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1 y separately published work icon American Academy of Religion Cultural Criticism The American Academy of Religion (publisher), New York (City) : Oxford University Press , Z955834 series - publisher
1 y separately published work icon Oxford English Monographs Oxford University Press (publisher), Oxford : Oxford University Press , Z1855191 series - publisher criticism
Oxford Studies in Postcolonial Literatures Oxford University Press (publisher), Elleke Boehmer (editor), series - publisher
Oxford Paperbacks Oxford University Press (publisher), series - publisher
Oxford Poets Oxford University Press (publisher), series - publisher
Oxford Reference Oxford University Press (publisher), series - publisher
Australian Bibliographies Oxford University Press (publisher), series - publisher
Oxford Children's Library Oxford University Press (publisher), series - publisher
1 y separately published work icon The Planetary Clock Antipodean : Time and Spherical Postmodern Fictions Paul Giles , Oxford : Oxford University Press , 2021 22111575 2021 multi chapter work criticism

'The theme of The Planetary Clock is the representation of time in postmodern culture and the way temporality as a global phenomenon manifests itself differently across an antipodean axis. To trace postmodernism in an expansive spatial and temporal arc, from its formal experimentation in the 1960s to environmental concerns in the twenty-first century, is to describe a richer and more complex version of this cultural phenomenon. Exploring different scales of time from a Southern Hemisphere perspective, with a special emphasis on issues of Indigeneity and the Anthropocene, The Planetary Clock offers a wide-ranging, revisionist account of postmodernism, reinterpreting literature, film, music, and visual art of the post-1960 period within a planetary framework.

'By bringing the culture of Australia and New Zealand into dialogue with other Western narratives, it suggests how an antipodean impulse, involving the transposition of the world into different spatial and temporal dimensions, has long been an integral (if generally occluded) aspect of postmodernism. Taking its title from a Florentine clock designed in 1510 to measure worldly time alongside the rotation of the planets, The Planetary Clock ranges across well-known American postmodernists (John Barth, Toni Morrison) to more recent science fiction writers (Octavia Butler, Richard Powers), while bringing the US tradition into juxtaposition with both its English (Philip Larkin, Ian McEwan) and Australian (Les Murray, Alexis Wright) counterparts. By aligning cultural postmodernism with music (Messiaen, Ligeti, Birtwistle), the visual arts (Hockney, Blackman, Fiona Hall), and cinema (Rohmer, Haneke, Tarantino), this volume enlarges our understanding of global postmodernism for the twenty-first century.' (Publication summary)

1 y separately published work icon Metaphysical Exile : On J.M. Coetzee's Jesus Fictions Robert Pippin , Oxford : Oxford University Press , 2021 22006425 2021 multi chapter work criticism

'This is the first detailed interpretation of J. M. Coetzee’s “Jesus” trilogy as a whole. Robert Pippin treats the three “fictions” as a philosophical fable, in the tradition of Plato’s Republic, More’s Utopia, Rousseau’s Emile, or Nietzsche’s Thus Spoke Zarathustra. Everyone in the mythical land explored by Coetzee is an exile, removed from their homeland and transported to a strange new place, and they have all had most of the memories of their homeland “erased.” While also discussing the social and psychological dimensions of the fable, Pippin treats the literary aspects of the fictions as philosophical explorations of the implications of a deeper kind of spiritual homelessness, a version that characterizes late modern life itself, and he treats the theme of forgetting as a figure for modern historical amnesia and indifference to reflection and self-knowledge. So, the state of exile is interpreted as “metaphysical” as well as geographical. In the course of an interpretation of the central narrative about a young boy’s education, Pippin shows how a number of issues arise, are discussed and lived out by the characters, all in ways that also suggest the limitations of traditional philosophical treatments of themes like eros, beauty, social order, art, family, non-discursive forms of intelligibility, self-deception, and death. Pippin also offers an interpretation of the references to Jesus in the titles, and he traces and interprets the extensive inter-textuality of the fictions, the many references to the Christian Bible, Plato, Cervantes, Goethe, Kleist, Wittgenstein, and others. Throughout, the attempt is to show how the literary form of Coetzee’s fictions ought to be considered, just as literary—a form of philosophical reflection.'

Source : publisher's blurb

1 y separately published work icon Winnie and Wilbur : Around the World Valerie Thomas , Korky Paul (illustrator), Oxford : Oxford University Press , 2020 20022506 2020 single work picture book children's

'Winnie and Wilbur are visiting the wild animals from their library book in real life. It's exciting to journey by magic all around the world, but there is trouble for our travellers when the animals get hungry! A whistle-stop tour full of hilarious slapstick fun, with plenty of details to pore over in Korky Paul's intricate and spellbinding artwork.'

Source: publisher's blurb

1 y separately published work icon The Trouble with Literature Victoria Kahn , Oxford : Oxford University Press , 2020 19605430 2020 multi chapter work criticism

Based on the 2017 Clarendon Lectures in English, this work presents a significant new interpretation of literariness in the Western tradition.

Lecture four, on modern literariness, assesses Kant, Kierkegaard, and J.M. Coetzee.

1 y separately published work icon Backgazing : Reverse Time in Modernist Culture Paul Giles , Oxford : Oxford University Press , 2019 19605240 2019 multi chapter work criticism

'This volume trace ways in which time is represented in reverse forms throughout modernist culture, from the beginning of the twentieth century until the decade after World War II. Though modernism is often associated with revolutionary or futurist directions, this book argues instead that a retrograde dimension is embedded within it. By juxtaposing the literature of Europe and North America with that of Australia and New Zealand, it suggests how this antipodean context serves to defamiliarize and reconceptualize normative modernist understandings of temporal progression. Backgazing thus moves beyond the treatment of a specific geographical periphery as another margin on the expanding field of 'New Modernist Studies'. Instead, it offers a systematic investigation of the transformative effect of retrograde dimensions on our understanding of canonical modernist texts.

'The title, 'backgazing', is taken from Australian poet Robert G. FitzGerald's 1938 poem 'Essay on Memory', and it epitomizes how the cultural history of modernism can be restructured according to a radically different discursive map. Backgazing intellectually reconfigures US and European modernism within a planetary orbit in which the literature of Australia and the Southern Hemisphere, far from being merely an annexed margin, can be seen substantively to change the directional compass of modernism more generally. By reading canonical modernists such as James Joyce and T. S. Eliot alongside marginalized writers such as Nancy Cunard and others and relatively neglected authors from Australia and New Zealand, this book offers a revisionist cultural history of modernist time, one framed by a recognition of how its measurement is modulated across geographical space.'

Source: Publisher's blurb.

1 y separately published work icon Reading Coetzee's Women Sue Kossew (editor), Melinda Harvey (editor), Oxford : Oxford University Press , 2019 18451126 2019 anthology criticism

'This is the first book to focus entirely on the under-researched but crucial topic of women in the work of J. M. Coetzee, generally regarded as one of the world’s most significant living writers. The fourteen essays in this collection raise the central issue of how Coetzee’s texts address the ‘woman question’. There is a focus on Coetzee’s representation of women, engagement with women writers and the ethics of what has been termed his ‘ventriloquism’ of women’s voices in his fiction and autobiographical writings, right up to his most recent novel, The Schooldays of Jesus. As such, this collection makes important links between the disciplines of literary and gender studies. It includes essays by well-known Coetzee scholars as well as by emerging scholars from around the world, providing fascinating and timely global insights into how his works are read from differing cultural and scholarly perspectives.'

Source: Publisher's blurb.

1 y separately published work icon Trauma and Disability in Mad Max : Beyond the Road Warrior’s Fury Mick Broderick , Katie Ellis , Oxford : Oxford University Press , 2019 18451060 2019 multi chapter work criticism

'This book explores the inter-relationship of disability and trauma in the Mad Maxfilms (1979-2015). George Miller’s long-running series is replete with narratives and imagery of trauma, both physical and emotional, along with major and minor characters who are prominently disabled. The Mad Max movies foreground representations of the body – in devastating injury and its lasting effects – and in the broader social and historical contexts of trauma, disability, gender and myth.

'Over the franchise’s four-decade span significant social and cultural change has occurred globally. Many of the images of disability and trauma central to Max’s post-apocalyptic wasteland can be seen to represent these societal shifts, incorporating both decline and rejuvenation. These shifts include concerns with social, economic and political disintegration under late capitalism, projections of survival after nuclear war, and the impact of anthropogenic climate change.

'Drawing on screen production processes, textual analysis and reception studies this book interrogates the role of these representations of disability, trauma, gender and myth to offer an in-depth cultural analysis of the social critiques evident within the fantasies of Mad Max.'

Source: Publisher's blurb.

1 y separately published work icon Australian Screen in the 2000s Mark David Ryan (editor), Ben Goldsmith (editor), Oxford : Oxford University Press , 2018 18451011 2018 anthology criticism

'This book provides coverage of the diversity of Australian film and television production between 2000 and 2015. In this period, Australian film and television have been transformed by new international engagements, the emergence of major new talents and a movement away with earlier films’ preoccupation with what it means to be Australian. With original contributions from leading scholars in the field, the collection contains chapters on particular genres (horror, blockbusters and comedy), Indigenous Australian film and television, women’s filmmaking, queer cinema, representations of history, Australian characters in non-Australian films and films about Australians in Asia, as well as chapters on sound in Australian cinema and the distribution of screen content. The book is both scholarly and accessible to the general reader. It will be of particular relevance to students and scholars of Anglophone film and television, as well as to anyone with an interest in Australian culture and creativity.'

Source: Publisher's blurb.

1 y separately published work icon American–Australian Cinema : Transnational Connections Adrian Danks (editor), Stephen Gaunson (editor), Peter C. Kunze (editor), Oxford : Oxford University Press , 2018 18450961 2018 anthology criticism

'This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US.  To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s.'

Source: Publisher's blurb.

1 1 y separately published work icon Beyond the Ancient Quarrel : Literature, Philosophy, and J.M. Coetzee Patrick Hayes (editor), Jan Wilm (editor), Oxford : Oxford University Press , 2018 15980159 2018 anthology criticism

'In Plato's Republic, Socrates spoke of an 'ancient quarrel between literature and philosophy' which he offered to resolve once and for all by banning the poets from his ideal city. Few philosophers have taken Socrates at his word, and out of the ancient quarrel there has emerged a long tradition that has sought to value literature chiefly as a useful supplement to philosophical reasoning. The fiction of J.M. Coetzee makes a striking challenge to this tradition. While his writing has frequently engaged philosophical subjects in explicit ways, it has done so with an emphasis on the dissonance between literary expression and philosophical reasoning. And while Coetzee has often overtly engaged with academic literary theory, his fiction has done so in a way that has tended to disorient rather than affirm those same theories, wrong-footing the normal processes of literary interpretation. 

'This volume brings together philosophers and literary theorists to reflect upon the challenge Coetzee has made to their respective disciplines, and to the disciplinary distinctions at stake in the ancient quarrel. The essays use his fiction to explore questions about the boundaries between literature, philosophy, and literary criticism; the relationship between literature, theology, and post-secularism; the particular ways in which literature engages reality; how literature interacts with the philosophies of language, action, subjectivity, and ethics; and the institutions that govern the distinctions between literature and philosophy. It will be of importance not only to readers of Coetzee, but to anyone interested in the ancient quarrel itself.'  (Publication summary)

1 y separately published work icon Modernism, Postcolonialism, and Globalism : Anglophone Literature, 1950 to the Present Richard Begam (editor), Michael Valdez Moses (editor), Oxford : Oxford University Press , 2018 15450689 2018 anthology criticism
1 1 y separately published work icon The Oxford History of the Novel in English : The Novel in Australia, Canada, New Zealand, and the South Pacific Since 1950 Coral Ann Howells (editor), Paul Sharrad (editor), Gerry Turcotte (editor), Oxford : Oxford University Press , 2017 12006182 2017 anthology criticism

'The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements and tendencies.

'This volume offers a comprehensive account of the production of English language novels and related prose fiction since 1950 in Australia, Canada, New Zealand, and the South Pacific. After the Second World War, the rise of cultural nationalism in Australia, Canada, and New Zealand and movements towards independence in the Pacific islands, together with the turn toward multiculturalism and transnationalism in the postcolonial world, has called into question the standard national frames for literary history. This has resulted in an increasing recognition of formerly marginalised peoples and a repositioning of these national literatures in a world literary context. This multi-authored volume explores the implications of such radical change through its focus on the novel and the short story, which model the crises in evolving narratives of nationhood and the reinvention of postcolonial identities. The constant interplay between national and regional specificity and transnational linkages is mirrored in the structure of this volume, where parallel sections on national literatures are situated within a broadly inclusive comparative framework. Shifting socio-political and cultural contexts and their effects on novels and novelists, together with shifts in literary genres (realism, modernism, the Gothic, postmodernism) are traced across these different regions. Attention is given not only to major authors but also to Indigenous and multicultural fiction, children's and young adult novels, and popular fiction. A significant feature of this volume is its extensive treatment of the novel in the South Pacific. Chapters on book publishing, critical reception, and literary histories for all four areas are included in this innovative presentation of a TransPacific postcolonial history of the novel.' (Publication summary)

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