romp about the Catholic conspiracy to replace Elizabeth I on the English throne with Mary, Queen of Scots, and spymaster Sir Francis Walsingham’s espionage operation to expose it; on Old Tales of a Young Country about the early years of European settlement and the brutalities of the convict system; on his journalism ranging from exposés of the lives of Melbourne’s down and outs and homeless, to reminiscences of the Theatre Royal’s Café de Paris, and the spoof account of the Melbourne Cup written by aid of a camera obscura; on his literary essays, reviews and obituaries of Bret Harte, Honoré de Balzac, Charles Dickens and Adam Lindsay Gordon; and on his short stories, ranging from realistic accounts of his up-country days on sheep stations and mining towns in the Wimmera, and speculations on the alternative futures of what life might have been, to sensational tales of Gothic horror, crime mystery, fantasies of opium dreams and mesmeric trances, and sophisticated literary experiment in his account of taking hashish, ‘Cannabis Obscura’ and the premature post-modernism of ‘The Author Haunted by His Own Creations’.'

‘This is scholarly and very entertaining.’
– Sydney Morning Herald

Source : publisher's blurb

1 The Poetry of Adam Lindsay Gordon Michael Wilding , 2020 single work essay
— Appears in: Quadrant , September vol. 64 no. 9 2020; (p. 102-104)
'In the 150 years since Adam Lindsay Gordon’s death in 1870 his reputation as a poet rose to great heights, celebrated as the “National Poet of Australia” with his bust in Westminster Abbey in 1934, only to decline to neglect and comparative obscurity. His first published book, The Feud (1864), was a poem in the manner of the Scots border ballads. Popularised in the nineteenth century by Sir Walter Scott, the ballads were a major inspiration to Gordon. His verse continued to appear anonymously and pseudonymously for the next five years when, as Marcus Clarke recalled in his preface (1876) to the reissue of Gordon’s Sea Spray and Smoke Drift (1867), “he discovered one morning that everybody knew a couplet or two of ‘How We Beat the Favourite’”. Although set in England, its account of a contemporary steeplechase proved immediately popular in Australia. “Within a few days every sporting man in Melbourne knew it by heart,” Sir Frank Madden confirmed in Edith Humphris and Douglas Sladen’s Adam Lindsay Gordon and his Friends in England and Australia (1912): “We were all horsemen then, and looked upon steeplechasing as the acme of the sport.”'
1 The Lost World of Cliff Hardy Michael Wilding , 2019 single work review
— Appears in: Quadrant , October vol. 63 no. 10 2019; (p. 94)

— Review of See You at the Toxteth Peter Corris , 2019 selected work essay short story biography
1 Editor Pays with His Life Michael Wilding , 2019 single work review
— Appears in: The Weekend Australian , 2 March 2019; (p. 20)

— Review of The Ink Stain Thomas Keneally , Meg Keneally , 2019 single work novel

'Australian crime fiction has a venerable tradition. Fergus Hume’s best-selling Melbourne murder novel, The Mystery of a Hansom Cab, was published a year before the first of Conan Doyle’s Sherlock Holmes stories appeared in print. The appeal of those gaslight metropolitan mysteries has never wavered.' (Introduction)

1 2 y separately published work icon Wild about Books : Essays on Books and Writing Michael Wilding , Melbourne : Australian Scholarly Publishing , 2019 17393108 2019 selected work essay

'Wild About Books – essays on books and writing, about reading them and writing them, and publishing them and collecting them and preserving them in libraries. Essays about the shared experience of literature, the art and craft of writing, the pleasures of reading, the survival of five hundred years of print culture, together with reflections and suggestions on creative writing, on what to do, and how to do it, and on what I’ve done, and why I wrote this book and how I wrote that one, together with anecdotes from other writers’ experiences, from writers in person, and from the books they have written.'

Source: Publisher's blurb.

1 Tributes to Peter Corris Bill Garner , Sofya Gollan , Michael Wilding , Patrick Gallagher , Gaby Naher , Linda Funnell , David Gaunt , Rupert Thomson , Kristin Williamson , David Williamson , Jane Palfreyman , John Kerr , Tom Kelly , David Marr , Stephen Henry Wallace , John Dale , Joel Becker , Marele Day , Karen Chisholm , 2018 single work obituary (for Peter Corris )
— Appears in: The Newtown Review of Books , September 2018;

'Peter Corris, the ‘Godfather of Australian crime fiction’, died in his sleep on 30 August 2018. His Godfather columns have been part of the Newtown Review of Books from the beginning, and we feel his loss keenly.' 

1 y separately published work icon The Travel Writer Michael Wilding , Kew : Arcadia , 2018 14693175 2018 single work novel crime

'Liz Lambastier was a successful travel writer. Did she write one last, unpublished book before she died? Plant is hired to find out. It soon becomes evident he is not the only one looking. What could the missing manuscript contain? Memories of the past to haunt a few people? Revelations of sexual opportunism or – these days – allegations of sexual harassment? Or, conspiracy theorist Fullalove speculates, undercover work in sensitive places? From poetry wars to the secret state, from old times good time girl Hilly Fann to Sasha her niece in the library, from monstrous media mogul Murray Brittan to Hacker the editor with nothing left to edit, Plant investigates.'

Source: Publisher's blurb.

1 2 y separately published work icon Little Demon Michael Wilding , Kew : Arcadia , 2018 13621799 2018 single work novel crime

'Little Demon finds investigator Plant back in the iconic paradise of Byron Bay, hired by ageing rock ‘n’ roll journalist Rock Richmond whose computer with his history of the alternative communes has been stolen. Plant's rural retreat is invaded by conspiracy theorist Fullalove, who figures Richmond had been writing about rumoured Cold War arms caches and secret militias. Plant’s inquiries involve Rock's wife, a barrister specialising in drug cases, his girlfriend the mysterious Madimi, and caravan park owner and rifle club president Jake, a former army officer who used to run a commune.' (Publication summary)

1 4 y separately published work icon Growing Wild Michael Wilding , North Melbourne : Arcadia , 2016 9457210 2016 single work autobiography

'‘A life well and fully lived in a time when everything seemed possible, and the world seemed to be becoming more open, adventurous, generous and sensual, with the bonds of community and care supplanting the conformist and materialist individualism of the fifties. OK, it was a dream, but my God what a dream and Michael threw himself into the pursuit of that dream with demonic conviction and energy.’ –David Williamson

'‘A career that is remarkable for how prolific and innovative it has been in so many areas, whether Wilding was working as a short story writer, novelist, critic, editor, commentator, anthologist, or publisher. Few Australian writers have successfully ventured so much and for so long. Moreover, a surprising coherence exists among this variety. Wilding’s work is driven by his political radicalism, which seems as much to do with a probing, sometimes acrid, intelligence, as sentiment. While much of Wilding’s work has an autobiographical kernel, the scope is always broad, and the social and political dimensions of any story are essential elements. Wilding’s is the story of a maverick who worked within an establishment institution, yet was capable of opening his imagination both to the possibilities of academic life and to the more capacious narratives of Australian history, literary history, and contemporary life.’ –Peter Pierce, Dictionary of Literary Biography' (Publication summary)

1 Book Futures Michael Wilding , 2016 single work short story
— Appears in: Meanjin , Autumn vol. 75 no. 1 2016; (p. 77-83)
1 2 y separately published work icon In the Valley of the Weed Michael Wilding , Kew : Arcadia , 2016 11251934 2016 single work novel crime

'Suspended from his job when his politically incorrect email correspondence is leaked on the internet, Tim Vicars disappears. Is he hiding in shame?

'Is he running away from the erotic complexities of wife, mistress and literary agent?

'Or has his research project on decriminalizing marijuana provoked the growers, dealers and intelligence agencies to direct action?

'Plant, hired to find him, heads off into the Valley of the Weed.' (Publication summary)

1 Milton’s Samson Agonistes : A Political Reading Michael Wilding , 2016 single work criticism
— Appears in: The Free Mind : Essays and Poems in Honour of Barry Spurr 2016;
'Samson Agonistes is the only play that Milton wrote. At the beginning of his career he wrote two masques, Arcades and A Masque presented at Ludlow Castle, 1634 [Comus], but nothing else for the stage. Indeed he makes a point of telling us in the opening note, “Of that sort of dramatic poem called tragedy”, that Samson Agonistes “never was intended” for the stage.1 During the years of the English Revolution, 1640-1659, the theatres had all been closed by official order. Milton, as the foremost propaganda writer for the revolutionary government, might be expected to have agreed with its hostility to the public theatre, something seen as a corrupt institution, identified with royalists, prostitutes and such like. So it is not surprising that Samson Agonistes “never was intended” for the stage; nor is it surprising that the model Milton followed was not that of English Shakespearean theatre, but the archaic model of classical Greece.' (Introduction)
1 The Surveillance University Michael Wilding , 2016 single work short story
— Appears in: Review of Australian Fiction , vol. 19 no. 3 2016;
1 An Appallingly Undeniable Vision Michael Wilding , 2015 single work review
— Appears in: Quadrant , December vol. 59 no. 12 2015; (p. 84-85)

— Review of Going Out Backwards Ross Fitzgerald , Ian McFadyen , 2015 selected work short story
1 6 y separately published work icon Wild Bleak Bohemia : Marcus Clarke, Adam Lindsay Gordon and Henry Kendall - A Documentary Michael Wilding , North Melbourne : Australian Scholarly Publishing , 2014 8265498 2014 single work biography

'Meticulously using contemporary newspaper reports, court records, published memoirs, private letters and diaries, Michael Wilding tells the story of three troubled geniuses of Australian writing and their world of poetry and poverty, alcohol and opiates, horse-racing and theatre, journalism and publishing. Gordon shot himself, unable to pay the printer of his poems; Kendall ended up in a mental hospital after forging a cheque, and Clarke died bankrupt for a second time.' (Publication summary)

1 Libraries under Threat Michael Wilding , 2014 single work column
— Appears in: Sydney Review of Books , March 2014;

'A decade ago, Central Queensland University began a process of expansion. Like a number of regional universities, it began opening campuses in other cities beyond its Rockhampton base. When it opened a campus on the Gold Coast, David Myers moved the editorial offices of CQU Press there. I used to visit him, as we planned a series of anthologies of new writing. He showed me round the campus – the first university campus we had ever encountered without a library. We thought it was a bizarre aberration. We had no idea this was the way of the future.' (Introduction)

X