AustLit

'Leaping into Waterfalls explores the rich, tumultuous life of Gillian Mears, one of Australia's most significant writers of the last forty years.

'Gillian Mears appeared to many to be a shy woman from Grafton, but her lived and imaginative lives were rich with adventure, risk and often transgressive passion. In her award-winning and acclaimed novels and short stories, Mears wrote fearlessly of the dark undercurrents of country and family life, always probing the depths and complexity of human desire.

'Mears' sensuality and sexuality were the driving forces of her life and writing. As an adult, she was plagued by ill health yet remained steadfast in her quest to be independent and free; while recovering from open-heart surgery, she traversed the country alone in a de-commissioned ambulance. By her midforties, multiple sclerosis had confined her to a wheelchair. Undaunted, she continued to write and publish until her death five years later in 2016.

'Mears amassed an extensive collection of diaries, letters, manuscripts, photographs, recordings and ephemera, and deposited it with the Mitchell Library. She was a prolific correspondent with significant figures of the cultural landscape-Gerald Murnane, David Malouf, Tim Winton, Elizabeth Jolley, Helen Garner, Drusilla Modjeska, Kate Grenville and Marr Grounds. This meticulous and moving biography reads Mears' life and work within that broader cultural community to celebrate her truly extraordinary achievements and adventures.' (Publication summary)

'Six authors nominated for the National Biography awards reveal what most surprised them about their subjects.' (Publication abstract)

'Working in the archives of living writers provides exciting possibilities for extended interpersonal research as well as ethical challenges. This article explores the author’s experience of working in Helen Garner’s restricted archives and negotiating the demands of scholarly objectivity with an increasingly felt empathic engagement. The author traces a chronological path through the archives relating to Garner’s three substantial works of non-fiction: The First Stone (1995), Joe Cinque’s Consolation (2004) and This House of Grief (2014). She draws attention to some of the ways in which distance and objectivity can be influenced not only by contact with a living writer but also by the space in which the archive is encountered. With a deliberate focus on the lived experience of researching, rather than a scholarly examination of archival theory, the author offers a case study of how the interaction of archives and living subject can shape research and publication.'  (Publication abstract)

'Few JASAL readers will be unfamiliar with Brigitta Olubas’s extensive scholarship on Shirley Hazzards life and work. In 2012, Olubas published the monograph Shirley Hazzard: Literary Expatriate and Cosmopolitan Humanist. That same year she convened a Hazzard symposium at the Heyman Center for the Humanities at Columbia University. Papers from that event were later collected in Shirley Hazzard: New Critical Essays (2014). Now, in We Need Silence to Find Out What We Think: Selected Essays, Olubas takes readers on a geographical, political and literary tour of Hazzard’s life and mind.' (Introduction)

'Georgia Blain began to write The Museum of Words shortly after undergoing surgery for removal of an aggressive, malignant tumour from the language centre in her brain. The tumour was incurable. Blain knew that, at best, she ‘wouldn’t last more than a couple of years’. She died thirteen months later, in December 2016. The Museum of Words, as its subtitle – ‘a memoir of language, writing, and mortality’ – signals, is less about dying than it is about the beauty, complexity and necessity of language. ‘Language’, Blain insists, ‘is at the core of our being. The way in which we express ourselves is inextricably linked to who we are and how others see us.’ Blain expresses herself with a decided absence of sentimentality or self-pity. Her valedictory memoir is a celebration of the lives of four women, their relationships with each other and with language and writing. It is also a love letter to three of those women, to her life partner Andrew Taylor and to her own writing life.' (Introduction)

'Helen Garner is one of Australia’s most important and most admired writers. She is revered for her fearless honesty in the pursuit of her craft.

'But Garner also courts controversy, not least because she refuses to be constrained by the rules of literary form. She has never been afraid to write herself into her nonfiction, and many of her own experiences help to shape her fiction. But who is the ‘I’ in Helen Garner’s work?

'Bernadette Brennan’s A Writing Life is the first full-length study of Garner’s forty years of work, a literary portrait that maps all of her books against the different stages of her life.

'Brennan has had access to previously unavailable papers in Garner’s archive, and she provides a lively and rigorous reading of the books, journals and correspondence of one of Australia’s most beloved women of letters.' (Publication summary)

'Bernadette Brennan).With the publication of Suzanne Falkiner's Mick: A Life of Randolph Stow, readers have the opportunity to learn a great deal about one of the greatest Australian writers of the 20th century. Coming in at just under 900 pages, including more than 100 pages of endnotes, Falkiner's biography is a massive scholarly work. After years of exhaustive archival research, international travel and extensive interviews, Falkiner crafts a credible and moving portrait of a brilliant, sensitive, complex man. This biography is a significant contribution to Australian literary studies...' (Bernadette Brennan).