Born: Established: 1942 Melbourne, Victoria, ;
AustLit
Details of Works Taught
Text | Unit Name | Institution | Year |
---|---|---|---|
form
y
Balibo
David Williamson
,
Robert Connolly
,
( dir. Robert Connolly
)
Australia
:
2008
Z1521564
2008
single work
film/TV
mystery
thriller
crime
(taught in 2 units)
'Jose Ramos Horta, twenty-five years old in 1975, and a member of the Fretilin Government, lures Darwin-based Australian journalist Roger East to East Timor to investigate the disappearance of the 'Balibo Five' - journalists Greg Shackleton, Gary Cunningham and Tony Stewart (Ch9) and from their rival network Brian Peters and Malcolm Rennie (Ch7). On the morning of October 16, all five men, though identifying themselves as journalists from Australia, are killed in cold blood by the invading Indonesian troops, and their bodies burnt. East does not accept the official story that soon emerges, that the men were killed in cross-fire. Horta and East travel from Dili to Balibo, now occupied during the daytime by Indonesian forces, to try and uncover the truth of the journalists' death. Back in Dili, East decides to stay on while other journalists are evacuated, in the knowledge that Indonesian forces will soon land in the capital. The very next day Indonesian paratroopers and commandos land from the sea and immediately capture East who is reporting the invasion. Defiant to the end, East is executed the next day on the Dili wharf by an Indonesian execution squad.' Source: http://film.vic.gov.au (Sighted 12/08/2008). |
Expressive Cultures : Film | NYU - Sydney | 2014 (Semester 1) |
form
y
Balibo
David Williamson
,
Robert Connolly
,
( dir. Robert Connolly
)
Australia
:
2008
Z1521564
2008
single work
film/TV
mystery
thriller
crime
(taught in 2 units)
'Jose Ramos Horta, twenty-five years old in 1975, and a member of the Fretilin Government, lures Darwin-based Australian journalist Roger East to East Timor to investigate the disappearance of the 'Balibo Five' - journalists Greg Shackleton, Gary Cunningham and Tony Stewart (Ch9) and from their rival network Brian Peters and Malcolm Rennie (Ch7). On the morning of October 16, all five men, though identifying themselves as journalists from Australia, are killed in cold blood by the invading Indonesian troops, and their bodies burnt. East does not accept the official story that soon emerges, that the men were killed in cross-fire. Horta and East travel from Dili to Balibo, now occupied during the daytime by Indonesian forces, to try and uncover the truth of the journalists' death. Back in Dili, East decides to stay on while other journalists are evacuated, in the knowledge that Indonesian forces will soon land in the capital. The very next day Indonesian paratroopers and commandos land from the sea and immediately capture East who is reporting the invasion. Defiant to the end, East is executed the next day on the Dili wharf by an Indonesian execution squad.' Source: http://film.vic.gov.au (Sighted 12/08/2008). |
Expressive Culture: Film | NYU - Sydney | 2016 (Semester 1) |
Text | Unit Name | Institution | Year |
---|---|---|---|
y Brilliant Lies David Williamson , Paddington : Currency Press , 1993 Z261594 1993 single work drama satire (taught in 2 units) | Language and Text | Charles Sturt University | 2009 (Summer Semester) |
y Brilliant Lies David Williamson , Paddington : Currency Press , 1993 Z261594 1993 single work drama satire (taught in 2 units) | Language and Text | Charles Sturt University | 2010 (Summer Semester) |
Text | Unit Name | Institution | Year |
---|---|---|---|
y The Club David Williamson , 1976 (Manuscript version)x402003 Z1506538 1976 single work drama (taught in 14 units) | Australian Literature | Campion College | 2013 (Semester 2) |
y The Club David Williamson , 1976 (Manuscript version)x402003 Z1506538 1976 single work drama (taught in 14 units) | Australian literature | Campion College | 2013 (Semester 2) |
y The Club David Williamson , 1976 (Manuscript version)x402003 Z1506538 1976 single work drama (taught in 14 units) | Australian Literature | Campion College | 2012 (Semester 2) |
y The Club David Williamson , 1976 (Manuscript version)x402003 Z1506538 1976 single work drama (taught in 14 units) | Australian Literature | Campion College | 2014 (Semester 2) |
y The Club David Williamson , 1976 (Manuscript version)x402003 Z1506538 1976 single work drama (taught in 14 units) | Australian Literature | Campion College | 2015 (Semester 2) |
y The Club David Williamson , 1976 (Manuscript version)x402003 Z1506538 1976 single work drama (taught in 14 units) | Australian Literature | Campion College | 2016 (Semester 2) |
y The Club David Williamson , 1976 (Manuscript version)x402003 Z1506538 1976 single work drama (taught in 14 units) | The "Bloody Australian" on Stage | Edith Cowan University | 2013 (Semester 1) |
y The Club David Williamson , 1976 (Manuscript version)x402003 Z1506538 1976 single work drama (taught in 14 units) | The Bloody Australian on Stage | Edith Cowan University | 2010 |
y The Club David Williamson , 1976 (Manuscript version)x402003 Z1506538 1976 single work drama (taught in 14 units) | The Bloody Australian on Stage | Edith Cowan University | 2011 |
y The Club David Williamson , 1976 (Manuscript version)x402003 Z1506538 1976 single work drama (taught in 14 units) | The "Bloody Australian" on Stage | Edith Cowan University | 2014 |
y The Club David Williamson , 1976 (Manuscript version)x402003 Z1506538 1976 single work drama (taught in 14 units) | The Bloody Australian on Stage | Edith Cowan University | 2012 |
y The Club David Williamson , 1976 (Manuscript version)x402003 Z1506538 1976 single work drama (taught in 14 units) | Staging Australia | Queensland University of Technology | 2013 (Semester 2) |
y The Club David Williamson , 1976 (Manuscript version)x402003 Z1506538 1976 single work drama (taught in 14 units) | Staging Australia | Queensland University of Technology | 2012 (Semester 2) |
y The Club David Williamson , 1976 (Manuscript version)x402003 Z1506538 1976 single work drama (taught in 14 units) | Staging Australia | Queensland University of Technology | 2015 (Semester 2) |
Text | Unit Name | Institution | Year |
---|---|---|---|
y Collected Plays : Volume I David Williamson , Sydney : Currency Press , 1986 Z859303 1986 selected work drama (taught in 1 units) | Australian Stage and Screen | University of Sydney | 2012 (Semester 2) |
Text | Unit Name | Institution | Year |
---|---|---|---|
y Collected Plays : Volume II David Williamson , Sydney : Currency Press , 1993 Z859306 1993 selected work drama (taught in 2 units) | Modern Theatre | Charles Sturt University | 2010 (Semester 1) |
y Collected Plays : Volume II David Williamson , Sydney : Currency Press , 1993 Z859306 1993 selected work drama (taught in 2 units) | Australian Stage and Screen | University of Sydney | 2012 (Semester 2) |
Text | Unit Name | Institution | Year |
---|---|---|---|
y Dead White Males David Williamson , Paddington : Currency Press , 1995 Z564481 1995 single work drama satire (taught in 2 units) | Reading Theory | Macquarie University | 2014 (Session 2) |
y Dead White Males David Williamson , Paddington : Currency Press , 1995 Z564481 1995 single work drama satire (taught in 2 units) | Reading Theory | Macquarie University | 2015 (Semester 2) |
Text | Unit Name | Institution | Year |
---|---|---|---|
form
y
Don's Party
David Williamson
,
( dir. Bruce Beresford
)
Sydney
:
Double Head Productions Pty Ltd in association with the Australian Film Commission.
,
1976
Z42782
1976
single work
film/TV
satire
(taught in 3 units)
Set in a suburb of Sydney's North Shore on the night of the 1969 Australian Federal Election, this is a cinematic adaptation of David Williamson's 1971 satire of university-educated, upwardly mobile Australian Labor Party supporters. The gathering is hoping to celebrate the ALP's victory after two decades of conservative government, but as the results are televised throughout the night, this appears increasingly unlikely. The men then devote their energies to drinking and debauching with the younger women, much to the anger of their wives or girlfriends. As the night wears on and hopes fade, there is fighting and much disappointment. The film's satire (as with the play) achieves its bite through a sense of what passes for naturalism. The essential ockerism of the men becomes more apparent as the party degenerates and the alcohol takes over. The critical focus sharpens and the humour becomes more cynical. |
Australian Screen | Griffith University | 2009 (Semester 2) |
form
y
Don's Party
David Williamson
,
( dir. Bruce Beresford
)
Sydney
:
Double Head Productions Pty Ltd in association with the Australian Film Commission.
,
1976
Z42782
1976
single work
film/TV
satire
(taught in 3 units)
Set in a suburb of Sydney's North Shore on the night of the 1969 Australian Federal Election, this is a cinematic adaptation of David Williamson's 1971 satire of university-educated, upwardly mobile Australian Labor Party supporters. The gathering is hoping to celebrate the ALP's victory after two decades of conservative government, but as the results are televised throughout the night, this appears increasingly unlikely. The men then devote their energies to drinking and debauching with the younger women, much to the anger of their wives or girlfriends. As the night wears on and hopes fade, there is fighting and much disappointment. The film's satire (as with the play) achieves its bite through a sense of what passes for naturalism. The essential ockerism of the men becomes more apparent as the party degenerates and the alcohol takes over. The critical focus sharpens and the humour becomes more cynical. |
Australian Screen | Griffith University | 2015 (Semester 2) |
form
y
Don's Party
David Williamson
,
( dir. Bruce Beresford
)
Sydney
:
Double Head Productions Pty Ltd in association with the Australian Film Commission.
,
1976
Z42782
1976
single work
film/TV
satire
(taught in 3 units)
Set in a suburb of Sydney's North Shore on the night of the 1969 Australian Federal Election, this is a cinematic adaptation of David Williamson's 1971 satire of university-educated, upwardly mobile Australian Labor Party supporters. The gathering is hoping to celebrate the ALP's victory after two decades of conservative government, but as the results are televised throughout the night, this appears increasingly unlikely. The men then devote their energies to drinking and debauching with the younger women, much to the anger of their wives or girlfriends. As the night wears on and hopes fade, there is fighting and much disappointment. The film's satire (as with the play) achieves its bite through a sense of what passes for naturalism. The essential ockerism of the men becomes more apparent as the party degenerates and the alcohol takes over. The critical focus sharpens and the humour becomes more cynical. |
Australian Screen | Griffith University | 2016 (Semester 2) |
Text | Unit Name | Institution | Year |
---|---|---|---|
y Don's Party David Williamson , 1971 1971 (Manuscript version)x402002 Z1505961 1971 single work drama satire (taught in 17 units) | Australian Literature | Campion College | 2009 |
y Don's Party David Williamson , 1971 1971 (Manuscript version)x402002 Z1505961 1971 single work drama satire (taught in 17 units) | Australian Literature | Campion College | 2010 |
y Don's Party David Williamson , 1971 1971 (Manuscript version)x402002 Z1505961 1971 single work drama satire (taught in 17 units) | Australian Screen and Stage | Charles Sturt University | 2009 |
y Don's Party David Williamson , 1971 1971 (Manuscript version)x402002 Z1505961 1971 single work drama satire (taught in 17 units) | Twentieth and Twenty-first Century Australian Literature: Inventing the Past | La Trobe University | 2011 |
y Don's Party David Williamson , 1971 1971 (Manuscript version)x402002 Z1505961 1971 single work drama satire (taught in 17 units) | Twentieth and Twenty-first Century Australian Literature: Inventing the Past | La Trobe University | 2012 |
y Don's Party David Williamson , 1971 1971 (Manuscript version)x402002 Z1505961 1971 single work drama satire (taught in 17 units) | Australian Theatre History | University of New England | 2009 |
y Don's Party David Williamson , 1971 1971 (Manuscript version)x402002 Z1505961 1971 single work drama satire (taught in 17 units) | Australia on Stage | University of New England | 2014 (Semester 1) |
y Don's Party David Williamson , 1971 1971 (Manuscript version)x402002 Z1505961 1971 single work drama satire (taught in 17 units) | Australia on Stage | University of New England | 2011 |
y Don's Party David Williamson , 1971 1971 (Manuscript version)x402002 Z1505961 1971 single work drama satire (taught in 17 units) | Australia on Stage | University of New England | 2016 (Semester 1) |
y Don's Party David Williamson , 1971 1971 (Manuscript version)x402002 Z1505961 1971 single work drama satire (taught in 17 units) | Australian Theatre & Cinema | University of Notre Dame | 2014 (Semester 1) |
y Don's Party David Williamson , 1971 1971 (Manuscript version)x402002 Z1505961 1971 single work drama satire (taught in 17 units) | Australian Drama | University of Queensland | 2014 (Semester 1) |
y Don's Party David Williamson , 1971 1971 (Manuscript version)x402002 Z1505961 1971 single work drama satire (taught in 17 units) | Australian Drama | University of Queensland | 2012 |
y Don's Party David Williamson , 1971 1971 (Manuscript version)x402002 Z1505961 1971 single work drama satire (taught in 17 units) | Australian Drama | University of Southern Queensland | 2014 (Semester 1) |
y Don's Party David Williamson , 1971 1971 (Manuscript version)x402002 Z1505961 1971 single work drama satire (taught in 17 units) | Australian Drama | University of Southern Queensland | 2012 (Semester 1) |
y Don's Party David Williamson , 1971 1971 (Manuscript version)x402002 Z1505961 1971 single work drama satire (taught in 17 units) | Australian Stage & Screen | University of Sydney | 2014 (Semester 1) |
y Don's Party David Williamson , 1971 1971 (Manuscript version)x402002 Z1505961 1971 single work drama satire (taught in 17 units) | Australian Stage and Screen | University of Sydney | 2014 (Semester 1) |
y Don's Party David Williamson , 1971 1971 (Manuscript version)x402002 Z1505961 1971 single work drama satire (taught in 17 units) | Australian Stage and Screen | University of Sydney | 2016 (Semester 1) |
Text | Unit Name | Institution | Year |
---|---|---|---|
form
y
Gallipoli
David Williamson
,
( dir. Peter Weir
)
Sydney
:
Associated R & R Films
,
1981
Z948654
1981
single work
film/TV
(taught in 11 units)
The narrative begins in Western Australia in 1915 and follows the paths of Archie Hamilton and Frank Dunne, before and after their enlistment in the Australian Imperial Forces. Hamilton is the patriotic son of a grazier and Frank Dunne is a drifter with no great desire to fight for the British Empire. They meet as runners in an outback footrace and become best mates. After training in Egypt, they land at Gallipoli, just as the great Allied assaults of August 1915 are to begin. Source: Australian Screen. |
Film Analysis 2: Australian Cinema | Bond University | 2010 |
form
y
Gallipoli
David Williamson
,
( dir. Peter Weir
)
Sydney
:
Associated R & R Films
,
1981
Z948654
1981
single work
film/TV
(taught in 11 units)
The narrative begins in Western Australia in 1915 and follows the paths of Archie Hamilton and Frank Dunne, before and after their enlistment in the Australian Imperial Forces. Hamilton is the patriotic son of a grazier and Frank Dunne is a drifter with no great desire to fight for the British Empire. They meet as runners in an outback footrace and become best mates. After training in Egypt, they land at Gallipoli, just as the great Allied assaults of August 1915 are to begin. Source: Australian Screen. |
Australian Literature and Film | King's College London | 2009 (Semester 1) |
form
y
Gallipoli
David Williamson
,
( dir. Peter Weir
)
Sydney
:
Associated R & R Films
,
1981
Z948654
1981
single work
film/TV
(taught in 11 units)
The narrative begins in Western Australia in 1915 and follows the paths of Archie Hamilton and Frank Dunne, before and after their enlistment in the Australian Imperial Forces. Hamilton is the patriotic son of a grazier and Frank Dunne is a drifter with no great desire to fight for the British Empire. They meet as runners in an outback footrace and become best mates. After training in Egypt, they land at Gallipoli, just as the great Allied assaults of August 1915 are to begin. Source: Australian Screen. |
Australian Film | King's College London | 2009 |
form
y
Gallipoli
David Williamson
,
( dir. Peter Weir
)
Sydney
:
Associated R & R Films
,
1981
Z948654
1981
single work
film/TV
(taught in 11 units)
The narrative begins in Western Australia in 1915 and follows the paths of Archie Hamilton and Frank Dunne, before and after their enlistment in the Australian Imperial Forces. Hamilton is the patriotic son of a grazier and Frank Dunne is a drifter with no great desire to fight for the British Empire. They meet as runners in an outback footrace and become best mates. After training in Egypt, they land at Gallipoli, just as the great Allied assaults of August 1915 are to begin. Source: Australian Screen. |
Australian Literature and Film | King's College London | 2011 (Semester 1) |
form
y
Gallipoli
David Williamson
,
( dir. Peter Weir
)
Sydney
:
Associated R & R Films
,
1981
Z948654
1981
single work
film/TV
(taught in 11 units)
The narrative begins in Western Australia in 1915 and follows the paths of Archie Hamilton and Frank Dunne, before and after their enlistment in the Australian Imperial Forces. Hamilton is the patriotic son of a grazier and Frank Dunne is a drifter with no great desire to fight for the British Empire. They meet as runners in an outback footrace and become best mates. After training in Egypt, they land at Gallipoli, just as the great Allied assaults of August 1915 are to begin. Source: Australian Screen. |
Expressive Cultures : Film | NYU - Sydney | 2014 (Semester 1) |
form
y
Gallipoli
David Williamson
,
( dir. Peter Weir
)
Sydney
:
Associated R & R Films
,
1981
Z948654
1981
single work
film/TV
(taught in 11 units)
The narrative begins in Western Australia in 1915 and follows the paths of Archie Hamilton and Frank Dunne, before and after their enlistment in the Australian Imperial Forces. Hamilton is the patriotic son of a grazier and Frank Dunne is a drifter with no great desire to fight for the British Empire. They meet as runners in an outback footrace and become best mates. After training in Egypt, they land at Gallipoli, just as the great Allied assaults of August 1915 are to begin. Source: Australian Screen. |
Expressive Culture: Film | NYU - Sydney | 2016 (Semester 1) |
form
y
Gallipoli
David Williamson
,
( dir. Peter Weir
)
Sydney
:
Associated R & R Films
,
1981
Z948654
1981
single work
film/TV
(taught in 11 units)
The narrative begins in Western Australia in 1915 and follows the paths of Archie Hamilton and Frank Dunne, before and after their enlistment in the Australian Imperial Forces. Hamilton is the patriotic son of a grazier and Frank Dunne is a drifter with no great desire to fight for the British Empire. They meet as runners in an outback footrace and become best mates. After training in Egypt, they land at Gallipoli, just as the great Allied assaults of August 1915 are to begin. Source: Australian Screen. |
First-Year Seminar: Australian Literature, Music and Film | Texas Christian University | 2012 |
form
y
Gallipoli
David Williamson
,
( dir. Peter Weir
)
Sydney
:
Associated R & R Films
,
1981
Z948654
1981
single work
film/TV
(taught in 11 units)
The narrative begins in Western Australia in 1915 and follows the paths of Archie Hamilton and Frank Dunne, before and after their enlistment in the Australian Imperial Forces. Hamilton is the patriotic son of a grazier and Frank Dunne is a drifter with no great desire to fight for the British Empire. They meet as runners in an outback footrace and become best mates. After training in Egypt, they land at Gallipoli, just as the great Allied assaults of August 1915 are to begin. Source: Australian Screen. |
Australian Cinema and Television | University of New South Wales | 2010 (Semester 1) |
form
y
Gallipoli
David Williamson
,
( dir. Peter Weir
)
Sydney
:
Associated R & R Films
,
1981
Z948654
1981
single work
film/TV
(taught in 11 units)
The narrative begins in Western Australia in 1915 and follows the paths of Archie Hamilton and Frank Dunne, before and after their enlistment in the Australian Imperial Forces. Hamilton is the patriotic son of a grazier and Frank Dunne is a drifter with no great desire to fight for the British Empire. They meet as runners in an outback footrace and become best mates. After training in Egypt, they land at Gallipoli, just as the great Allied assaults of August 1915 are to begin. Source: Australian Screen. |
Australian Film and Literature | University of South Australia | 2011 (Semester 2) |
form
y
Gallipoli
David Williamson
,
( dir. Peter Weir
)
Sydney
:
Associated R & R Films
,
1981
Z948654
1981
single work
film/TV
(taught in 11 units)
The narrative begins in Western Australia in 1915 and follows the paths of Archie Hamilton and Frank Dunne, before and after their enlistment in the Australian Imperial Forces. Hamilton is the patriotic son of a grazier and Frank Dunne is a drifter with no great desire to fight for the British Empire. They meet as runners in an outback footrace and become best mates. After training in Egypt, they land at Gallipoli, just as the great Allied assaults of August 1915 are to begin. Source: Australian Screen. |
Australia Imagined: Identity and Diversity in Australian Film and Literature | University of South Australia | 2012 (Semester 2) |
form
y
Gallipoli
David Williamson
,
( dir. Peter Weir
)
Sydney
:
Associated R & R Films
,
1981
Z948654
1981
single work
film/TV
(taught in 11 units)
The narrative begins in Western Australia in 1915 and follows the paths of Archie Hamilton and Frank Dunne, before and after their enlistment in the Australian Imperial Forces. Hamilton is the patriotic son of a grazier and Frank Dunne is a drifter with no great desire to fight for the British Empire. They meet as runners in an outback footrace and become best mates. After training in Egypt, they land at Gallipoli, just as the great Allied assaults of August 1915 are to begin. Source: Australian Screen. |
Upfront: History of Film in Australia | University of the Sunshine Coast | 2015 (Semester 1) |
Text | Unit Name | Institution | Year |
---|---|---|---|
y The Jack Manning Trilogy David Williamson , Strawberry Hills : Currency Press , 2002 Z966803 2002 selected work drama (taught in 1 units) | Australian Drama | University of Southern Queensland | 2010 (Semester 1) |
Text | Unit Name | Institution | Year |
---|---|---|---|
y
The Removalists
David Williamson
,
1971
Sydney
:
Currency Press
,
1972
Z365225
1971
single work
drama
(taught in 12 units)
A young policeman’s first day on duty becomes a violent and highly charged initiation into law enforcement. Remarkable for its blend of boisterous humour and horrifying violence, the play has acquired a reputation as a classic statement on Australian authoritarianism and is a key work in the study of Australian drama. (Publication Synopsis) |
Australian Literature: An Introduction | Australian Catholic University - Brisbane Campus (McAuley at Banyo) | 2014 (Semester 2) |
y
The Removalists
David Williamson
,
1971
Sydney
:
Currency Press
,
1972
Z365225
1971
single work
drama
(taught in 12 units)
A young policeman’s first day on duty becomes a violent and highly charged initiation into law enforcement. Remarkable for its blend of boisterous humour and horrifying violence, the play has acquired a reputation as a classic statement on Australian authoritarianism and is a key work in the study of Australian drama. (Publication Synopsis) |
Australian Literature: An Introduction | Australian Catholic University - Brisbane Campus (McAuley at Banyo) | 2015 (Semester 2) |
y
The Removalists
David Williamson
,
1971
Sydney
:
Currency Press
,
1972
Z365225
1971
single work
drama
(taught in 12 units)
A young policeman’s first day on duty becomes a violent and highly charged initiation into law enforcement. Remarkable for its blend of boisterous humour and horrifying violence, the play has acquired a reputation as a classic statement on Australian authoritarianism and is a key work in the study of Australian drama. (Publication Synopsis) |
Modern Australian Drama | Australian National University | 2014 (Semester 1) |
y
The Removalists
David Williamson
,
1971
Sydney
:
Currency Press
,
1972
Z365225
1971
single work
drama
(taught in 12 units)
A young policeman’s first day on duty becomes a violent and highly charged initiation into law enforcement. Remarkable for its blend of boisterous humour and horrifying violence, the play has acquired a reputation as a classic statement on Australian authoritarianism and is a key work in the study of Australian drama. (Publication Synopsis) |
Modern Theatre | Charles Sturt University | 2010 (Semester 1) |
y
The Removalists
David Williamson
,
1971
Sydney
:
Currency Press
,
1972
Z365225
1971
single work
drama
(taught in 12 units)
A young policeman’s first day on duty becomes a violent and highly charged initiation into law enforcement. Remarkable for its blend of boisterous humour and horrifying violence, the play has acquired a reputation as a classic statement on Australian authoritarianism and is a key work in the study of Australian drama. (Publication Synopsis) |
Australian Theatre | Charles Sturt University | 2010 (Summer Semester) |
y
The Removalists
David Williamson
,
1971
Sydney
:
Currency Press
,
1972
Z365225
1971
single work
drama
(taught in 12 units)
A young policeman’s first day on duty becomes a violent and highly charged initiation into law enforcement. Remarkable for its blend of boisterous humour and horrifying violence, the play has acquired a reputation as a classic statement on Australian authoritarianism and is a key work in the study of Australian drama. (Publication Synopsis) |
Australian Drama | Edith Cowan University | 2009 |
y
The Removalists
David Williamson
,
1971
Sydney
:
Currency Press
,
1972
Z365225
1971
single work
drama
(taught in 12 units)
A young policeman’s first day on duty becomes a violent and highly charged initiation into law enforcement. Remarkable for its blend of boisterous humour and horrifying violence, the play has acquired a reputation as a classic statement on Australian authoritarianism and is a key work in the study of Australian drama. (Publication Synopsis) |
Australian Theatre and Performance | University of Melbourne | 2013 (Semester 2) |
y
The Removalists
David Williamson
,
1971
Sydney
:
Currency Press
,
1972
Z365225
1971
single work
drama
(taught in 12 units)
A young policeman’s first day on duty becomes a violent and highly charged initiation into law enforcement. Remarkable for its blend of boisterous humour and horrifying violence, the play has acquired a reputation as a classic statement on Australian authoritarianism and is a key work in the study of Australian drama. (Publication Synopsis) |
Australian Theatre and performance | University of Melbourne | 2014 (Semester 2) |
y
The Removalists
David Williamson
,
1971
Sydney
:
Currency Press
,
1972
Z365225
1971
single work
drama
(taught in 12 units)
A young policeman’s first day on duty becomes a violent and highly charged initiation into law enforcement. Remarkable for its blend of boisterous humour and horrifying violence, the play has acquired a reputation as a classic statement on Australian authoritarianism and is a key work in the study of Australian drama. (Publication Synopsis) |
Australian Theatre and Performance | University of Melbourne | 2015 (Semester 2) |
y
The Removalists
David Williamson
,
1971
Sydney
:
Currency Press
,
1972
Z365225
1971
single work
drama
(taught in 12 units)
A young policeman’s first day on duty becomes a violent and highly charged initiation into law enforcement. Remarkable for its blend of boisterous humour and horrifying violence, the play has acquired a reputation as a classic statement on Australian authoritarianism and is a key work in the study of Australian drama. (Publication Synopsis) |
Australian Theatre and Performance | University of Melbourne | 2016 (Semester 2) |
y
The Removalists
David Williamson
,
1971
Sydney
:
Currency Press
,
1972
Z365225
1971
single work
drama
(taught in 12 units)
A young policeman’s first day on duty becomes a violent and highly charged initiation into law enforcement. Remarkable for its blend of boisterous humour and horrifying violence, the play has acquired a reputation as a classic statement on Australian authoritarianism and is a key work in the study of Australian drama. (Publication Synopsis) |
Staging Australia | University of New South Wales | 2010 (Semester 2) |
y
The Removalists
David Williamson
,
1971
Sydney
:
Currency Press
,
1972
Z365225
1971
single work
drama
(taught in 12 units)
A young policeman’s first day on duty becomes a violent and highly charged initiation into law enforcement. Remarkable for its blend of boisterous humour and horrifying violence, the play has acquired a reputation as a classic statement on Australian authoritarianism and is a key work in the study of Australian drama. (Publication Synopsis) |
Staging Australia | University of New South Wales | 2012 (Semester 2) |