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Julienne Van Loon Julienne Van Loon i(A5507 works by)
Born: Established: 1970 Taree, Taree area, Greater Taree, Mid North Coast, New South Wales, ;
Gender: Female
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Works By

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1 Creative Writing as Nourishment : The Political Philosophy of Corine Pelluchon Applied to Our Field Julienne Van Loon , 2021 single work criticism
— Appears in: TEXT : The Journal of the Australian Association of Writing Programs , April vol. 25 no. 1 2021;

'What if we thought of creative writing practice and its resultant contribution (to knowledge, to arts practice, to the public good) as a means for sustaining an ethics of life?...'  (Publication abstract)

1 The Stella Shortlist : Your Guide to 2021’s Powerful, Emotional Books Donna Lee Brien , Julia Prendergast , Julienne Van Loon , Gay Lynch , Catherine McKinnon , 2021 single work review
— Appears in: The Conversation , 22 April 2021;
1 On Value and Australian Books and Writing Julienne Van Loon , 2021 single work criticism
— Appears in: Sydney Review of Books , April 2021;

'Over the last decade cultural policy-makers have dramatically tested the Australian literary sector. In addition to the challenges and opportunities posed by digital disruption, and the ongoing uncertainty around the Covid pandemic, cultural policy in Australia has been out in the cold for the best part of a decade. Which is to say: there is no cultural policy, really. During the last ten years advocacy for local books and writing has been everything from organised and passionate to reactive, emotive and haphazard. In the face of the ongoing challenges facing our sector now, how might we open a broad and accessible discussion about the public value of local books and writing? And what effect, if any, might such a discussion be expected to have on the future of Australian literature?' (Introduction)

1 Regardless of Decorum : A Response to Seneca’s ‘Of Anger’ Julienne Van Loon , 2021 single work essay
— Appears in: Women of a Certain Rage 2021; (p. 54-67)
1 Asking the Relevant Questions : A Meditation on the Work of Three Philosophers Julienne Van Loon , 2020 single work essay
— Appears in: Griffith Review , no. 69 2020; (p. 135-146)
'The first question. Why European thinking — again? My exchange with Europe goes back to the beginning: my father fled the country of his birth — the Netherlands — before the dust could settle after World War II. As a young boy, he was a direct witness to fatal military conflict in the streets of his own neighbourhood. As a teenager, he and 4.5 million of his compatriots nearly starved to death in the Hongenvinter (hunger winter) of 1944-45. At the age of twenty-one, mostly recovered from .1 mild dose of polio, he left for Australia on the SMN Gaasterkerk with a work ticket for a job in a state-run native-plant nursery in Sydney's West Pennant I fills. In a letter written in July 1952 to his mother back home in The Hague, he says: 'The guys working at the nursery are "good blokes", real Australians: the only problem is they are not easy to understand.' ' (Introduction)
 
1 Review of What Matters? Talking Value in Australian Culture Julienne Van Loon , 2020 single work review
— Appears in: Continuum : Journal of Media and Cultural Studies , vol. 34 no. 3 2020; (p. 468-470)

— Review of What Matters? Talking Value in Australian Culture Julian Meyrick , Robert Phiddian , Tully Barnett , 2018 multi chapter work criticism

'I first came across the cultural policy work of Julian Meyrick and Tully Barnett through their provocatively titled scholarly article in Cultural Trends, ‘Culture Without “World”: Australian Cultural Policy in the Age of Stupid.’ I found the authors’ clear-eyed assessment of recent problems with Australian arts and cultural policy provocative, courageous and intelligent. Julian Meyrick’s background as an Australian theatre professional, coupled with his cultural policy expertise, compliments Tully Barnett’s expertise in digital humanities and literary studies well: the result is literate, inventive and energetic scholarly work. I wanted to read more like it.' (Introduction)

1 Vale Professor Brian Dibble Julienne Van Loon , 2020 single work obituary (for Brian Dibble )
— Appears in: TEXT : The Journal of the Australian Association of Writing Programs , April vol. 24 no. 1 2020;
1 Instructions for a Steep Decline Julienne Van Loon , 2019 single work novella
— Appears in: Griffith Review , no. 66 2019; (p. 10-82)

'It is peak hour in the City of Light. A woman cycles backwards up a steep incline. The woman might be travelling home or to work. Other commuters flash past her on the busy city cycle path. There are black swans on the river. A train passes on a nearby bridge.' (Introduction)

1 The All-knowing Narrator in Kim Scott’s Taboo Julienne Van Loon , 2019 single work column
— Appears in: The Conversation , 14 June 2019;

'Why do we tell stories, and how are they crafted? In this series, we unpick the work of the writer on both page and screen.' (Introduction)

1 Man Out of Time and the Inheritance of Suffering Julienne Van Loon , 2019 single work column
— Appears in: The Conversation , 9 May 2019;

'Stephanie Bishop’s latest novel, Man Out of Time (Hachette, 2018), is a disturbing read. It is also a sophisticated work, particularly in terms of the way the author has managed narrative temporality – that is, the relation between story and time. Other novelists and aspiring writers would do well to look closely at what Bishop has achieved here.' (Introduction)

1 3 y separately published work icon The Thinking Woman Julienne Van Loon , Kensington : NewSouth Publishing , 2019 15507830 2019 single work autobiography

'This is compelling memoir combined with rigorous thinking and analysis that prompts questions about how we live.

'The concerns of philosophy are important to us all, yet the voices and thoughts of women have often been missing from the conversation. In this extraordinary new book, award-winning Australian writer Julienne van Loon addresses the work of leading international women thinkers. She discusses friendship with pre-eminent philosopher Rosi Braidotti, wonder with cultural historian Marina Warner, play with celebrated novelist Siri Hustvedt, love with cultural critic Laura Kipnis, work with socialist feminist Nancy Holmstrom, and fear in relation to the work of Helen Caldicott, Rosie Batty and Julia Kristeva.

'By constantly linking the personal and the political, and prompting insightful questions about how we live today, van Loon invites us into a lively exchange of ideas with these remarkable women. This deeply thoughtful book urges readers to look anew at the question of what it means to live a good life.'

Source: Publisher's blurb.

1 Coming to Terms with Culpability and Grief in the Face of Catastrophe Julienne Van Loon , 2018 single work review
— Appears in: TEXT : Journal of Writing and Writing Courses , October vol. 22 no. 2 2018;

— Review of The Bridge Enza Gandolfo , 2018 single work novel

'Enza Gandolfo’s second novel has been many years in the making, but it has been well worth the wait. This is an ambitious, multi-generational story from a skilled writer. Diving into the almost four-hundred-page novel, I was promptly absorbed by its carefully layered plot, its significant cast of troubled characters, and Gandolfo’s strong loyalty to a representation of recent local history that takes in the union movement, post-war European migration to the city of Melbourne, and the very real struggles of raising a family, both with and without the support of extended family.' (Introduction)

1 How Useful Is TEXT? Julienne Van Loon , Ross Watkins , 2018 single work essay
— Appears in: TEXT : Journal of Writing and Writing Courses , October vol. 22 no. 2 2018;

'It is always interesting to look at the cPanel stats provided by our excellent webhost, Netregistry. They show, for example, that ten years ago, in October 2008, TEXT had 2397 unique visitors who accessed on average 3.2 pages (i.e. 3 articles) in the month.' (Introduction)

1 Embodied Subjectivity and the Project of the Contemporary Literary Essay Julienne Van Loon , 2017 single work criticism
— Appears in: TEXT Special Issue Website Series , no. 39 2017;
'The essay’s capacity to narrate a situated and embodied experience that entwines poetics, politics and affect enables the form a particular methodology. Contemporary critical theorist Rosi Braidotti has argued for the urgent need to revise theoretical aspects of affect and authenticity so as to more fully register the increasingly complex way we experience embodied subjectivity (2013). In this article, I argue that the contemporary literary essayist is well placed to negotiate such a revision, and that renewed interest in the form of the literary essay during the last two decades can be read as a timely contribution to such a project.' (Introduction)
1 Let's Play Knowledge-Makers Julienne Van Loon , 2017 single work essay
— Appears in: Axon : Creative Explorations , April vol. 7 no. 1 2017;
'This deliberately playful article explores the work of cognitive psychologist Lev Vygotsky, in particular the anecdote he shares in his 1933 essay on play and the development of the child, in which two sisters play at being sisters. Vygotsky uses the anecdote to reflect on the role of rules—and their absence—in playful becoming and conditioned social behaviour. Here, I revisit Vygotsky’s anecdote to re-cast it into the research and creative practice context in the contemporary university setting. How might we think about the play of rules and their absence in relation to doing and/or becoming research and creative practice academics? In this article I complement the Vygotsky anecodote with a consideration of the Glasgow series of paintings of two sisters by British artist Joan Eardley. I unearth what we know about Eardley’s creative process in the production of her series of portraits of the Sampson children during the 1940s, and explore the ways in which that process or practice can be said to reveal something about the importance of immersive repetition, playful re-working, and the constant casting off (and on again) of rules. The article also draws on some recent qualitative research by the author on the role of play in contemporary Australian research practice. ' (Introduction)
1 Where Do Writers Get Their Ideas From? Julienne Van Loon , 2017 single work essay
— Appears in: Sydney Review of Books , March 2017;
'‘Where do writers get their ideas from?’ This a question that comes up regularly for writers who find themselves released into polite company in the broader community. I suspect it is most commonly asked by people who do not often write imaginatively. One of the writers who has complained about being regularly asked where he gets his ideas from is Neil Gaiman. ‘In the beginning,’ he explains in one of his essays, ‘I used to tell people the not very funny answers, the flip ones: “From the Idea-of-the-Month Club,” I’d say, or “From a little ideas shop in [such and such a place],” … ‘Then I got tired of the not very funny answers, and these days I tell people the truth: “I make them up,” I tell them. “Out of my head.” People don’t like this answer. I don’t know why not.’' (Introduction)
1 The Fifth Story Julienne Van Loon , 2015 single work short story
— Appears in: TEXT : Special Issue Website Series , October no. 30 2015;
1 ‘She Had Her Plants’ Julienne Van Loon , 2015 single work review
— Appears in: TEXT : Journal of Writing and Writing Courses , April vol. 19 no. 1 2015;

— Review of Harriet Chandler Moya Costello , 2005 single work novella
1 Bring Closer What Is Left to Come Julienne Van Loon , 2014 single work short story
— Appears in: The Best Australian Stories 2014 2014; (p. 1-16)
'It is peak hour in the City of Light. A women cycles backwards up to a steep incline...'
1 He Lost Her Twice Julienne Van Loon , 2014 single work short story
— Appears in: White Knuckle Ride 2014; (p. 92-101)
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