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John Docker John Docker i(A22710 works by) (a.k.a. John Edward Docker)
Born: Established: 1945 ;
Gender: Male
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Works By

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1 Stuart Hall : Reflections, Memories, Appreciations Ann Curthoys , John Docker , 2016 single work essay
— Appears in: Cultural Studies Review , April vol. 22 no. 1 2016; (p. 302-306)
'Stuart Hall was many things: public intellectual, academic leader, writer, editor, teacher, political activist, family man and friend. We write here of the two aspects we knew personally, writer and friend. Like so many of us engaged in the early formation of cultural and media studies, we both read and were seriously influenced by his work. John discussed Stuart Hall's work extensively in his PhD thesis on Australian literature of the 1890s in international contexts, and Stuart was one of his examiners. Ann read Stuart's work in the late 1970s, having just arrived to teach in the BA (Communication) degree at what was then the NSW Institute of Technology, ten years later to become University of Technology, Sydney (UTS). ...'
1 Genealogy and Derangement John Docker , 2014 single work criticism
— Appears in: Ngapartji Ngapartji, in Turn, in Turn : Ego-histoire, Europe and Indigenous Australia 2014; (p. 173-188)

'I am a cultural historian, which I feel gives me a licence to wander. Over the decades I have been interested in literary and cultural theory, popular culture, postmodernism and poststructuralism, monotheism and polytheism, diaspora, historiography, Jewish identity, and Gandhian non-violence. I have always written personally, mixing theory and analysis with life stories and family history, and am currently writing an ego-histoire, Growing Up Communist and Jewish in Bondi: Memoir of a non-Australian Australian. Since the mid-1980s, I have written critiques of Zionist nationalism and settler colonialism, and reflected on partition in Palestine and India, and Martin Buber’s idea of a bi-national Palestine. I have devoted the last several years to genocide and massacre studies, exploring Raphaël Lemkin’s suggestion in his originating definition in 1944 that genocide is constitutively linked to settler colonialism (Docker 2008a, 2012b). My most recent books are The Origins of Violence: Religion, History and Genocide (Docker 2008b) and (with Ann Curthoys), Is History Fiction? (Docker & Curthoys 2006).'  (Introduction)

1 Storm Troopers of Empire?: Historical Representation in Breaker Morant, Naguib Mahfouz's Palace Walk and other War Histories John Docker , 2011 single work criticism
— Appears in: History Australia , April vol. 8 no. 1 2011; (p. 67-88)
1 Epistemological Vertigo and Allegory: Thoughts on Massacres, Actual, Surrogate, and Averted – Beersheba, Wake in Fright, Australia John Docker , 2010 single work criticism
— Appears in: Passionate Histories: Myths, Memory and Indigenous Australia 2010; (p. 51-72)
1 y separately published work icon Passionate Histories: Myths, Memory and Indigenous Australia Frances Peters-Little (editor), Ann Curthoys (editor), John Docker (editor), Canberra : ANU E Press , 2010 Z1874794 2010 anthology essay
1 Sacredness and Uncaring for the Other : Levinas and Patrick White John Docker , 2009 single work criticism
— Appears in: Sacred Australia : Post-Secular Considerations 2009; (p. 188-209)
1 Writing from Fragments John Docker , 2009 single work criticism
— Appears in: Writing Histories: Imagination and Narration 2009;
'It’s rare to know how a book is written. A book catches our eye in a favourite bookshop; we think we must buy it, forget the price; before idling towards the cash register, we might look at what’s said on the back cover, the information on the inside jacket, the photograph (if any) of the author, perhaps the index to see what family of names is being invoked and discussed. We might quickly glance at the preface and acknowledgements, which tell some of the story of how the book came to be, but not usually all that much, or not enough. How is the book first thought? How does it proceed from a mere gleam in its creator’s eye? How does it go from a vague idea involving obscure desires and passions, fantasies and obsessions, to the first shape of an argument, a thesis with a thesis, a narrative where chapters start to relate to each other and that begins to move as if of itself, as if naturally? What I’d like to do in this essay is try to recall the process of getting going, the first moves I made, while recognising that memory is unreliable and always constructing; what memory creates becomes another story. What I seek to do is remember the messiness, how haphazard it was, the luck involved, the clues picked up in conversations over coffee or hearing a seminar or conference paper.' (Introduction)
1 An Early Holocaust Novel : Patrick White's Riders in the Chariot, A Critique John Docker , 2008 single work essay
— Appears in: The Memory of the Holocaust in Australia 2008;
1 8 y separately published work icon Is History Fiction? Ann Curthoys , John Docker , Sydney : University of New South Wales Press , 2005 Z1396033 2005 single work criticism 'Explores in fresh and innovative ways the perennial question - what is history?, and takes the reader on a wonderful journey that starts with the Greeks and travels through the centuries to more recent forms of history that are framed by Marxism, postmodernism and feminism.' --National Library of Australia, catalogue record.
1 The Fictionality of Identity and the Phenomenology of the Converso : Sally Morgan's My Place" John Docker , 2001 single work criticism
— Appears in: 1492 : The Poetics of Diaspora 2001; (p. 227-246)
1 2 y separately published work icon 1492 : The Poetics of Diaspora John Docker , London New York (City) : Continuum , 2001 Z945882 2001 single work criticism

'An ambitious and wide-ranging book by a well-known author that ranges from discussions of literary texts to an examination of Genesis, Mediterranean cookery, The Thousand and One Nights, Zionism and Anti-Zionism, Jewish mysticism and English Romanticism.1492 takes as a premise the 'lost world' of a shared Indian, Arab and Jewish culture which was destroyed in the early modern period by the expansion of Europe. For Docker, as for Salman Rushdie in The Moor's Last Sigh, the crucial event of 1492 was not the discovery of the Americas but the almost simultaneous final defeat of Moorish Spain in the fall of Granada and the expulsion of the Jews of Spain. Besides destroying the great Islamic-Judaic culture in Spain, it marked the beginning of nationalisms based on race, religion and language. Like the Crusades, it created a notion of Europe in opposition to a previous Mediterranean civilization and one of its direct results was the Spanish inquisition. 1492 was also the beginning of several diasporas and, in the course of examining several 19th-and 20th-century works that deal with the 'Wandering Jew' (Ivanhoe, Ulysses), the author goes on to look at a number of literary texts as a vehicle for speculating about various consequences and complications for cultural and intellectual history which followed from this 'lost ideal.'  (Publication summary)

1 6 y separately published work icon Race, Colour and Identity in Australia and New Zealand John Docker (editor), Gerhard Fischer (editor), Sydney : University of New South Wales Press , 2000 Z896242 2000 anthology criticism biography
1 John Docker launched The Devil and James McAuley by Cassandra Pybus. John Docker , 1999 single work review
— Appears in: Australian Humanities Review , July - September no. 14 1999;

— Review of The Devil and James McAuley Cassandra Pybus , 1999 single work criticism
1 His Slave, My Tattoo: Romancing a Lost World John Docker , 1998 single work criticism
— Appears in: Unfinished Journeys : India File From Canberra 1998; (p. 181-200)
Discusses Amitav Ghosh's In an Antique Land.
1 1 Recasting Sally Morgan's My Place : the Dictionality of Identity and the Phenomenology of the Converso John Docker , 1998 single work criticism
— Appears in: Humanities Research , no. 1 1998; (p. 3-22)
1 4 How Close Should Writers and Critics Be? John Docker , 1998 single work criticism
— Appears in: Australian Book Review , July no. 202 1998; (p. 24-28)
1 1 Post Modernism, Cultural History, and the Feminist Legend of the Nineties: 'Robbery Under Arms', the Novel, the Play John Docker , 1996 single work criticism
— Appears in: The 1890s : Australian Literature and Literary Culture 1996; (p. 128-149)
Docker challenges the feminist argument that the literature of the 1890s was dominated by male themes that idealised the bush and mateship. Argues that Robbery Under Arms neither marginalizes women nor presents male camaraderie as desirable. Concludes by stressing the need to look wider than traditional primary sources to conduct research on Australian culture.
1 Their Their Their Deilah John Docker , 1995 single work column
— Appears in: Arena Magazine , August/September no. 18 1995; (p. 15-16)
1 An Artful Arrangement? John Docker , 1995 single work review
— Appears in: Australian Book Review , November no. 176 1995; (p. 49-50)

— Review of Republica no. 3 1995 periodical issue
1 White Mythologies: Ethnicity and Identity in White and Joyce- `Riders in the Chariot' and `Ulysees' John Docker , 1995 single work criticism
— Appears in: Proceedings : Association for the Study of Australian Literature, Sixteenth Annual Conference, 3-8 July 1994 1995; (p. 207-213)
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