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Deborah Jordan Deborah Jordan i(A333 works by) (a.k.a. D. J. Jordan; Deborah J. Jordan; Deb. Jordan)
Born: Established: 1953 ;
Gender: Female
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Works By

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1 Helen Huxham Ant the Women's Peace Army : World War 1 Deborah Jordan , 2019 single work biography
— Appears in: Queensland History Journal , May vol. 24 no. 1 2019; (p. 89-103)

'Helen Huxham (1869-1925) believed that once women achieved universal suffrage across the globe, war was less likely. She shared the widespread hope in women's agency with the international women's movement in their calls, more generally, for international arbitration, and a League of Nations to include women delegates. In 1915, Helen Huxham averred.'  (Publication abstract)

 

1 y separately published work icon Negotiating the End of War : Leading Peace Woman Brisbane 1914-1919 Deborah Jordan , Lamb Island : Cinerea Press , 2018 21354987 2018 multi chapter work biography non-fiction

'During the maelstrom of World War 1, what happened to the strong-minded and courageous women leaders who had fought so long for justice and votes for women?

'Negotiating the End of War begins to answer those questions of how Brisbane's women peace-makers joined together to form a women's peace army, as part of a global movement, to advocate for the permanent end of war.'

Source : publisher's blurb

1 Queensland Anti-War Feminists during World War One Deborah Jordan , 2018 single work essay
— Appears in: The Queensland Journal of Labour History , Spring no. 27 2018; (p. 24-37)

'Women were at the forefront in the fight for peace in Australia during World War One. Joy Damousi alerted us to their importance and their leading role in their campaign against conscription' in her invaluable study, Women Come Rally.'  (Introduction)

 

1 y separately published work icon Climate Change in Australian Narratives Australian CliFi Deborah Jordan (lead researcher), Catriona Mills (researcher), St Lucia : The University of Queensland , 2018-2019 17072096 2018 website bibliography criticism

'This special AustLit project is designed to shine a light on the ways that Australian writers are currently addressing and have, in the past, explored what has been correctly described as the most urgent environmental, social, and technological concern of current generations. Post-apocalyptic speculative fiction has explored this territory for some time and now these themes are emerging in other forms of writing. Through this project, we aim to highlight Australian creative and critical writing that examines the impacts of human-induced climate change and to provide necessary contextualising information on the science and consciousness-raising work at the community level.'

Source: AustLit.

1 Adela Pankhurst, Peace Negotiator : World War 1, Queensland Deborah Jordan , 2018 single work criticism
— Appears in: Outskirts : Feminisms along the Edge , November no. 39 2018;

'The responses of Australian women’s suffrage leaders in Australia to World War 1 is largely untold except through their biographies. This article revisits the anti-war advocacy of Adela Pankhurst, a member of the leading English suffragette family, when she toured Queensland as a Women’s Peace Army organiser, in 1915, and 1916. Adela Pankhurst’s life and work has had a mixed representation by her biographers and in accounts of her family. In this detailed study of her tours in Queensland, when her life story is viewed through both the lens of state histories and the international campaign against war as a means of solving conflict, her importance as a leading public intellectual emerges.' (Publication abstract)

1 4 y separately published work icon Loving Words : Letters of Nettie and Vance Palmer, 1909 - 1914 Nettie Palmer , Vance Palmer , Deborah Jordan (editor), Blackheath : Brandl and Schlesinger , 2017 9831814 2017 single work correspondence

"These letters provide a remarkable, bird's eye view of the friendship, courtship and love of two `colonial intellectuals' played out in Melbourne, London and Brisbane. Their deep interest in knowledge, ideas and culture shapes their growing commitment to each other - their letters bring a relationship to life and capture a time. The tentative and increasingly passionate youthful correspondence sets the scene and tone for a life-time of collaboration and activism. Reading these moving and tender letters is a timely reminder of the enduring nature of love, the value of partnership, and the importance of engaging with the world." Professor Julianne Schultz, editor of Griffith Review

"The great originality of Deborah Jordan's collection of Vance and Nettie Palmer's love letters is that it shows us not just the private life-the desire, the love, the searching for self-behind the public life of two of Australia's most significant literary figures but the private in the public life and the public in the private life, revealing how their private and public selves were intimately entangled." David Carter, Professor of Australian Literature and Cultural History, University of Queensland

"The Palmers were prolific letter writers and their observations on the people around them, their social and cultural circumstances and the natural world make for rich reading. We are privy to the emotional, intellectual, political and spiritual development of one of the most significant partner - ships in Australian literary history, that of Janet (Nettie) Higgins and Vance Palmer." Elaine Lindsay, author of Rewriting God: Spirituality in Contemporary Australian Women's Fiction

1 “A Ferocious Struggle of Murder… Being Waged Here, Here”: Re-visiting Jack Lindsay’s The Blood Vote Deborah Jordan , 2017 single work review
— Appears in: The Queensland Journal of Labour History , September no. 25 2017; (p. 63-66)

— Review of The Blood Vote Jack Lindsay , 1985 single work novel
'One hundred years ago, Brisbane became the centre of the movement against militarism in Australia; the two referenda on compulsory conscription were one of Australia’s most divisive— and successfully fought—crises. Perhaps the most interesting history of this extraordinary story is still Ray Evans’ Loyalty and Disloyalty Social Conflict on the Queensland Homefront, 1914–1918 published in 1987 (even as it is, somewhat gender blind), but The Blood Vote, a novel, by Jack Lindsay, is a book that every Queenslander, every Brisbane resident should read, as one of the most important books of our cultural and political heritage (even as it is, somewhat gender blind). Illuminating the ‘human aspects behind the facts of history’, is how Lindsay describes his fiction, and that’s exactly what this novel does as it provides a bridge for contemporary readers from the dry newspapers of Trove through to the time of war. Lindsay was living and breathing the vibe in Brisbane in 1917.'  (Introduction)
1 Vance and Nettie Palmer in Caloundra, 1925–29: The Regional Turn Deborah Jordan , 2017 single work criticism
— Appears in: Queensland Review , December vol. 24 no. 2 2017; (p. 180-190)

'Vance and Nettie Palmer were among Australia's most important literary partnerships. Previous accounts of their life and work underplay their commitment to the creation of an environmental imagination. After the trauma and disillusion of the Great War, they lived in Caloundra from 1925 to 1929 (and from then had an ongoing connection). While it is generally acknowledged how important their time there was in terms of Vance's emerging work in literary fiction, and through Nettie's work as a freelance journalist, what has not been addressed is their extraordinary environmental writings about the region. Regional writings were largely dismissed in the 1990s as of comparative insignificance to national narratives — just as today the reputation of the inter-war writers, those associated with the Palmers, is at a low ebb. During the 1920s, Nettie developed critical categories to accommodate a double standard in Australian writing: regional and universal literature. She went on to argue for the support of writing in Australia at the regional level. Vance reflected on his explorations of place directly in a series of articles. This paper reframes the Palmers’ Caloundra work in the ‘bio-regional’ terms of climate change and the historical cultural imaginary.' (Abstract)

1 Book Review : ‘We Need a Nice New Goddess’ Deborah Jordan , 2016 single work review essay
— Appears in: Outskirts : Feminisms along the Edge , November no. 35 2016;
'Let’s state the obvious. Ink in Her Veins, the Troubled Life of Aileen Palmer, poet, translator, activist, and mad woman and psychiatric patient, is a biography that should be read by every Australian feminist, every Australian gay person and should find an international readership. It’s the enthralling tale of a woman caught out in the maelstrom of her times. The stories we tell ourselves about our lives, about our choices, and about our culture profoundly shape our decisions and our actions. In many ways Ink in Her Veins is paradigmatic. Let’s first outline the bare facts of Aileen Palmer’s life as so ably marshalled by Sylvia Martin, before delving into broader questions about how we may understand our past to better frame our futures.' (Introduction)
1 New Worlds, Old Worlds : Australian Literature in a Global Context Deborah Jordan , 2014 single work criticism
— Appears in: Climate Change Narratives in Australian Fiction 2014; (p. 56-75)
'Australia and other settler colonies need to address complex problems in unpacking historical divides between culture and nature, humans and non-humans, arts and science, tradition and modernity, and male and female, even conscious and unconscious anthropogenic agents. These divides are thrown into especially stark relief in Australia, as one of the last formed settler colonies, with its dual cultures. Differences in approaches to the environment could hardly have been greater. On the one hand is the history of adaptation (and maladaptation) to rapid changes in the environment of its European settlers, both on the individual level through the shocks of rupture and disconnection through the experience of migration, and on the wider community level with the loss of biodiversity, through both introduction of European species and species extinction, of planting of commercial timber and de-forestation of old growth forests.' (56)
1 Human's Changing Relationship to the Non-Human World Deborah Jordan , 2014 single work criticism
— Appears in: Climate Change Narratives in Australian Fiction 2014; (p. 41-55)
'The environmental crises the human species faces are urgent. When the climate change literary critics Adam Trexler and Adeline John-Putra argue that climate change calls for a fundamental re-valuation of ourselves, even while it challenges us to put to use the critical cultural tools we have, 77 they are right. A fundamental re-evaluation is needed in face of the urgency, seriousness, complexity, immediacy, duration and global scope of the problems facing the human species. In the previous pages we have looked albeit briefly at some of the key novels addressing climate change scenarios which we can identify in Australian writing. Can the critics help us refine our concepts a little further?' (41)
1 How Do We Define the Climate Change Novel? Deborah Jordan , 2014 single work criticism
— Appears in: Climate Change Narratives in Australian Fiction 2014; (p. 33-40)
'How do we best define a climate change novel? Given the complexities of climate change, as a real, scientific and cultural phenomenon, global warming demands a corresponding degree of complexity in fictional representation. Recent popular debates here and overseas raise further questions about what exactly constitutes a climate change novel. Does a climate change novel need to be set in the present? Or set in the future? Set during the time of climate change and extreme weather events, and the associated food scarcity and water wars, or can it be well after that —such as George Turner’s iconic The Sea and Summer? Are these novels best framed in context of utopian studies and science fiction studies? Andrew Milner has contextualised The Sea and Summer in terms of understanding the history of Australian science-fictional dystopias. For him, science fiction, whether utopian or dystopian , is ‘as good a place as any’ for ‘thought experiments about the politics of climate change’. He rejects the widespread ‘academic prejudice in literary studies against science fiction dystopias’ arguing that science fiction cannot readily be assimilated into either high literature or popular fiction (as genre). ' (33)
1 Climate Change Novels Deborah Jordan , 2014 single work criticism
— Appears in: Climate Change Narratives in Australian Fiction 2014; (p. 15-32)
'Climate Scientists warn of the dangers of global warming. How are Australian writers responding to this crisis? The first section of the book examines the stories by women and men writers directly about climate change scenarios. Notable authors are George Turner and Alexis Wright. ' (15)
1 Introduction Deborah Jordan , 2014 single work criticism
— Appears in: Climate Change Narratives in Australian Fiction 2014; (p. 3-10)

'‘Today’ writes Dipesh Chakrabarty, it is precisely the ‘survival of the species’ on a ‘world - wide scale’ that is in question and the question for ‘all progressive political thought’. 2 Again and again we are warned by the climate scientists that the human species faces one of its greatest challenges with the warming of the globe. The dire condition of our planet is now more widely recognised; that is the real ‘Eaarth’, 3 which is no longer a garden of Eden, nor pastoral paradise. Australia has warmed by approximately one degree since 1910 and most of the warming has occurred since 1970. 4 Humans barely qualify as an intelligent life form on the planetary scale, because environmental issues are ‘high on the extra -terrestrial age nda’ proposes Linda Jaivin in Rock n Roll Babes From Outer Space (1996). Our ‘barely’ intelligent human life form is responsible for global warming, massive pollution, species depletion and biodiversity loss, toxic methane release, melting ice-caps, increasing intensity of cyclones and rainfall, wildfires and dying forests. This consciousness of planetary change is reflected in recent cautionary climate change narratives; it is timely to re-examine our understandings of the role of the environmental imagination in Australian literature. What follows is merely a preliminary exploration, mere field notes on the approaching catastrophe.' (Author's introduction, 3)

1 y separately published work icon Climate Change Narratives in Australian Fiction Deborah Jordan , Saarbrucken : Lambert Academic Publishing , 2014 8179573 2014 selected work criticism

'Several major Australian novels about climate change imagine a warmed planet. This is a timely survey of these cautionary tales. There is also a long tradition of Australians, settlers and Indigenous people, writing about the land and the sea, and about how our climate shapes our communities and our future, and about how colonisation and industrialisation too often destroys our environment. This outline begins to locate, question and frame the insights of many past and present Australian authors about changing climatic conditions.' (Publication summary)

1 Star Making : A Publishing History of Thea Astley Deborah Jordan , Louise Poland , 2013 single work criticism
— Appears in: Etropic : Electronic Journal of Studies in the Tropics , vol. 12 no. 2 2013; (p. 21-29)
'This article focuses directly on Thea Astley’s publishing history from the time of her involvement with Brisbane’s avant garde in the 1950s, her early inclusion in regional collections, and her emergence as a Miles Franklin prize-winning author, through the enabling pen and advocacy of one of Angus & Robertson (A&R)’s finest fiction editors, Beatrice Davis, to the establishment in the 1980s of Astley’s ultimate author-publisher relationship with Penguin Books and her own overseas literary agent. It will also examine the publishing trajectory of selected novels released and re-issued by the University of Queensland Press (UQP) and Penguin Books, and revisit the divides between writer and editor, publisher and publicist, and the dis/enabling inspiration of difference in the tropics, in the context of the gendered histories of publishing at A&R, Penguin Books and UQP. ' (Publication abstract)
1 Finding a Spiritual Home in the Australian Environment : Katharine Susannah Prichard and Vance Palmer in the 1920s Deborah Jordan , 2013 single work criticism
— Appears in: Australasian Journal of Ecocriticism and Cultural Ecology , no. 3 2013;
'Eco-centric ideologies recognise humans as an interdependent part of a larger biotic community and the biophysical systems that support them. Constructions and narratives of one’s ‘spiritual home’ in the environment by authors and critics can challenge colonial and postcolonial understandings, of — in this instance — Australia. Vance Palmer, Australia’s leading man of letters of the inter-war period, claimed his was a generation seeking to find ‘harmony’ with the environment; Nettie Palmer believed that writers’ powers depended on their capacity to find a spiritual home in place. Without the literary imagination, people and places appear ‘uncanny and ghostlike’, and Nettie evolved a schema in and through language to help others learn how to dwell in the land. In a time of rapid environmental change, this essay re-visits these writers, that is, Vance and Nettie Palmer, Katharine Susannah Prichard and others of their generation, and it investigates their important initiatives in challenging dominant and habitual ways of understanding and seeing the natural environment. Often as a result of their beliefs they sought out remote country locations and ‘wilderness areas’ in which to live and write about. Two key texts, Working Bullocks (1926) by Prichard and The Man Hamilton (1928) by Palmer, can be explored in context of recent discourses on ecological sensibilities, identities of place and transnational cosmopolitanism, home and homecoming in the literary imagination, and rapid change through climate change. Building on earlier literary critiques and gender analysis, very different readings of the environmental imagination at play in these texts are possible.' (Publication abstract)
1 In Defence of Vance and Nettie Deborah Jordan , 2013 single work criticism
— Appears in: Overland [Online] , October 2013;
1 And So Within, Without : Reflections on a Writing Career Deborah Jordan , 2012 single work interview
— Appears in: Hecate , vol. 38 no. 1 & 2 2012; (p. 114-118)
1 Heeding the Warnings : 'Sucking up the Seas' in Vance Palmer’s Cyclone Deborah Jordan , 2011 single work criticism
— Appears in: Etropic : Electronic Journal of Studies in the Tropics , no. 10 2011; (p. 20-31)
'Climate change literary criticism calls for fundamental re-evalutions of our critical tools. In representations of extreme weather events, Vance Palmer's Cyclone set in North Queensland meets many of the new criterion with its story about the impact of the cyclone on individuals, community and plot. The genesis and inspiration of the novel, its writing, its publication, review and reception can be addressed. The cyclone is seen through the perceptions of different characters. Vance and Nettie Palmer knew many of the people drowned in the 1934 cyclone. Palmer drew on the historical record in his novel, which was published over a decade later. The reception of Cyclone was very limited given it was published locally by Angus & Robertson and had no serious critical response. The environmental imagination has been a powerful force in Australia creative writing and is undervalued in contemporary debates.' (Author's abstract)
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