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Brendan Ryan Brendan Ryan i(A22755 works by)
Born: Established: 1963 Victoria, ;
Gender: Male
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Works By

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1 Feldspar i "In a dark light, edges of the granite", Brendan Ryan , 2020 single work poetry
— Appears in: Island , no. 160 2020; (p. 86)
1 A Father’s Silences i "Were you with a girl at the footy?", Brendan Ryan , 2020 single work poetry
— Appears in: The Weekend Australian , 25 April 2020; (p. 18)
1 Between the Pen and the Roundabout i "Ear-tagged, matted coats drenched by rain", Brendan Ryan , 2020 single work poetry
— Appears in: Meanjin , Autumn vol. 79 no. 1 2020;
1 The Tools in His Car Boot i "Hammers, a set of screwdrivers, a file, a Stillson,", Brendan Ryan , 2020 single work poetry
— Appears in: The Weekend Australian , 15 February 2020; (p. 24)
1 Weeding : A Love Poem i "Couch grass, bindweed, dock and dandelion.", Brendan Ryan , 2019 single work poetry
— Appears in: Antipodes , June vol. 33 no. 1 2019; (p. 147)
1 1 y separately published work icon The Lowlands of Moyne Brendan Ryan , North Hobart : Walleah Press , 2019 18863407 2019 selected work poetry

'Ryan draws poetry from the tough work of dairy farming and factories, poetry that transcends time and class, it's a joy to read this book, laced with dry humour and a complex humanity. Hard edged yet inviting. Ryan has a light touch and a gathering depth. 'The Lowlands of Moyne' is rich with living, an exciting and positive book, poetry
that glows in the darkness. -Robert Adamson ' (Publication summary)

1 The Killers Brendan Ryan , 2018 single work essay
— Appears in: Long Paddock , December vol. 78 no. 3 2018;
'One of the essential jobs that we had to do on the farm was to kill a sheep so that our family could have some meat to eat. We ate most parts of the sheep; lamb chops, ribs, Mum boiled the sheep’s bones for sheep’s broth and the sheep’s liver. The liver was a prized delicacy carried into the kitchen, still warm and slippery from the freshly slaughtered sheep. Killing the sheep was a job that involved a certain amount of drama; rousing up my brothers and sisters to help catch the sheep or killers as we called them, the heightened moments of trying to grab one and then the slaughter itself. Once our cattle dogs sensed that a sheep was going to be caught they danced around in circles, wagging their tails, looking to Dad for directions before he shooed them towards the sheep paddock a short distance from our house.' (Introduction)
1 John Forbes in Carlton Brendan Ryan , 2018 single work essay
— Appears in: Southerly , vol. 78 no. 2 2018; (p. 41-48)

'After I returned from overseas I caught up with John Forbes at a reading at La Mama where he and Alan Wearne sat in the front row of the small theatre cheering on Emma Lew. I had seen some of her poems published in the journal 'Otis Rush' and I thought that her poems were mysterious and sharp, reminiscent of Gig Ryan's poems. She read to an appreciative crowd and in the break John told me that he was accepting poets to tutor. Since returning from overseas I had been trying to find some direction in my life. I was working part-time and living in a share house in east St Kilda. I hadn't written much while I was overseas for two years, yet I felt that I had a lot of material within me to write about. I was also nervous about what John might think of my poems, as he wasn't exactly a lover of poems about the country. His own poems were urban, cool, mocking and loaded with clever associations. What would he say about my poems of India and overseas?' (Publication abstract)

 

1 Men I Have Worked With i "The timber worker who looked me in the eye", Brendan Ryan , 2018 single work poetry
— Appears in: Island , no. 155 2018; (p. 48)
1 Ampilawatja i "I drive a red sand highway into blue sky", Brendan Ryan , 2018 single work poetry
— Appears in: Westerly , November vol. 63 no. 2 2018; (p. 90-91)
1 The Violin Player i "She relaxes into the Rhythms of her bow, tapping her toes", Brendan Ryan , 2018 single work poetry
— Appears in: Empathy : Poems from the 2018 ACU Prize for Poetry 2018; (p. 82-84)
1 View of the New Estates i "Instead of church spires, mobile towers", Brendan Ryan , 2018 single work poetry
— Appears in: Cordite Poetry Review , 1 February no. 84 2018;
1 1 The Lowlands of Moyne i "Mud darkening the stories of what's passed down utterances", Brendan Ryan , 2017 single work poetry
— Appears in: The Best Australian Poems 2017 2017; (p. 133-134) Antipodes , June vol. 31 no. 1 2017; (p. 146-147)
1 Brick Kiln Workers i "dozing in hammocks, scrolling on iphones", Brendan Ryan , 2017 single work poetry
— Appears in: Island , no. 149 2017; (p. 27)
1 She Was a Mugavin i "She was a Mugavin before she was an O'Keefe.", Brendan Ryan , 2017 single work poetry
— Appears in: Island , no. 149 2017; (p. 26)
1 Everything Becomes a Metaphor i "Looking down from the kitchen", Brendan Ryan , 2017 single work poetry
— Appears in: Westerly , vol. 62 no. 1 2017; (p. 17)
1 Lajamanu i "Wild brumbies complete their", Brendan Ryan , 2016 single work poetry
— Appears in: Westerly , vol. 61 no. 1 2016; (p. 223-225)
1 Coconut Workers i "Watch the man in his stained shirt", Brendan Ryan , 2016 single work poetry
— Appears in: Eureka Street , 4 December vol. 26 no. 24 2016; (p. 42-43)
1 Rollo's Road i "A holloway into the past", Brendan Ryan , 2016 single work poetry
— Appears in: Eureka Street , 4 December vol. 26 no. 24 2016; (p. 42)
1 Dark Stars i "After tea, I'd stand on the gravel lane", Brendan Ryan , 2016 single work poetry
— Appears in: Eureka Street , 4 December vol. 26 no. 24 2016; (p. 41)
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