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Jane Williams Jane Williams i(A30714 works by)
Born: Established: 1964 Middlesex,
c
England,
c
c
United Kingdom (UK),
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Western Europe, Europe,
;
Gender: Female
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Works By

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1 y separately published work icon Points of Recognition Jane Williams , Port Adelaide : Ginninderra Press , 2021 21473872 2021 selected work poetry

'Jane Williams's eye and ear are trained to human idiosyncrasy and foible, and to the endless possibilities that are held within a life. In her ineffable compassion and in the ringing rhythms of her long syntax this is poetry that speaks to the ear and the marrow.' (Publication summary)

1 Simply 21 i "Wearing white is all it takes", Jane Williams , 2019 single work poetry
— Appears in: Antipodes , June vol. 33 no. 1 2019; (p. 65-66)
1 The Dogs of Cat City i "If I were a dog or a cat person", Jane Williams , 2019 single work poetry
— Appears in: Eureka Street , 3 November vol. 29 no. 22 2019; (p. 54-56)
1 The World Gifted Back to Itself i "A tractor is levelling the beach", Jane Williams , 2019 single work poetry
— Appears in: Eureka Street , 3 November vol. 29 no. 22 2019; (p. 52-54)
1 (I) Confirm Humanity (by Not Clicking the Check Box) i "But by way of being this breath", Jane Williams , 2019 single work poetry
— Appears in: Eureka Street , 3 November vol. 29 no. 22 2019; (p. 51-52)
1 In Praise of the Rituals of Others i "Today I frosted the kitchen window because", Jane Williams , 2019 single work poetry
— Appears in: Eureka Street , 3 November vol. 29 no. 22 2019; (p. 50-51)
1 3 Points of Recognition i "One inexplicably melancholic lunch break", Jane Williams , 2018 single work poetry
— Appears in: Empathy : Poems from the 2018 ACU Prize for Poetry 2018; (p. 105-107)
1 y separately published work icon My Nan Speaks Nanish Jane Williams , Port Adelaide : Ginninderra Press , 2018 14232907 2018 selected work poetry

'‘Jane Williams’s poems are inventive and the fun is infectious. A bag full of goodies and a delight to the ear.’ - Harry Laing, author of Shoctopus
‘In these poems, a whole heap of relatives and animals collide and come together in a series of wonderful moments. We overhear the things that Nan and Pop say, that don’t always mean what they sound like - that secret, special language it takes an effort to untangle: Nanish - and we spend time with Auntie Bern and Uncle D, with their hobbies and chooks. There’s a joy in being a kid, in being out in the dirt and the woods. In these poems, nature is ever present and the regular whiff of the absurd, the comic, the nonsense-ish is just enough to set an extra sparkle in the eyes and heart of the reader. Lovely, daft, heartfelt, funny, fresh stuff.’ - A.F. Harrold, author of The Imaginary '  (Publication summary)

1 y separately published work icon Oskar Saves the World Jane Williams , Michael Bean (illustrator), Port Adelaide : Ginninderra Press , 2018 14232763 2018 single work picture book children's

'‘Is Oskar a child genius or a mad-scientist-in-waiting? His idea of a pet might not be the best choice, but in the end it’s Oskar’s inventiveness that saves the day, if not the world! Oskar Saves the World is clever, sharp and inventive. Just like Oskar.’ - Sally Odgers ‘

'Oskar is a kid with big dreams, a kid with plans, a kid with ambition, but those dreams, that plan, that ambition almost spell doom for his family (and the postie)… A great little tale of good fortune, forgetfulness and alien monsters that will be gobbled up by little readers.’ - A.F. Harrold, author of The Imaginary '  (Publication summary)

1 y separately published work icon Echoes of Flight Jane Williams , Adelaide : Ginninderra Press , 2018 13457362 2018 selected work poetry

'‘Jane Williams’s first collection of haiku delights with all the insight and generosity that her readers admire in her longer works of poetry. In distillations that are alive to the small and fleeting moments of life and the echoes they ring in the heart, Echoes of Flight is joyous and life-affirming and a welcome addition to Australian haiku literature.’ – Lyn Reeves, Vice President, Australian Haiku Society

'‘Echoes of Flight is a wonderful treasure box of haiku moments experienced through finely tuned poetic senses. These moments are captured in crisp detail, displaying a profound reverence for the world in which the poet so keenly observes. We are richer for seeing things as Jane Williams does.’ – Ron C. Moss, author of the award-winning haiku collection The Bone Carver'  (Publication summary)

1 She Dreams of Leaving His Country—1963 i "I dream it this way—we will leave", Jane Williams , 2017 single work poetry
— Appears in: Tincture Journal , Summer no. 20 2017; (p. 21)
1 3 y separately published work icon Parts of the Main Jane Williams , Port Adelaide : Ginninderra Press , 2017 11541167 2017 selected work poetry

''Jane Williams’s Parts of the Main is her chemistry, abuzz in a murmuration of organic electrons that at once forms memory, then problems of translation - not solely of words, but in comprehending our modernity. These shape-shifting poems are an assignation of author to grace - with it, with her, we travel to Europe, her youth, to longings of elsewhere and an ever developing raison d’être.' - Kent MacCarter
''Jane Williams is a poet who leans out of the frame, who turns your ear if not your head. In Parts of the Main we are caught - sometimes caught out - by her "days of blue and banter", "eyeball spoils of war", trees "falling like the bones of oracles". She writes the tender, the vulnerable, the unshowable. Sometimes there is a touch of the brogue. Jane Williams answers the question "Will poetry be enough?" Convincingly.' - Lizz Murphy' (Publication summary)

1 Attending to Life Jane Williams , 2017 single work essay
— Appears in: TEXT : Journal of Writing and Writing Courses , April vol. 21 no. 1 2017;
'River’s Edge is Owen Bullock’s fourth collection of haiku. I’ve admired many of Bullock’s individual haiku over the years but this is the first of his collections that I’ve read and doing so has led me to seek out his earlier books.' (Introduction)
1 Still/Life i "It could be the same butcher paper I once drew on; bold out of proportion", Jane Williams , 2016 single work poetry
— Appears in: Writing to the Wire 2016; (p. 176)
1 The Insistence of Now i "An almost-noir chill day in the cemetery.", Jane Williams , 2016 single work poetry
— Appears in: States of Poetry : Tasmania 2016;
1 Swallowing the Sky i "What can I say about this", Jane Williams , 2016 single work poetry
— Appears in: States of Poetry : Tasmania 2016;
1 Part of the Main i "is what Donne wrote when he wrote about men", Jane Williams , 2016 single work poetry
— Appears in: States of Poetry : Tasmania 2016;
1 On World Heart Day i "I notice your scars more than usual -", Jane Williams , 2016 single work poetry
— Appears in: States of Poetry : Tasmania 2016;
1 Show and Tell i "Whenever it began, this compulsion to frame", Jane Williams , 2016 single work poetry
— Appears in: Australian Poetry Journal , vol. 6 no. 2 2016; (p. 21)
1 Everything about Us i "Everything about us makes us strangers here. Out of place tourists waking into", Jane Williams , 2015 single work poetry
— Appears in: The Best Australian Poems 2015 2015;
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