AustLit

'A year before his death in 2015 following a cancer diagnosis, the writer–playwright Henning Mankell responded to a question about his love of the crime genre. He stated that his objective was ‘to use the mirror of crime to look at contradictions in society’. Mankell’s mirror was evident in his Kurt Wallander series (1991–2009), in which the detective was faced with contradictions not only in the landscape of crime and murder but also in his own domestic life. Great crime fiction does not need to focus a lens on the overlapping worlds of the private and the public. But well written, the genre’s interconnected spheres address the moral complexities that drove Mankell’s passion for crime fiction.' (Introduction)

'As a child I spent occasional weekends with my grandfather. He was a career criminal and a dangerous man. His convictions ranged from serious assault to burglary and armed robbery. He once threw his partner from a moving bus, a woman he had married illegally after deserting my grandmother and her young children, including my father. He was shot on more than one occasion and came close to death. He was also involved in the deaths of other people, men from the same criminal world he inhabited. Surprisingly, he spent little time in prison.'  (Introduction)

'A timely and important collection of poems by the award-winning author of The White Girl and Blood. Divided into three sections – Blood, Skin and Water – the poems in Whisper Songs address themes of loss (of people and place), the legacies of colonial history and violence, and the relationships between Country and memory.

'Tony Birch invites the reader into a tender conversation with those he loves - and has loved - the most. He also challenges the past to speak up by interrogating the archive, including documents from his own family history, highlighting forcefully the ways in which the personal is also intensely political. Whisper Songs reveals Birch at his lyrical and intimate best.' (Publication summary)

'Dark as Last Night confirms, once again, that Tony Birch is a master of the short story. These exceptional stories capture the importance of human connection at pivotal moments in our lives, whether those occur because of the loss of a loved one or the uncertainties of childhood. In this collection we witness a young girl struggling to protect her mother from her father’s violence, two teenagers clumsily getting to know one another by way of a shared love of music, and a man mourning the death of his younger brother, while beset by memories and regrets from their shared past. Throughout this powerful collection, Birch’s concern for the humanity of those who are often marginalised or overlooked shines bright.'

Source : publisher's blurb

'For some time, I’d been thinking of writing about Westgate Park, an inconspicuous piece of ground beneath the shadows of the Westgate Bridge at the mouth of the Birrarung (Yarra) River in Melbourne. The idea was to produce a walking/reflective/philosophical essay, an approach to writing that has become increasingly prolific in an era of loss—of vital places, ecologies and the political will we require to combat climate change. At times the genre can result in an exercise in navel-gazing, incorporating aspects of traditional ‘nature’ writing and the wellness industry. Regardless, I’ve always found that walking (and running) in places has been a key aid to both my thinking and writing, particularly if I get stuck in a creative/intellectual gridlock. And I was stuck, concerned about how best to proceed with my climate-justice research while experiencing a sense of despair about inaction on climate issues. I hoped to utilise a long walk as a means of reflecting on the parlous state of the protection of country. That was my plan, until a dramatic intervention shifted, if not what would become the focus of the essay, an awareness of where and how I would need to begin the process of finding meaning and clarity.' (Introduction)